A wonderful painting by the "father of Russian Futurism", David Burliuk. Oil on canvas board, 13 x 13 inches, framed, signed on the lower left. Painted with heavy impasto brushwork. Burliuk studied at the Royal Academy in Munich and at the École des Beaux-Arts in Paris. In his most active period he participated in many important avant-garde exhibitions in Kyiv, Moscow, St. Petersburg, and Munich. The appearance of the Futurists, as they called themselves, liked to wear gaudy waistcoats, sometimes painted animals on their faces, and wore wooden spoons in their lapels. Their performances drew packed audiences, scandalized many, but also won many new converts to this new vision of art. Burliuk’s exuberance for life, his creative force, and his celebration of the new left a lasting impact on the history of modernism. His later work reflected the life in rural Russia. This image is an expression of his memories of childhood in Russia at the turn of the century.
This is a very fine original oil on panel painting by Belgium artist Theodore Gerard (1829-1895) This interior scene of a mother and her children is titled: "Tea", the painting is signed "The Gerard, 1865" in the lower right corner. The painting measures 22X28 inches. On the back of the panel is written: "'The. Gerard Je soussigné déclare que le tableau ci conte est original. Bruxelles Décembre 1865.' , it translates to Gerard 1, the undersigned declare that this work is original Dec. 1865" The painting is in a modern custom frame. Theodore Gerard was an engraver and painter of genre scenes. He traveled throughout Germany, Austria and Hungary, but settled in Brussels in 1863. He taught painting at the Academy of Fine Arts in Brussels. He was awarded medals at exhibition in Philadelphia (1870), London (1871), Vienna (1873) and Brussels (1875).
This is a beautiful sundrenched scene by French artist Auguste Bonheur, oil on canvas, 23 1/2 x 31 1/4 inches, c. 1860, signed, in an ornate period frame. Auguste Bonheur was born into the Bonheur family of animal painters; his father, Raymond Bonheur was an art teacher as well as artist and taught painting to both Auguste and his older sister, the renowned animal painter Rosa Bonheur. The Bonheurs kept a small barnyard with sheep, chickens, and a cow, which they would often portray in their paintings. Auguste especially excelled at landscapes, which he depicted with a bright clarity of light and color, often including the farmyard animals in his scenes. Auguste was quite successful in his own time, he exhibited regularly at the Paris Salon as well as at galleries in London and Leeds. In 1861 Theophlie Gaultier wrote,"Auguste Bonheur has dared - and it is great audacity - to unvarnish nature, to take away the smoke and the dirt, to wash off the bitumen sauce with which art ordinarily covers it, and he has painted it as he sees it. His animals have the soft and satin-like skin of well-to-do animals; his foliage, the bright freshness of plants washed by the rain and dried by the sun."
Oil on panel, 11 x 16 inches, cradle backing, signed lower right, in an ornate period gilt frame. A very well regarded artist of the French Realism movement, Emile Lambinet was born in Versailles and studied with Horace Vernet and John Baptiste Camille Corot. Both of these artists greatly influenced Lambinet's mature style of painting, as can be seen in this image, with the exacting details and bright atmosphere of Vernet and the subtle color palette with just a few accents of saturated color of Corot. Lambinet showed his work regularly at the Paris Salon, winning medals in 1843, 1853 and 1857, and in 1867 was made a Chevalier of the Legion de'Honnuer. Today Lambinet's paintings can be found in many museums worldwide, with the largest collection of his work at the Musee Lambinet in the artist's hometown of Versailles.
This is a very fine painting of a man and his dog fishing in Lake Geneva, Switzerland. Oil on canvas, 18 x 26 inches, c. 1880, signed in the lower left corner, in an ornate period gilt frame, most likely the original. Another very similar painting by Vuagnat of the same location is in the collection of the Victoria Museum, Melbourne, Australia.
Oil on canvas, sight size 9 1/4 x 15 1/2 inches, c. 1900, signed l.r., inscription on the back reads "Near Aber, North Wales". This is a beautiful landscape with a shepherd and his sheep set against a majestic mountain background, in an ornate period frame. John Fullwood exhibited at the 1877 Royal Birmingham Society of Artists Show. The Royal Birmingham Society of Artists, established in 1821, was highly influential during the Pre-Raphaelite and Arts and Crafts periods. Its members included some of the most significant figures in English art, and presidents during the period included artists of the stature of Edward Burne-Jones, William Morris, John Everett Millais, Frank Brangwyn, and Lord Leighton.
This is an original oil on canvas painting by Well Known British Marine painter, James Webb. This painting shows a life boat coming to the rescue of a foundering ship. The painting is clearly signed lower right and has an image size of 18X22 inches.
The painting has been relined only a couple of tiny spots of retouch on the left side.. This work came to us in what appears to be the original 19th century frame. James Webb was a member of the Royal Academy and live his entire life in Chelsea.
This is an original oil on panel painting by French Barbizon master Narcisse Diaz de la Pena. Circa 1860, this view of a peasant woman in the forest has a panel size of 12 1/2X15 7/8 inches, it is signed lower right Diaz. "Diaz was born in Bordeaux to Spanish parents. At the age of ten, Diaz became an orphan, Díaz exhibited many pictures at the Paris Salon, and was decorated in 1851. During the Franco-German War he went to Brussels. After 1871, his works became fashionable and rose gradually in the estimation of collectors, and he worked constantly and successfully. Díaz's finest pictures are his forest scenes and storms, and it is on these that his fame rests. There are several examples of his work in the Louvre, and three small figure pictures in the Wallace Collection, Hertford House. Perhaps the most notable of Diaz's works are "La Fée aux Perles" (1857, housed in the Louvre); "
Oil on board, 11 x 9 1/2 inches, signed lower left, period frame
This is an incredibly detailed, atmospheric Norwegian landscape of a small cabin at the edge of a fjord, the distant hills fading into a soft morning mist. It is painted in oil on panel, 11 x 16 inches, 1871, clearly signed "A Rasmussen 71" in the lower right corner, in an ornate period gilt frame.
Oil on canvas, signed "Richet" in the lower right. Sight size measures 21 x 17 inches, housed in a tasteful 25 1/2 x 21 1/2 inch gold frame. Léon Richet was raised during the height of the Barbizon school and was influenced by the works of Rousseau. He was a prolific painter whose works appear in many collections.
Signed and dated "F. Van Severdonck f. 1863" in the lower left, inscribed and signed by the artist on the reverse.
Oil on panel, painting measures 7 x 9 3/8 inches in a 12 x 15 1/2 inch gold period frame. A luminous painting with striking color and detail.
A lovely scene of the Dutch countryside during summer harvest by Berend Adrianus Bongers. The painting size is 14 3/4 x 28 3/4 inches and is housed in a period frame measuring 25 1/2 x 39 inches. Signed by the artist on the lower right with a date of "1906" found on the back of the frame. Bongers was a "Delft" master and painted in the manner of the "Hague School" where views of domestic life and its daily activities were often painted. Educated at the Academy of Art in The Hague, he painted landscapes, portraits, genre scenes and still lifes. He was a draftsman, engraver, watercolorist and teacher. For many years he was the "chef d'atelier" at Delft Pottery.
Sheep grazing at the end of the day are featured in this oil on canvas by the French painter, Francois-Auguste Ortmans. Canvas size is 13 x 16 inches, signed and dated l.r., housed in a ornate gold frame, identified on a printed German label affixed to the stretcher also with a canvas stencil from Ancienne Maison Valle, Paris, on the reverse, and with a partial Parisian framemaker's label on the back of the frame.
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