A fine example of the Drypoint work of French artist Jacques VIllon. The title of this work is :"L'Epingle A Chapeau", the hat pin. This image was created and printed in 1909. The image is editioned lower left as 12/20. A rare image. The drypoint measures 15X12 inches, printed on a medium weight, watermarked, laid type paper. very fine condition, a rich impression showing a velvet burr of ink throughout the figure.
This drypoint is clearly signed in pencil by the artist lower right border.
Etching, drypoint, image size 15 x 9 7/8 inches, 1930, trial proof before the published state of 150, Ordeman #300, pencil signed l.l. "Frank W. Benson", printed on Whatman paper.
This 1928 marine etching by the British printmaker Arthur Briscoe measures 12 1/8 x 8 7/8 inches, hand signed in ink and editioned as 7/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original mezzotint by British artist Sir Frank Short. The title is: "Moonrise on the Bure" This mezzotint was printed in 1922, the image measures 11X15 7/8 inches, printed on a medium weight wove type paper, pencil signed lower right and monogrammed in the plate lower left corner. A beautiful rich impression, very subtle tonal range throughout. Beautiful condition.
Engraving, image size: 26 1/2 x 15 1/4 inches, prov. JW Randall, Coll. 4022, 17th Century impression
This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images. This richly inked image was exhibited at the Royal Academy in 1927. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark
This is an original etching by American artist Leonard Baskin. It is a portrait of Hercules Seghers, the Dutch old master painter. This portrait was created and printed in 1962. It appears in the Fern-OSullivan catalog as image number 432. The image measures 17 3/4X14 1/2 inches. Printed in two colors. It is pencil signed and editioned as 1of 12 in roman numerals. Beautifully framed with archival materials.
Color woodblock, circa 1740 image size 12 3/4 x 5 3/4 inches
This is an extremely detailed etching by American master John Taylor Arms. This image titled: "Limoges" was created and printed in 1932. It was part of his series on French Churches. The image measures 10 1/16X13 5/8 inches, printed on a blue toned laid type paper. The etching is pencil signed and inscribed as "Ed 100 III"
A beautiful etching by Sir Francis Seymour Hayden measuring 7 x 13 inches, pencil signed on l.r., Schneiderman cat: 37, state VI/IX, 1860, printed on japan paper, label from Harlow and McDonald included. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894. This print was exhibited at the Royal Academy in 1861, under "H. Dean," the anagram of Haden.
This is an original etching by French Master Georges Rouault. The title of this work is: "Sunt lacrymae rerum " ( There are tears in things ) This etching and aquatint was created for the Miserere series in 1926 as image number 27. . The platemark measures 24 1/4 17 1/2 inches. It was published in an edition of 450 on arches wove type paper by Ambroise Vollard. His Vollard watermark appears in the sheet. The etching is signed and dated in the image in the lower right. This etching was never hand signed by the artist.
This is an original etching by French master Georges Rouault. The title is "Solitaire, en cette vie d'embuches et de malices. It was created and printed in 1922 as plate 5 in the Miserere series. This image appears to be an early proof of the etching that was later printed by Vollard. The image measures 22 3/4X16 1/2 inches.It appears in the Wofsy catalog as image number 112. This etching was never hand signed in pencil by the artist.
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