This is a beautiful original etching with aquatint of a New Orleans alleyway. The image size is 12 1/4 x 10 3/8 inches, c. 1932, published by the Associated American Artists, with the original label, pencil signed. This image won an award from the Philadelphia Print Club and is included in the collection of the Library of Congress.
This lithograph of the George Washington Bridge under construction by Dexter Dawes measures 11 x 17 inches and is pencil signed on the lower right margin. This is one in a series of lithographs of the construction of the George Washington Bridge that Dawes created between 1927 and the bridges' completion in 1931. This suspension bridge would eventually connect Ft. Lee, NJ to Manhattan across the Hudson River. Swiss born engineer Othmar Amman made this gigantic structure look "light and airy" with its miles of intertwined steel cable. Considered by some to be the noblest of bridges it became a symbol of the art and craft of the civil engineering profession.
"The Backyard" by Dexter Dawes measures 11 x 15 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
This 1927, original drypoint by Louis Rosenberg measures 8 1/4 x 11 3/4 inches and is pencil signed on the l.r. Louis C. Rosenberg was a successful artist and architect; he studied at several prestigious Universities- The University of Oregon, Eugene, the American Academy in Rome, the Royal College of Art, London, and the Massachusetts Institute of Technology, and continued to practice both art and architecture throughout his long career. These walls were built for protection from invaders to the north of Rome by the Emperor Aurelian in 270 AD. Often built in a hurry, they regularly incorporated existing structures like this pyramid built between 18 and 12 BC.
This landscape by Dexter Dawes of two majestic oaks measures 9 7/8 x 12 1/2 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
This lithograph by Dexter Dawes measures 11 x 14 3/4 inches and is pencil signed. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
Pencil signed in the lower right, "private proof" in the lower left. Plate measures 9 1/4 x 12 3/4 inches on 12 3/4 x 16 inch laid-type paper. C. 1930. This is a rare print and a rare subject for Kuhler, who is famous for his prints of trains and the industrial revolution.
Drypoint,1929,edition of 80,image size: 10 3/4X8 7/8 inches, cat.Bpl-145, pencil signed, framed
This Dexter Dawes lithograph measures 11 x 13 5/8 inches. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
A lithograph by Dexter Dawes with a view of Mt. Monadnock seen though two giant maples measures 12 7/8 x 10 1/2 inches. It is pencil signed in the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
Pencil signed "H A Webster" in the lower right. C. 1930. Catalog: Webster 105. Plate measures 7 3/4 x 10 7/8 inches on 9 3/4 x 12 7/8 inch watermarked arches laid type paper. Signed artist's proof. Plate destroyed. This print has a rich drypoint burr and dramatic use of light and shadow. Herman Webster was an American artist who moved to Paris in the early 20th century to attend the Academy Julien. There he studied under J. P. Laurens and Eugene Bejot, and was also greatly influenced by the etchings of Whistler and Meryon. He traveled extensively throughout Europe, specializing in finely detailed architectural views, cityscapes and landscapes.
This is a very fine original etching, image size 7 5/8 x 9 3/4 inches, c. 1930s, pencil signed and titled. Gordon Grant was born in California and sent to Great Britain for his education. He worked as a staff artist for New York World and Harper's Weekly, covering both the Boer War and the Mexican Revolution, but became most widely known for his marine paintings and lithographs. He was a member of many artist's associations, including the National Academy of Design; American Federation of Art; Salmagundi Club; National Arts Club; American Watercolor Society; New York Society of Painters; and the New York Watercolor Club.
This 1950 etching by the American artist Ernest Roth measures 9 x 12 inches, pencil signed, dated and plate titled. Created as a presentation print for the Society of American Etchers, Gravers, Lithographers and Woodcutters in 1951. Included is a analysis and appreciation of Roth's work by the president of the society, John Taylor Arms.
This lithograph of the First Congregational Church in Old Lyme measures 12 3/4 x 17 inches. It is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
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