Etching, image size 11 3/4 x 15 7/8 inches, pencil signed
This 1875 etching by Johan Barthold Jongkind measures 5 3/4 x 8 3/4 inches, plate signed and dated, IV/VI, J-19. Title, publisher and artist printed below image. Framed.
A beautiful lithograph by the American artist, Stow Wengenroth, measuring 12 1/4 x 17 1/4 inches, pencil signed in an edition of 50. This image is of Winter Harbor, Maine, created in October of 1941, Stuckey cat: 110, framed. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
Lithograph, image size 8 3/4 x 11 1/8 inches, 1932, edition of 30 or fewer, cat: McCulloch-34, pencil signed and titled.
This is an original handsigned woodblock print by Latvian-American artist Isac Friedlander. This work is titled: "Ghetto", it was created and printed in 1942. It is a very scarce image by this artist. It was created and printed in 1942. The image measures 9 3/4X10 7/8 inches. pencil signed titled and dated in the lower margin. This image was printed in an edition of only 26 signed proofs.. Isac Friedlander was born in 1890 in Mitau, Latvia. Those were difficult days for a captive people under the czarist yoke, but it was not long before young Isac’s assertive spirit emerged. At sixteen he was arrested and condemned to death, along with several of his classmates, for protesting compulsory uniforms and weekend curfews. His classmates were shot but his sentence was commuted to life imprisonment.
Fortunately, Friedlander’s skills in drawing and the portraits he did of his prison guards and their children came to the attention of a local functionary, who took an interest in him. In four years he was released. The war years of the 1940’s found him deeply troubled in spirit by the reports of sufferings and persecution of his people throughout Nazi-dominated Europe. Having experienced first hand in his youth the depth of man’s inhumanity to his fellow man, he now produced his heart-rending and powerful prints of the holocaust.
Friedlander’s woodcuts, wood engravings, and etchings are powerful expressions of the human condition. Death took him in 1968, but not before his spirit found renewed expression in his masterful prints of life among America’s urban blacks as the winds of social change were gathering to redress the wrongs of generations.
This etching by the well known Welsh artist, Augustus John, measures 3 7/8 x 3 1/8 inches. It is pencil signed and framed, with artist provenance on Kennedy Galleries label on backing. Cat: Campbell Dodgson 107 V. Augustus John was a painter, draughtsman and etcher, known for his brilliant figure drawings, his work being compared to Gauguin and Matisse.
Lithograph, image size 18 x 13 inches, edition of 30, 1945, print signed, dated, edition number, and title in pencil. Plate signed "BS" l.r. Fine & Looney 246. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
This is a fine original pencil signed etching by Swedish artist Anders Zorn (1860-1920) The title of this work is "Alder", a fine study of two nudes from his Series on Nude Bathers. This etching was created and printed in 1917, it appears in his catalog as Hjert & Hjert number 282. The image measures 7X4 3/4 inches, printed on a laid type paper with watermark. Very nice condition, printed with a warm toned ink.
This is a beautifully colored etching and aquatint by French master of the Belle Epoch, Manuel Robbe (1872-1936) The title of this work is" Claudine" it was created and printed in 1903 and Published by Sagot in Paris. The image measures 12X9 3/4 inches, printed on a medium weight Arches watermarked laid paper. deckeled edges, a very rich impression, excellent condition. Robbe studied at the Academie Julien and then the Ecole des Beaux Artes. His technique of hand coloring the images means that no two are exactly alike, a very painterly technique.
Aquatint, image size 10 1/2 x 16 1/4 inches, 1918, cat. Hardie-163, pencil signed. One of Short's largest aquatints, this scene depicts two fishermen on the Bure at Stokesby Ferry near Acle in Norfolk.
Lithograph, image size 9 1/4 x 12 1/8 inches, 1940, AAA edition, cat. Zink-56, pencil signed
This is an original wood block print by American artist Werner Drewes. It is a self portrait of the artist created and printed in 1971. It is editioned as 22/40. The image measures 18 1/2X11 1/2 inches. Pencil signed by the artist, printed on a medium weight japan type paper.
Engraving 1805, after Raphael; Prov. Gray Coll.908; image size 18 1/4 x 12 15/16 inches; plate size 22 x 15 1/2 ; paper size 28 3/8/ x 20 3/16 inches
Etching, image size 5 7/8 x 6 1/2 inches, 1894, cat: Schwarz-7, pencil signed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.
This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever. And the long drive out over the sacred way, the long, quiet day; and the long drive back, with the Acropolis growing more and more majestic in the twilight, were perfect."
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