This is an original pencil signed etching by American artist Otto Kuhler. The title of this image is: Steel Castles. It was created and printed in 1925 in an edition of 50 impressions. The image measures 16 3/4X13 1/4 inches. Printed with a brown toned ink.
Etching with drypoint, image size 11 1/2 x 13 3/16 inches, first plate (Guerin 69), pencil signed and titled
This is an original early etching by Italian Old Master Giovanni B. Piranesi. The title is; Veduta in Prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi. This was created and printed in 1773. It is from the first state of 3 before numbers. From his series Vedute di Roma. The image measures 18 3/4X28 1/4 inches. Printed on a medium weight wove type paper with circular watermark and the typical fold in the center. Very fine condition, Cataloged at Hind 104.
This is a scarce original pencil signed etching by American artist Stephen Parrish. The title of this work is: "The Harbor of Cannes, 1886" . This image was created when in November of 1885 Parrish arrived in Cannes. "The harbor was so beautiful that it inspired this etching." (R.S.) The image measures 11 7/8X18 5/8, printed on a medium weight wove paper called "Imperial Japan". Excellent original condition, a rich warm tone to the sheet. This etching was last sold by Hermann Wunderlich, the label appeared on the back of the frame, this etching is currently matted, not framed. An excellent rich impression.. This image appears in the Schneider catalog as image number 116.
This is a rare etching by British artist Sir Francis Seymour Haden. This etching and drypoint is titled: The Fisherman. It was created and printed in 1864. Hand signed in pencil which is quite rare for this image. Printed in a warm toned ink, the image measures 5 1/2X8 7/16 inches. This etching is the 5th state of 5 with extensive use of plate tone in the water and sky. Haden was an avid fisherman, and apart from doing etchings and being a well respected surgeon, he spent his spare time fishing across Britain. This etching is matted and framed.
This is an original color aquatint etching by Austrian artist Luigi Kasimir. The title of this work is: "Fleet Street,London", circa 1930, one of his best works. The view is of St.Pauls and Ludgate Hill from Fleet Street.
The image measures 21 1/4X17 inches. very nice condition, pencil signed in the lower left border, printed on a wove type paper. It appears in the Kasimir catalog as image number 10.
1887, 19 x 23 1/2 inches, pencil signed, framed
Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.
This is an original etching by Old Master Italian artist Giovanni B. Piranesi. The title of this work is:
Veduta degli Avanzi di Fabbrica magnifica sepolcrale co'sue Rovine. View of the remains of a magnificent sepulcral building and its runins near the Torre de'Schiavi. It was created and printed in 1756. The image measures 14 1/2X20 1/2 inches. This is an early life time impression, printed on a medium weight laid type paper with a circular watermark. This image was part of the series Le Antichita Romane. The image has the center fold typical of this series.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Soft ground etching and aquatint, 8 x 11 7/8 inches, 1918, IV state, edition of about 21, printed by Ernest Haskell, cat. Czestochowski-60, alternatively titled "Autumn", pencil signed lower right.
This is an original pencil signed etching by French artist Jacques Villon. The title of this work is: "Maternite", it was created and printed in 1952, it is editioned as 15/75. The image measures 11X7 1/2 inches.
Framed, in very fine condition.
This 1928 original etching by Arthur Briscoe measures 13 3/8 x 8 3/4 inches, pencil signed and numbered, 10/75, cat: Laver 116, plate titled and dated, published by H.C. Dickins. This spectacular image was created at the height of Briscoe's popularity, depicting the dangerous and challenging daily routines aboard a seafaring vessel. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original hand colored lithograph by American artist Don Freeman. The title is: "To see the mayor". This image was created and printed in 1937 in an edition of 25, far fewer were hand colored by the artist. This image is pencil signed, the image measures 12 1/8X9 inches. According to the catalog: "On his weekly radio program, Mayor La Guardia encouraged new Yorkers to bring their complaints to him personally. Freeman drew a group of constituents making appointments with the mayor's secretary" This lithograph is framed.
A great sporting etching by Frank Benson, this image measures 14 x 10 7/8 inches, 1922, cat: Ordeman-213, pencil signed. A very rich impression on a medium weight laid type paper. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
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