This is a rare pencil signed impression by Mary Nimmo Moran, etching, roulette and mezzotint, image size 7 3/8 x 11 3/8 inches, 1883, plate signed and dated, pencil signed. A beautiful impression in sepia ink with ample margins. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter-Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.
This is an original lithograph created by Japanese American artist Yasuo Kuniyoshi. The title is Burlesque Queen, it was created and printed in 1936 for the American Artists School in New York City. It was created in an edition of 100. The image measures 11 5/8X9 1/2 inches. This image is plate signed as issued, it is inscribed in pencil lower left "100 prints". The sheet has the AAS blind stamp in the lower border and with a partial ink stamp on the back of the sheet from the American Artists School.
An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
Etching, 1909, image size: 8 5/8 x 6 1/4 inches, ed 8/8, pencil signed
This is an original etching by American artist Leonard Baskin. This portrait is of Thomas Eakins, the early painter. It was created and printed in 1964. The image measures 18 1/4X13 inches. It is pencil signed, titled and editioned as 74/90. The image appears in the Baskin catalog as image number 465. This etching, in great condition is currently framed in a fine period picture frame. The overall frame measures 30X24 inches.
Image size measures 14 3/8 x 8 1/2 inches on 18 x 12 inch wove type paper. Plate signed in the lower right of the picture, faint pencil signature in the lower right of paper. Plate titled in the lower right. C. 1893. Etching, aquatint, and drypoint. From his "Les Petits Du Ballet" series. A very stylized print that showcases the stark contrast between the somber adult figure in the doorway and the bright, energetic young dancer entering the room.
Color aquatint and drypoint etching C. 1905. Edition of 100. Signed in orange crayon in the lower right. Plate measures 13 x 11 inches in a 23 1/4 x 20 1/5 inch gold frame. A fine impression. Catalog: Merrill Chase 125. Provenance Merrill Chase galleries, according to a label on the back. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.
This 1928 etching by the British printmaker Arthur Briscoe measures 7 x 11 3/8 inches, hand signed in ink and editioned as 32/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Engraving, image size 16 x 19 15/16 inches, JW Randall 3709, signed in plate. Hercules inadvertently murders Iphitus. His punishment is to serve as a slave to Omphale, the queen of Lydia, in a comic tale of gender role reversal.
Lithograph,1943,edition of 250,published by Associated American Artists,image size,10X15 1/4 in.,printed by George Miller, Pencil signed
This original lithograph was created by American artist Stow Wengenroth. The title is "Memory", it was taken from a scene in Greenport, New York in 1971. The image measures 14 3/8 X10 3/4 inches. The edition was only 60 signed impressions. It is pencil signed lower border, printed on a medium weight wove type paper. This lithograph was done as a special tribute to the artist's wife who died the year before.
This is an original etching by British artist James McBey. It is titled: Manhattan, a view of the Bridges of New York. Hand signed in ink lower right and editioned as XXVI in the lower left border. This etching was created and printed in March 1930. Printed on a medium weight laid type paper.
Engraving, Prov. Gray: 539, Blind Stamp,., see Passavant II, p.168, engraved 1841, Proof, before letters; Image size 12 1/2 x 12 1/2 inches; plate size 181/8 x 15 1/2 inches; paper size 30 1/4 x 23 7/8/ inches; blind stamp Rittner & Goupil, Paris l.l.
This expressive drypoint etching of ducks taking flight by Frank Benson was published in 1918 in an edition of 150. It is pencil signed on the lower margin. This image measures 7 7/8 x 9 7/8 inches with wide margins on a sheet size of 12 1/2 x 15 3/8 inches. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.
Etching, image size 7 5/8 x 16 1/4 inches, 1870, state IX/XI, cat: Schneiderman-133, pencil signed. According to Schneiderman, the Agamemnon was one of the last wooden hulled warships built in England, shown here moored on the Thames, ready for demolition. Haden was commissioned to by P.G. Hamerton to create an etching of the old ship for the newly founded art magazine 'The Portfolio.'This remarkable image became one Haden's most successful prints.
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