This is a drypoint etching from 1939. #40 in his "French Church" series. Catalog: Fletcher 317. Edition of 312, an early proof of the second and final state. The blue paper and inky fingerprints on the back of the paper indicate that this is likely a trial proof. Plate measures 14 3/4 x 12 inches on blue watermarked laid paper. Alternatively titled "The North Portal of Chartres Cathedral." Pencil signed and dated in the lower right. Winner of the Artist Member Prize, Annual Exhibition, Baltimore Water Color Club, The Baltimore Museum of Art, 1939. It took the artist about 1,000 hours to etch this print, and upon closer inspection of the captivating detail in every single piece of stone, it's clear to see why. One of his most sought-after prints.
Drypoint etching, image size 14 1/4 x 19 1/2 inches, 1906, ed. of 50, cat. Tabanelli-165, pencil signed, framed
Original pencil signed drypoint etching by American artist Frank Benson 1862-1951. The title of this work is "The Landing", created and printed in 1915 in an edition of only 50. The image measures 7 1/4X11 1/4 inches. Printed on Shogun watermarked paper. The etching appears in the Ordeman catalog as image number 70. The setting of this image was Fox Island on Penobscot Bay. Excellent condition matted not framed. Editioned as 46/50.
This is an original aquatint etching by French artist Georges Rouault titled: " Le Director de Theatre", The Theater Director. From the series "Reincarnations of Pere Ubu", This is a rare hand signed impression lower right and also inscribed as M/O lower left. This etching was created and printed in 1928. The image measures 12X7 3/4 inches. It is printed on a medium weight wove type paper. Some light toning in the border area. Rouault was known to experiment with his etchings, this one not only has aquatint etching but also some roulette work, drypoint and use of a burnisher. A very rich heavily inked impression. Catalog Chapon-Rouault 27.c
This is an original pencil signed lithograph by American artist Robert Riggs. The title of this work is: "The Third Round", it was created and printed in 1932, one of a series of Boxing images that Riggs is best known for. The size of this image is impressive. The image measures 14 3/8X19 3/8 inches. Very fine condition, framed, archival materials. "Robert Riggs's dream at age eleven was to join the traveling carnival troupes that he saw in Decatur and picture in a hundred or so drawings that reveal his precocious talent. After studies at the Art Students League in New York from 1915-1917, he worked as an illustrator for the Philadelphia advertising agency N.W. Ayer and Son. In 1918 he spent time in Paris, where he took courses at the Academie Julian. He produced his first lithograph in 1932, on themes from the popular world of boxing "
This is an original etching by American artist James Abbott McNeil Whistler. The title of this image is "Soupe A Trois Sous", It was created and printed in 1859 and according to the Glascow catalog this image was never published. The etching measures 5 7/8X8 7/8 inches, printed on a thin Japan laid paper, very fine condition, nice use of plate tone in the foreground. Soupe à trois sous ' is French for 'Soup for three sous', which was very cheap soup, and implies that the restaurant was a very basic café/bar. Whistler's first title, 'Café des Pieds Monilles' implies a particular café. 'Café des Pieds Monilles' is almost certainly a garbled reference to the Parisian Café des Pieds-Humides ('Café of the Wet Feet'). However, this title seems to have been immediately rejected in favour of the more familiar ' Soupe à trois sous '.(glascow)
This is an original etching by Scandinavian artist Anders Zorn 1860-1920. The title of this piece is "The Swan", (Svanen) It was created and printed in 1915, one of his most impressive of the nude bather series of his etchings. The image mesures 9 3/4X 7 5/8 inches. Printed on a laid paper with an extensive crown watermark. The etching is signed and dated lower right and also hand signed in pencil in the lower right border. Fine condition, wide borders all around, a very slight line of toning where an early window mat lay, not visible in the new matting. The image appears in the Hjert & Hjert catalog as image 276.
This is an impressionistic original color etching and aquatint by French master of the Belle Epoch, Manuel Robbe (French 1872-1936) The title of this work is:
"Le Bouquet de Violettes", it was created and printed in 1903 in the first edition of only 65 signed proofs. A larger edition was published after the signature was added to the plate. This etching is hand signed in pencil lower right. The image measures 17 1/2X11 3/4 inches. A fine impression, previously sold by Merrill Chase galleries, it appears in the Chase catalog as image number 105. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
This is an original etching by French artist Jacques James Tissot. It is titled:" L'Enfant Prodigue", from the series The Prodigal son in modern life. "The fatted calf" This etching was from the first state of 2 in an edition of 100. This edition was done before the type set text under the image and this one is quite rare that it is also hand signed by the artist in the lower right corner as well as plate signed and stamped with the red seal in the lower left. The image measures 10 3/4X14 1/2 inches, the platemark measures 12 1/4X14 1/2 inches. Printed on a wove type medium weight paper. A finely inked impression....
An early etching by Gene Kloss, this is a very richly inked scene of boats moored on the quiet harbor waters of San Francisco Bay. The image size is 9 x 10 inches, published in 1935 in a small edition of 75, pencil signed, titled and numbered. Gene Kloss was born in California as Alice Geneva Glasier, changing her name when she married the poet, Phillip Kloss in 1925. On their honeymoon, the Kloss's traveled to and fell in love with Taos, New Mexico. For over a decade they split their time between Taos and Berkely, CA; Gene Kloss becoming a central figure in the artistic communities of both states. This etching is in pristine condition and features a richly inked impression with superb plate tone on a heavy weight wove type paper.
Etching from 1885 after Harry Chase. Pencil signed by both. Printed on chine-collé. Remarqué of an anchor in the lower left. Catalog: Gilcrease 51, Klackner 43, iii/iii. roulette and sandpaper ground. Some even light toning. A well-inked impression of this rare early American etching. Plate size measures 14 7/8 x 29 3/4 inches in a 20 3/4 x 35 1/2 inch frame.
Etching with drypoint, image size 15 1/2 x 9 1/2 inches, c. 1890, edition of 20, pencil signed. Helleu began his art career when he enrolled at the Ecole des Beaux Arts and worked as an apprentice for Theodore Deck, decorating ceramic plates with women's portraits. He became friends with many artists of La Belle Epoch, including John Singer Sargent, Whistler, Tissot, Monet and Rodin, and became well known for his elegant portraits of women of French society. The young girl in this portrait is Helleu's daughter Ellen.
C. 1912. Pencil signed in the lower right. Plate initialed and dated in the lower left. Plate measures 11 3/4 x 7 3/4 inches on 16 1/2 x 11 1/2 inch watermarked Van Gelder Zonin laid paper. Catalog: Hjert and Hjert 209. A rare print. This is an excellent portrayal of a pensive woman with a rich drypoint burr. Anders Zorn's artistic talents were obvious at an early age. At 15 he entered the Royal Swedish Academy of Art in Stockholm and at 20 years old, at a student exhibition, he entered his watercolor painting "In Mourning" which now hangs in the National Museum in Stockholm. This recognition was the start of a long and accomplished career for Zorn.
Lithograph, image size 15 3/8 x 18 inches, 1932, pencil signed. Born in Poland, Max Weber emigrated to Brooklyn, New York with his family at the age of 10. He went on to study art at the Pratt Institute in Boston, then traveled to Europe where he was influenced by the groundbreaking work of Henri Matisse, Pablo Picasso and Henri Rousseau. Weber returned to America, bringing with him the cubist and modernist ideas and techniques that he learned in Europe, and is considered by many to be one of the forefathers of American modernism.
This is an expressive original etching by French master Jacques Villon (1875-1964) The title of this work is "Minne Etendue Dans Un Rocking-Chair,Le Repos" It was created and printed in 1907 in an edition of 50, this one is inscribed as "no.7 of the edition. The image measures 6 3/4X9 3/4 inches. It is hand signed in pencil, published by Sagot in Paris, blind stamp lower border and was last sold by Associated American Artists in New York. with their certificate of Authenticity. A very fine and well inked impression, a great example of Villon's earlier work from his pre-cubist days in Paris.
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