19th Century American

Engraving by Alfred Jones after the painting by William Sidney Mount, image size 12 1/2 x 16 inches, sheet size 17 7/8 x 19 7/8 inches, published in 1843 by the Apollo Association, printed by J. Dalton.

Etching, image size 11 7/8 x 8 5/8 inches, 1941, pencil signed and inscribed from Job 16:18 "O Earth cover thou not my blood, and let my cry have no resting place."

Etching, image size 9 3/4 x 13 1/2 inches, 1877, plate signed, dated and titled.

Wood engraving, image size 3 7/8 x 5 inches, pencil signed.

Wood Engraving, image size 6 3/4 x 5 inches, 1889, pencil signed l.r. "T. Johnson" and plate signed l.l. "T. Johnson 89".

Etching, image size 6 3/8 x 9 1/4 inches, 1882, plate initialed l.r. "JHH 1882" and plate signed l.l. "J.W.Hill 73", done after a drawing by the artist's father John William Hill in 1873.

Etching, image size 5 7/8 x 7 7/8 inches, 1887, second state, #125 in the Stephen Parrish catalog, plate signed l.l. "Stephen Parrish", "Copyright 1887 by Frederick A. Stokes" u.l.

Etching, image size 9 x 6 7/8 inches, 1887, plate signed and dated.

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

Etching, image size 8 3/8 x 5 3/4 inches, 1879, plate signed and dated.