20th Century American Prints

This is a fine wood engraving by American artist Thomas Nason.  The title is: Near Lyme, Sunset, created and printed in 1944, it was the presentation print done for the Wood Cut Society in an edition of 209.  This pencil signed impression came to us in the original Wood Cut Society folder.  Very fine condition, this image was used as the cover of his BPL catalog.

This is one of the most impressive etchings by American artist  John Taylor Arms.  This image is titled: In Memoriam, the view of the  North Portal of Chartres Cathedral.  It was from his French Church series.   This etching was created and printed in 1939.  It is from the 2nd state of two.  Printed in an edition of 312.  The image measures 14 5/8X12 inches.  Printed on a medium weight wove type paper, Inscribed "to Roger and Belle Worsley", pencil signed and dated and also has a collectors red seal in the lower right corner of the sheet.  This image appears in the Fletcher catalog as image number 317

This is a fine original lithograph on Chine applique by American artist Yasuo Kuniyoshi.  The title Before the Act, was created and printed in 1932 in an edition of only 40.  Pencil signed and dated, printed by Grant Arnold, Woodstock.  The image measrues 13 1/4X9 3/4 inches.  Very fine condition.  This image appears in the Davis catalog as image number 54.

This is an original aquatint etching by American artist Doel Reed.  This image was created and printed in 1941 in an edition of 100.  This was originally sold through Associated American Artists in New York.  The image measures 8 15/16X14 7/8 inches.  Pencil signed lower right.

This is an original etching and aquatint by American artist Martin Lewis.  The title is: The Boss of the Block, created and printed in 1939 in an edition of 212 impressions. This pencil signed impression has an image size of 11 1/2X7 1/2 inches.  Lewis created this print for the Art Students League, New York.  Very fine condition, a rich impression.  This fine pencil signed impression appears in the McCarron catalog as image number 128.

This is a very cool lithograph on zinc, image size 12 5/8 x 17 7/8 inches, 1919-1920, from a very small edition of 27 or fewer impressions, cat: Czestochowski-134, printed by Bolton Brown, pencil signed. Provenance: The Cleveland Museum of Art. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This image is a beautiful homage to the ancient Greeks, which Davies portrays in his distinctive style that is at once quite classical and quite modern.

This is an original pencil signed lithograph by American artist Ivan Albright.  The title is: Self Portrait at 55th East Division Street, Chicago.  It was created and printed in 1947 in an edition of 250 impressions.  The image measures 14 1/8X10 1/8 inches.  Ivan Le Lorraine Albright (Chicago 1897-1983) was an American painter and printmaker noted for his meticulously detailed, ultra realistic depictions of decay and aging.

Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y. 1943; the First Prize in Black and White Section at the 12th Annual Exhibition of the Irvington Art and Museum Association, Irvington, N. J. 1945; and the First Prize in Black and White at the Annual Art Exhibition of the Bridgeport Art League, Bridgeport, CT. 1945.

This is an original lithograph by Japanese American artist Yasuo Kuniyoshi.  It is titled The Cyclist.  It was created and printed in 1939 and originally sold through Associated American Artists in New York.  The image measures 12 1/2X8 3/4 inches.  Printed on a medium weight wove type paper.  This lithograph is clearly signed in pencil lower right by the artist.  One of his images from his circus series.

This is an original pencil signed impression of the well known lithograph by Stow Wengenroth titled: The Fog Bell, Port Clyde, it was created and printed in 1954 in an edition of 60.  The image measures 10X15 3/4 inches, printed on a medium weight wove type paper.  This image appears in the Stuckey catalog as image number 222.  On of his finest Maine costal scenes for which he is so well known.  Very fine condition.

This is a very fine original lithograph by American regionalist artist John S. deMartelly.  The title is White Pastures, it was created and printed in 1939 and sold through Associated American Artists in New York.  The image measures 10X13 3/4 inches.  This image was based on a painting created by deMartelly which was described by the artist as: "just two horses in a winter field covered with snow on a Missouri Farm"  This lithograph is pencil signed ,dated and inscribed as a gift to his friends in the lower margin.  The image appears in the North catalog as image number 27.  Printed on a medium weight wove type sheet.

This is one of the finest works by John Taylor Arms etching and aquatint.  It was created and printed in 1940 as image number 1 of his Scandinavian Series.  Pencil signed twice, dedicated to William Schaldach, lower border.  The image measures 7 9/16X13 9/16 inches.  It appears in the Fletcher catalog as image number 346.  It is the third state of three from the edition of 330 impressions.  Printed by David Strang.  This image won 5 prizes between 1941-1948,  Incredible detail, nicely framed with archival materials.

Etching, image size 7 7/8 x 9 7/8 inches, published state, 1923, Ordeman 226

Lithograph, image size 13 x 18 1/2 inches, 1949, edition of 30, pencil signed, titled and editioned. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.

This is a fine dramatic study of old ships in the harbor by American artist Stow Wengenroth..  This image is from Boothbay Maine.  It was created and printed in 1937 in an edition of 65.  This lithograph is hand signed in pencil and has an image size of 8 7/8X15 3/4 inches.  It appears in the Stuckey catalog as image number 71.  A striking image, one Wengenroth's best..