Plate measures 10 x 7 3/4 inches on 16 1/4 x 12 1/8 inch watermarked laid type paper. State V/VIII. One of his six final plates, later chosen for publication in the review "L'Art" in 1904, volume LXIII. Catalog: Melot 122. Circa 1877. Printed in the lower right: "Ch. Daubigny. del. et. sc", in the lower right: "F. Lienard. Imp. Paris."
This is an original etching by French artist Felix Bracquemond. It is titled: "La Nuee d'Orage", it was created and printed in 1882. The image measures 10 3/16X13 7/8 inches. It is hand signed in pencil and also with the stamped monogram in the lower border. A great atmospheric image by this well known master of birds in nature.
This is an original drypoint etching by French artist Alphonse Legros (1837-1911) The title of this work is: La Ferme De Labbaye (farm at the monastery) Created and printed circa 1880, this image measures 8 1/2X11 1/8 inches. Hand signed and titled in pencil. Printed on a medium weight wove type paper with a partial watermark.
This is a fine pencil signed lithograph by French impressionist Edmond Francois Aman-Jean. This image measures 13 3/8X14 5/8 inches. Very fine condition, printed on a wove type paper. The subject is Mile Moreno who played in the Comedie Francaise show this image was created and printed in 1898
Etching, image size 7 1/4 x 13 5/8 inches, 1860, cat: Melot- D.95, framed. Provenance: Frederick Keppel & Co.
This is an artist proof drypoint etching by Sir Frances Seymour Haden. The title: The Keep, is of Corfe Castle in Dorset England. This image was created and printed in 1877and is the third state of five. It is inscribed as "Early Proof lower left and hand signed in pencil lower right. The image measures 5 15/16X8 15/16 inches. Printed on a light weight laid type paper. This image appears in the Haden catalog as image number S-158.
This 1861 etching by Johan Barthold Jongkind measures 5 1/4 x 7 1/4 inches, plate signed, framed. D-14, early proof before letters, 1/III.
This etching by French artist Charles Meryon is titled: La Rue des Toiles, A. Bourges. It was created in 1853. The image measures 8 3/8X4 5/8 inches. This impression is the 9th state of 9 which has the title typeset in the lower center border and the printers name in the lower right, A. Delatre. Printed on a medium weight wove type paper.
This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894. Haden created a number of remarkable etchings featuring scenes of fishing in the British countryside, of which this is one of his finest.
Etching and drypoint on copper, image size: 5 1/2 x 8 5/16 inches, dated 1877, State V, cat. Scheniderman-172, pencil signed lower right. One of Haden's interests apart from being a Surgeon and printmaker was fishing. He created a number of outstanding scenes based on river fishing, his most famous being "The Complete Angler" and "Grayling Fishing." This is a wonderful example of building a composition centered on this well-known fishing hole. Provenance: Baldwin-Wallace College.
Etching, image size: 4 1/2 x 6 inches, 1864, cat. Schneiderman 58, pencil signed
Passerelle du Pont-au-Change, après l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after Della Bella)1860. Etching by French artist Charles Meryon, 1860. This etching has an image size of 4 11/16X9 inches. It is the 7th state of 9 and appears in the Delteil/Wright catalog as image number 50. Published in teh Gazette des Beaux Arts, vol. 8 Nov.1, 1860.
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