This is an original drypoint etching by American artist Stephen Parrish. The title is: A Gloucester Wharf, it was created and printed in 1886. One of the few etchings that he made using exclusively dry point. The image measures 17 7/8X11 7/8 inches. Hand signed in pencil. A very rich impression with fine use of plate tone in the sky and water. This image appears in the Schneiderman catalog as image number 118.
This is an original pencil signed etching by American Ash Can artist John Sloan. The title is Bandit's Cave, it was created and printed in 1920 for the New Republic. It was created in an edition of 500. The image measures 7X5 inches, full margins, in very nice condition. It appears in the Morse catalog as image number 195.
This is a fine original lithograph by German artist Lovis Corinth. The title Tal Grund (The Valley) from the series Vorfruhling im Gebirge (early spring in the Mountains). It was published by Euphorion Verlag, Berlin in 1922 in an edition of 125 impressions. This was part of a series of 5 lithographs. The image measures 12 3/4X17 inches. Printed on a medium weight wove type paper.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This is an original lithograph by American artist John S. deMartelly. The image, Old Moon was created and printed in 1938 and sold by Associated American Artists in New York. The image measures 10 1/8X13 3/4 inches. One of his best regionalist images. Much in the style of Thomas Hart Benton of whom the artist knew and worked with while at the Kansas City Art Institiute in the 1930's and early 40's. This lithograph is framed with the AAA label on the back.
This incredible image by the British etcher, Arthur Briscoe, measures 8 1/8 x 15 3/8 inches, inked signed and numbered, 73/75, created in 1931. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Etching with drypoint, image size 9 1/4 x 11 1/2, 1934, edition of 40, pencil signed and numbered. This print is also in the MoMA collection.
Lithograph, image size 18 x 13 inches, edition of 30, 1945, print signed, dated, edition number, and title in pencil. Plate signed "BS" l.r. Fine & Looney 246. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
This is a beautifully colored etching and aquatint by French master of the Belle Epoch, Manuel Robbe (1872-1936) The title of this work is" Claudine" it was created and printed in 1903 and Published by Sagot in Paris. The image measures 12X9 3/4 inches, printed on a medium weight Arches watermarked laid paper. deckeled edges, a very rich impression, excellent condition. Robbe studied at the Academie Julien and then the Ecole des Beaux Artes. His technique of hand coloring the images means that no two are exactly alike, a very painterly technique.
This is an original color woodblock print by French artist Auguste Lepere (1849-1918) The title of this work is: Bucolique Moderne, Modern Arcadia. It was created and printed in 1882. Printed on a medium weight wove type paper. This printing is the first state of V. The image measures 10X15 inches. Pencil signed and dated in the lower right border.
This is an original serigraph by American artist Will Barnet. The title is Reflections, this image was created and printed in 1971. The image is pencil signed, titled and has the edition as 81/225. The image measures 22X14 inches. Barnet was born in Beverly, Massachusetts, attended the School of the Museum of Fine Arts in Boston and, on a scholarship, went to New York to study at the Art Students League.
Copyright 2021· All rights reserved