20th Century American Prints

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of the images in this series of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.

Etching, image size 8 3/4 x 11 7/8 inches, 1947, published by the Associated American Artists, pencil signed.

Wood engraving measures 12 1/8 x 9 inches on 16 1/2 x 10 1/2 inch laid paper. Pencil signed "J. Nelson" in the lower right.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This is an original wood engraving by American artist Henrik Glintenkamp.  The subject is Middle Eastern, a group of travelers leaving the city.  This image is pencil signed and numbered 20/75.  The image measures 8X 5 3/4 inches.

This is a fine original etching by American artist John Sloan.  The title is Jewelry Store Window, aka Carlotta's Indecision.  It was created and printed in 1906.  the image measures 5 3/4X3 3/4 inches.  This is a plate signed impression, not pencil signed.  The image appears in the Morse catalog as image number 140.

Lithograph, image size 13 1/8 x 9 3/4, c. 1970s, pencil signed, titled and numbered.

This is a fine original wood engraving by American artist Dan Burne-Jones.  The title is Affection, A fine study of a young girl holding her pet rabbit,  printed circa 1940 this wood engraving has an image size of 5 1/8X4 inches, hand signed and titled in pencil, Very fine condition.  Printed on a medium weight wove type paper which measures 7 1/2X6 inches.  At the bottom edge of the sheet it reads “Xmas Greetings”..

This is a pencil signed etching by American artist Philip Little.  Titled: English Harbor, this etching was created and printed in 1931.  The image measures 3X5 inches, printed on a medium weight laid type paper.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

woodblock print, 9 1/4X8,p/s

Lithograph, image size: 14 1/2 x 11 inches, numbered 7/20, blind stamp lower left, pencil signed indistinctly lower right

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of the images in this series of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.

This is an original pencil signed etching by American artist John McGrath.  The view is of the Cornell University Library, created and printed circa 1930 the image measures 9 3/4X6 1/2 inches.  It has the edition as 28/50.