Lithograph from March 1970. Scene from Greenport, New York. Pencil signed in the lower right. Edition of 85. Image measures 9 5/8 x 15 5/8 inches on 13 x 19 3/4 inch medium weight wove type paper. Wengenroth has captured every detail of the texture of the subject and background. Catalog: Stuckey 331.
Aquatint, image size 10 1/2 x 16 1/4 inches, 1918, cat. Hardie-163, pencil signed. One of Short's largest aquatints, this scene depicts two fishermen on the Bure at Stokesby Ferry near Acle in Norfolk.
This is a beautiful sun drenched scene of Havana, Cuba by Scottish artist James McBey. Etching, image size 6 7/8 x 12 7/8 inches, 1940, plate signed and dated, hand signed and numbered "XXXVIII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited.
This is a fine example of the Paris etchings created by Manuel Robbe in the early quarter of the 20th century. This etching is titled: "Moulin Rouge", created circa 1925.
This is a combination of color aquatint and etching, it was published by L'Estampe Moderne in an edition of 200. The image measures 11 3/8X15 1/2 inches. This etching is hand signed lower right and identified as an artist proof on the lower left. This etching was originally sold and framed by Merrill Chase Galleries in Chicago, the labels and information are attached to the back of the frame. The etching appears to be in flawless condition, rich colors and inking.
This etching by the well known Welsh artist, Augustus John, measures 3 7/8 x 3 1/8 inches. It is pencil signed and framed, with artist provenance on Kennedy Galleries label on backing. Cat: Campbell Dodgson 107 V. Augustus John was a painter, draughtsman and etcher, known for his brilliant figure drawings, his work being compared to Gauguin and Matisse.
Lithograph, image size 18 x 13 inches, edition of 30, 1945, print signed, dated, edition number, and title in pencil. Plate signed "BS" l.r. Fine & Looney 246. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
Lithograph from May 1960. Scene from New York, New York. Image measures 15 3/16 x 11 3/4 inches on 19 3/4 x 15 inch medium weight wove type paper. Wengenroth has captured this majestic owl at high alert against a dramatic bright sky, framed with some plate tone on the edges. Catalog: Stuckey 269.
Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, This etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.
This is an original handsigned woodblock print by Latvian-American artist Isac Friedlander. This work is titled: "Ghetto", it was created and printed in 1942. It is a very scarce image by this artist. It was created and printed in 1942. The image measures 9 3/4X10 7/8 inches. pencil signed titled and dated in the lower margin. This image was printed in an edition of only 26 signed proofs.. Isac Friedlander was born in 1890 in Mitau, Latvia. Those were difficult days for a captive people under the czarist yoke, but it was not long before young Isac’s assertive spirit emerged. At sixteen he was arrested and condemned to death, along with several of his classmates, for protesting compulsory uniforms and weekend curfews. His classmates were shot but his sentence was commuted to life imprisonment.
Fortunately, Friedlander’s skills in drawing and the portraits he did of his prison guards and their children came to the attention of a local functionary, who took an interest in him. In four years he was released. The war years of the 1940’s found him deeply troubled in spirit by the reports of sufferings and persecution of his people throughout Nazi-dominated Europe. Having experienced first hand in his youth the depth of man’s inhumanity to his fellow man, he now produced his heart-rending and powerful prints of the holocaust.
Friedlander’s woodcuts, wood engravings, and etchings are powerful expressions of the human condition. Death took him in 1968, but not before his spirit found renewed expression in his masterful prints of life among America’s urban blacks as the winds of social change were gathering to redress the wrongs of generations.
Lithograph, image size 9 1/4 x 12 1/8 inches, 1940, AAA edition, cat. Zink-56, pencil signed
This is an original etching by American Artist John Sloan. This etching is titled in the catalog as "Nude Sketches", it was created and printed in 1917. The etching is pencil signed, editioned as 100 proofs and also has a drawing in pencil in the lower left of a models feet. This is a rare, unique proof of this etching. The image measures
3 1/4X6 1/2 inches, the sheet size is: 9 1/2X12 1/2 inches. This image appears as number 187 of the Morse catalog.
Etching, image size: 7 11/16 x 11 5/8 inches, 1891, 2nd state, ed. 1/12, cat. Delteil 90
Original 1948 etching by the American artist, Isabel Bishop, measuring 5 x 3 1/2 inches, printed by the artist in the original edition of 22, not the restrike done in 1978, cat: Teller-43. Bishop was one of the foremost women artists of the twentieth century, best known for her images of life around Union Square in New York City where her studio was located. Her sense of observation along with her great technical skill enabled her to portrayed mood and movement in her simple images of ordinary people.
An original lithograph titled: "Sweep of Broadway", created circa 1920, The image measures 18 1/2 X 12 1/4 inches on a sheet size of medium weight wove type paper 21 1/4X16 1/2 inches. Hand signed in pencil lower right, titled lower left.
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