Etchings

Madame Desrouchier et Son Chien

This is a drypoint etching from 1911. The plate measures 7 x 5 1/8 inches in a gold 20 1/4 x 16 1/2 inch frame. Plate signed in the lower right. Pencil numbered in the lower right 16 in an edition of 44. "Artist's proof" in pencil in the lower left. Catalog: A 417, Lugt 1193. Red stamp of the publisher, Gustave Pellet, in the lower right. A fine impression with a rich drypoint burr.

Bords de la Somme

Etching and aquatint from 1907. Plate signed in the lower left, titled and dated in the lower right. Pencil signed in the lower right. The plate measures 4 x 7 3/4 inches on 6 x 9 1/2 inch laid paper. An atmospheric and detailed print with plate toning.

Old Women, Bruges

A large drypoint etching by Sir Frank Brangwyn. Plate measures 19 x 20 3/4 inches in a 26 3/4 x 28 inch frame. The plate was etched on the spot. C 1906. Catalog: FASL 65. A somber and well inked print with a rich drypoint burr. A rare print!

Son Avocat, et Phrases Creuses

This is an original etching and aquatint from 1922. Unsigned. Plate 19 from Miserere: Son avocat, et phrases creuses, clame sa totale inconscience. Plate measures 21 x 16 inches in a silver 30 x 24 1/2 inch frame. Georges Rouault began his art career at age fourteen, when he began a five year apprenticeship painting and restoring glass. This appears to have had a heavy influence on his cloisonnist style, with the heavy black contouring and glowing colors resembling leaded glass.

Great Exhibition, London, 1851

Etching by George Cruikshank, printed from the original plate by L. Calapai in 1968, printer's initials in a blindstamp in the lower right. Plate measures 8 x 9 3/4 inches on 11 x 15 inch wove paper. The scene depicted is of a London street that has come to a standstill due to the volume of people attempting to visit the 'Great Exhibition of the Works of the Industry of all Nations'.

Hay Harvesters

Drypoint etching. Pencil signed in the lower right. Plate measures 12 x 14 3/4 inches on 15 3/8 x 18 1/4 inch laid paper.
A well inked impression with plate toning and a rich drypoint burr.

A Door, Cahors

A drypoint etching in sepia ink. Pencil signed in the lower right. C. 1910. A well inked impression with plate toning and a rich drypoint burr. Plate measures 6 1/4 x 9 inches on 12 3/8 x 16 inch laid paper. Catalog: Gaunt 158.

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