This is an original hand colored lithograph by American artist Don Freeman. The title is: "To see the mayor". This image was created and printed in 1937 in an edition of 25, far fewer were hand colored by the artist. This image is pencil signed, the image measures 12 1/8X9 inches. According to the catalog: "On his weekly radio program, Mayor La Guardia encouraged new Yorkers to bring their complaints to him personally. Freeman drew a group of constituents making appointments with the mayor's secretary" This lithograph is framed.
Etching C. 1938. Catalog: Fletcher 311. 2nd state, edition of 156. Printed by David Strang. Plate measures 7 1/16 x 17 1/8 inches on 9 1/4 x 20 5/8 inch Whatman watermarked laid paper. Number two in his English Series. Plate inscription in the lower right: "John Taylor Arms 1938." Pencil signed in the lower right: John Taylor Arms 1938. Pencil numbered "II" in the lower left and inscribed "To my friends Charlotte and Richard Perry - John Taylor Arms 1938". An atmospheric and exquisitely detailed print, Arms has perfectly captured the reflections of the buildings. There is even a signpost just above the bridge that is perfectly legible, but only with a loupe tool or magnifying glass. This print has won several awards including the Purchase Prize, the Josephine Hancock Logan Prize and Medal, and the Lotus Club Print Prize. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This is an original hand colored lithograph by American artist Don Freeman. The title is: "Astor Lobby, Show Time" or "Under the Astor Clock". This lithograph was created and printed in 1932 in an edition of 30, far less were hand colored by the artist. The image measures 8 7/8X11 1/8 inches. Hand signed and titled in pencil in the lower border. Framed.
This is one of the most impressive etchings by American artist Stephen Parrish. It is titled: "A GLOUCESTER WHARF", it was created and printed in 1886. It was one of three plates that Parrish did exclusively in dry point. The image is quite large, measuring 17 7/8X11 7/8 inches, printed on a medium weight wove type hard paper, A beautiful impression with extensive use of plate tone in the sky and sea. Printed with brown ink, fine condition. The Oil,Sounds & Livers advertised on the building are important fisheries products. Sounds are fish air bladders ground up for use in making isinglass. Parrish made very few etchings in a vertical format. (rona schneider)
Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed
Drypoint from 1930. Catalog: Appleby 144. Featured in Fine Prints of the Year in 1931. Plate signed on the bottom edge: "Blampied Jan. 1931". Signed in ink in the lower right, editioned in the lower left. Numbered 39 in an edition of 100. Plate measures 10 1/4 x 10 1/4 inches. This print is expressive in both line and content.
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This is a fine example of the Paris etchings created by Manuel Robbe in the early quarter of the 20th century. This etching is titled: "Moulin Rouge", created circa 1925.
This is a combination of color aquatint and etching, it was published by L'Estampe Moderne in an edition of 200. The image measures 11 3/8X15 1/2 inches. This etching is hand signed lower right and identified as an artist proof on the lower left. This etching was originally sold and framed by Merrill Chase Galleries in Chicago, the labels and information are attached to the back of the frame. The etching appears to be in flawless condition, rich colors and inking.
This is an original line engraving by British artist Stanley Anderson. The title of this work is: "Good Companions" This engraving was created and printed in 1951 in an edition of 65, Published by P & D COLNAGHI. The image measures 7 1/4X10 3/8 inches. Excellent condition, wide margins all around, hand signed and editioned in pencil.
Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, This etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.
This is a fine original pencil signed etching by Swedish artist Anders Zorn (1860-1920) The title of this work is "Alder", a fine study of two nudes from his Series on Nude Bathers. This etching was created and printed in 1917, it appears in his catalog as Hjert & Hjert number 282. The image measures 7X4 3/4 inches, printed on a laid type paper with watermark. Very nice condition, printed with a warm toned ink.
This is a beautiful sun drenched scene of Havana, Cuba by Scottish artist James McBey. Etching, image size 6 7/8 x 12 7/8 inches, 1940, plate signed and dated, hand signed and numbered "XXXVIII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited.
This etching by the well known Welsh artist, Augustus John, measures 3 7/8 x 3 1/8 inches. It is pencil signed and framed, with artist provenance on Kennedy Galleries label on backing. Cat: Campbell Dodgson 107 V. Augustus John was a painter, draughtsman and etcher, known for his brilliant figure drawings, his work being compared to Gauguin and Matisse.
A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.
This is an original handsigned woodblock print by Latvian-American artist Isac Friedlander. This work is titled: "Ghetto", it was created and printed in 1942. It is a very scarce image by this artist. It was created and printed in 1942. The image measures 9 3/4X10 7/8 inches. pencil signed titled and dated in the lower margin. This image was printed in an edition of only 26 signed proofs.. Isac Friedlander was born in 1890 in Mitau, Latvia. Those were difficult days for a captive people under the czarist yoke, but it was not long before young Isac’s assertive spirit emerged. At sixteen he was arrested and condemned to death, along with several of his classmates, for protesting compulsory uniforms and weekend curfews. His classmates were shot but his sentence was commuted to life imprisonment.
Fortunately, Friedlander’s skills in drawing and the portraits he did of his prison guards and their children came to the attention of a local functionary, who took an interest in him. In four years he was released. The war years of the 1940’s found him deeply troubled in spirit by the reports of sufferings and persecution of his people throughout Nazi-dominated Europe. Having experienced first hand in his youth the depth of man’s inhumanity to his fellow man, he now produced his heart-rending and powerful prints of the holocaust.
Friedlander’s woodcuts, wood engravings, and etchings are powerful expressions of the human condition. Death took him in 1968, but not before his spirit found renewed expression in his masterful prints of life among America’s urban blacks as the winds of social change were gathering to redress the wrongs of generations.
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