Etching C. 1938. Catalog: Fletcher 311. 2nd state, edition of 156. Printed by David Strang. Plate measures 7 1/16 x 17 1/8 inches on 9 1/4 x 20 5/8 inch Whatman watermarked laid paper. Number two in his English Series. Plate inscription in the lower right: "John Taylor Arms 1938." Pencil signed in the lower right: John Taylor Arms 1938. Pencil numbered "II" in the lower left and inscribed "To my friends Charlotte and Richard Perry - John Taylor Arms 1938". An atmospheric and exquisitely detailed print, Arms has perfectly captured the reflections of the buildings. There is even a signpost just above the bridge that is perfectly legible, but only with a loupe tool or magnifying glass. This print has won several awards including the Purchase Prize, the Josephine Hancock Logan Prize and Medal, and the Lotus Club Print Prize. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is a very rare early proof etching by Jacques Villon titled "La Pedicure". The image size is 9 1/4 x 6 1/2 inches; this print was published in 1907 in an edition of 50, although this is an early state before the published edition. It is pencil signed and notated "Essai" which translates as "test" or "trial". This image is very richly inked with beautiful plate tone and has several of the artist's fingerprints in black ink around the edges of the sheet, all away from the image. This is a truly remarkable early state etching by a very important 20th century artist and would make an excellent addition to any serious collection.
This is an original color aquatint etching by Austrian artist Luigi Kasimir. The title of this work is: "Fleet Street,London", circa 1930, one of his best works. The view is of St.Pauls and Ludgate Hill from Fleet Street.
The image measures 21 1/4X17 inches. very nice condition, pencil signed in the lower left border, printed on a wove type paper. It appears in the Kasimir catalog as image number 10.
This is one of the most impressive etchings by American artist Stephen Parrish. It is titled: "A GLOUCESTER WHARF", it was created and printed in 1886. It was one of three plates that Parrish did exclusively in dry point. The image is quite large, measuring 17 7/8X11 7/8 inches, printed on a medium weight wove type hard paper, A beautiful impression with extensive use of plate tone in the sky and sea. Printed with brown ink, fine condition. The Oil,Sounds & Livers advertised on the building are important fisheries products. Sounds are fish air bladders ground up for use in making isinglass. Parrish made very few etchings in a vertical format. (rona schneider)
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
Drypoint from 1930. Catalog: Appleby 144. Featured in Fine Prints of the Year in 1931. Plate signed on the bottom edge: "Blampied Jan. 1931". Signed in ink in the lower right, editioned in the lower left. Numbered 39 in an edition of 100. Plate measures 10 1/4 x 10 1/4 inches. This print is expressive in both line and content.
This is an original drypoint etching by British artist William Russell Flint. The title is Aragonese String Makers, it was created and printed in 1930. It is editioned as impression number XXVII... The image measures 9 1/2X14 3/4 inches. Printed on an early laid type paper, R.G. 1820. The image is signed in sepia ink lower right border. A very rich inking with extensive use of plate tone in the sky and land. A beautiful impression. This image was reproduced for the book "Fine Prints of the Year, 1931, published by Malcolm Salaman
Lithograph, (c. 1942), pencil signed, image size 7 1/2x11 3/4
Lithograph, image size 18 x 13 inches, edition of 30, 1945, print signed, dated, edition number, and title in pencil. Plate signed "BS" l.r. Fine & Looney 246. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
Lithograph from May 1960. Scene from New York, New York. Image measures 15 3/16 x 11 3/4 inches on 19 3/4 x 15 inch medium weight wove type paper. Wengenroth has captured this majestic owl at high alert against a dramatic bright sky, framed with some plate tone on the edges. Catalog: Stuckey 269.
This is an original etching by Anders Zorn. The title is "En Ring", A Ring. It was created and printed in 1906.The image measures 8 1/4X6 1/4 inches. Printed on a laid type Van Gelder Zonen paper. "The wife of the Finnish writer Wentzel Hagelstam
Executed - In Zorn’s studio in Paris 1906 A fine impression in very good condition with wide margins
Signed in Plate - Signed “Une Baque” in upper right corner signed ”Zorn 1906” in lower right corner
- Signed in the artist's hand with pencil in lower right margin " This is the second state of two. A rare image
This is a beautiful sun drenched scene of Havana, Cuba by Scottish artist James McBey. Etching, image size 6 7/8 x 12 7/8 inches, 1940, plate signed and dated, hand signed and numbered "XXXVIII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited.
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