Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This is a beautifully colored etching and aquatint by French master of the Belle Epoch, Manuel Robbe (1872-1936) The title of this work is" Claudine" it was created and printed in 1903 and Published by Sagot in Paris. The image measures 12X9 3/4 inches, printed on a medium weight Arches watermarked laid paper. deckeled edges, a very rich impression, excellent condition. Robbe studied at the Academie Julien and then the Ecole des Beaux Artes. His technique of hand coloring the images means that no two are exactly alike, a very painterly technique.
This is an original handsigned woodblock print by Latvian-American artist Isac Friedlander. This work is titled: "Ghetto", it was created and printed in 1942. It is a very scarce image by this artist. It was created and printed in 1942. The image measures 9 3/4X10 7/8 inches. pencil signed titled and dated in the lower margin. This image was printed in an edition of only 26 signed proofs.. Isac Friedlander was born in 1890 in Mitau, Latvia. Those were difficult days for a captive people under the czarist yoke, but it was not long before young Isac’s assertive spirit emerged. At sixteen he was arrested and condemned to death, along with several of his classmates, for protesting compulsory uniforms and weekend curfews. His classmates were shot but his sentence was commuted to life imprisonment.
Fortunately, Friedlander’s skills in drawing and the portraits he did of his prison guards and their children came to the attention of a local functionary, who took an interest in him. In four years he was released. The war years of the 1940’s found him deeply troubled in spirit by the reports of sufferings and persecution of his people throughout Nazi-dominated Europe. Having experienced first hand in his youth the depth of man’s inhumanity to his fellow man, he now produced his heart-rending and powerful prints of the holocaust.
Friedlander’s woodcuts, wood engravings, and etchings are powerful expressions of the human condition. Death took him in 1968, but not before his spirit found renewed expression in his masterful prints of life among America’s urban blacks as the winds of social change were gathering to redress the wrongs of generations.
This incredible image by the British etcher, Arthur Briscoe, measures 8 1/8 x 15 3/8 inches, inked signed and numbered, 73/75, created in 1931. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original color woodblock print by French artist Auguste Lepere (1849-1918) The title of this work is: Bucolique Moderne, Modern Arcadia. It was created and printed in 1882. Printed on a medium weight wove type paper. This printing is the first state of V. The image measures 10X15 inches. Pencil signed and dated in the lower right border.
This is a very rare original etching by American sporting artist Frank W Benson. The image size is 7 7/8 x 9 7/8 inches, published in 1921 in an edition of 100, cat: Ordeman-205, pencil signed, titled in the lower margin. There is some old masking tape residue in the margins, but this is outside of the image area and will be covered by a window mat. This print is quite scarce, and an unusual subject for Benson; in most of his images the landscape serves as a backdrop for wildfowl or hunters but in this etching he focuses on the land and river, creating an atmospheric summer scene.
Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, This etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.
A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.
This is an original lithograph by French artist Georges Rouault. This is a portrait of Gustave Moreau, the teacher and mentor of Rouault. It is known as the portrait in the little hat. This pencil signed impression is the 3rd state of 4 with the edition of 25. It was later published in state 4 with an edition of 350. This lithograph was created and printed in 1926. The image measures 9 1/8X6 3/4 inches. This image is cataloged as F. 57.
This is an original etching by American artist Gottlob L.Briem (1899-1972) This etching titled lower left in pencil, "Tower Under Construction, George Washington Bridge" has an image size of 14 3/4X9 5/16 inches. Pencil signed, dated, 1930 and numbered, 47/100. Printed on a watermarked laid type paper. A very dramatic composition, one of his best efforts.
This is a fine original lithograph by American artist William S. Schwartz. The title is: Portrait of the Artist's Wife and her Grandfather. THis lithograph was created and printed in 1929. The image measures 21 1/4X16 5/8 inches. Hand signed in pencil lower left and also signed within the plate. William S. Schwartz was born in Smorgon, Russia, February 23, 1896. He immigrated to the USA at the age of 17 and became a successful artist moving to Chicago and studying at the Art Institute.
This is an original mezzotint engraving by Dutch artist Jacob Gole (1660-1737) This image, The Drawing Lesson was created after the painting by Godfrey Schalcken. This image identified in the lower border has an image size of 9 3/4X7 7/8 inches. Printed on an early laid type paper, some foxing but overall very fine condition. It has a collectors seal in the lower border, "H de t stat".
Copyright 2021· All rights reserved