This is one of the finest etchings by American artist James Whistler. This image titled: "Black Lion Wharf" was from his Thames series created in 1859. This image measures 5 7/8 X 8 3/4 inches. Printed on a laid type paper with watermark. This is an early printing between state iii/iv of iv. Very richly inked with extensive plate tone throughout. Very good condition, signed and dated within the plate at the right side of the image.
This is an original etching by American artist James M Whistler. The title is "Eagle Wharf", this image was created and printed in 1859. Signed and dated within the plate. The image measures 5 7/16X8 5/16 inches. It is printed on a thin Japan paper which is rare. This is the only known state before the plate was cancelled. Its is from is series of Sixteen etchings on the Thames. (The Thames Set) A very fine impression. Annotated lower left border, "'Tyzac Whiteley & Co" an alternate title. catalog number is K-41.
This is an original etching by American artist James McNeill Whistler. The title is: The Adam and Eve Tavern, Old Chelsea. This etching is plate signed with the butterfly monogram in the upper left sky. The image measures 7X11 15/16 inches. Printed on a medium weight laid type paper. This etching was created in 1878. It is the third state of 3. A rich impression of this scarce composition.
This is an original etching by James Whistler. The title is: "Thames Police" It was created in 1859 as part of his Thames Set series on life on the river. The image measures 5 15/16X8 7/8 inches. Printed on a thin laid type paper. Very richly inked, the Fifth state of Six. An early rich inking. Good condition, there is a tear upper right corner of the border, away from the image area. Enough border for proper presentation.
This is an original etching by American artist James Whistler. The title: "Fumette", was created and printed in 1858, as part of the series, "The French Set" The image measures 6 1/2X4 1/4 inches. This is the 5th state of 5 which includes the printers address in the lower left corner of the image.
The name whistler is plate signed lower right. Framed. This impression is very richly inked with extensive plate tone in the backgroun of the subject.
Eloise ('Fumette') (fl. 1840-1858). Éloise - also called Héloïse - posed for Fumette, Whistler's first partner, Héloïse was a grisette, a vivid and fiery character. A grisette, as described in Henri Murger's Scènes de la vie de Bohème (1848/1851) and Alfred de Musset's poem Mimi Pinson (1845), was a working girl, a young seamstress or milliner, fun-loving and faithful as a lover.
This is an original etching and drypoint by American artist James M Whistler. The title is "The Forge", An interior view of the Blacksmith and his apprentices. The image printed on a thin Japan type paper has in image size of 7 5/8X12 1/2 inches. Extensive use of plate tone, a rich impression, This impression is the 6th state of 6 prior to the cancellation of the plate. It was created in 1861 as part of his series, "The Thames Set" It appears in the Kennedy catalog as image number 68. A fine image in very nice condition.
This is a James McNeill Whistler etching titled : Old Hungerford Bridge. This etching and drypoint was created in 1861 as part of his Thames series. The image measures 5 1/4X8 1/4 inches. This impression is state iii/iv. The plate was later cancelled after the 4th state. This etching is framed. It appears in the Kennedy catalog as image number 76.
Large edition, august, 1884, 11 1/2x18 1/4, dedicated to Henry Voigt in pencil lower right margin, pencil signed, and framed
This is an original etching by American artist James Whistler. The title is: "La Marchande de Moutarde" It was part of the series titled: "The French Set", published and printed in 1858. This etching is signed lower left corner of the image, printed on a thin Japan type laid paper. According to the Glascow catalog this is state V/V before the plates cancellation. The image measures 6 1/4X3 1/2 inches.
This is an original etching by American artist Stephen Parrish. The title is A Gale at Fecamp, it was created and printed in 1886. The image including the remarques measures 13 3/4X15 3/4 inches. It is hand signed in pencil and also has the artist's estate stamp in the lower left border. This is Parrish's only etching with such complete remarques. Showing the influence of French artist Felix Buhot. The remarques revel Parrish's lively sense of humor, showing sketches of books with such titles as Philadelphia as a Summer Resort, Etching in Summer and other gems. This is a very rare etching by Parrish, and is from a trip he took to Fecamp in 1884.
This is a very fine impression of the well known Whistler etching, "The Rag Gatherers", created and printed in 1857, this etching is plate signed, on the right side of the image. The image measures 6X3 1/2 inches. It is the fifth state of 5 with the edition of the two children in the interior space. This etching came to us framed with the Kennedy Galleries label on the back. Excellent condition, apparently printed on an antique laid type paper.
This is a scarce original pencil signed etching by American artist Stephen Parrish. The title of this work is: "The Harbor of Cannes, 1886" . This image was created when in November of 1885 Parrish arrived in Cannes. "The harbor was so beautiful that it inspired this etching." (R.S.) The image measures 11 7/8X18 5/8, printed on a medium weight wove paper called "Imperial Japan". Excellent original condition, a rich warm tone to the sheet. This etching was last sold by Hermann Wunderlich, the label appeared on the back of the frame, this etching is currently matted, not framed. An excellent rich impression.. This image appears in the Schneider catalog as image number 116.
1887, 19 x 23 1/2 inches, pencil signed, framed
This is an original drypoint etching by American artist Stephen Parrish. The title is: A Gloucester Wharf, it was created and printed in 1886. One of the few etchings that he made using exclusively dry point. The image measures 17 7/8X11 7/8 inches. Hand signed in pencil. A very rich impression with fine use of plate tone in the sky and water. This image appears in the Schneiderman catalog as image number 118.
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