This 1927 etching by the American artist Roland Clark measures 7 7/8 x 9 3/4 inches, pencil signed and titled. Roland Clark studied at The Art Students League with J. Carroll Beckwith in New York. An avid outdoorsman he combined his love of the outdoors into his many paintings and etchings. Selected to do the 1938 Federal Duck Stamp Design, he also wrote and illustrated books about his hunting experiences.
Lithograph, image size 12 5/8 x 9 3/8 inches, pencil signed
Etching, image size 9 7/8 x 7 inches, 1924, edition of 75, cat: Wuerth-847, as "Orange Street, Brooklyn," plate signed in reverse, titled in pencil at the bottom of the sheet, pencil signed.
Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.
Pencil signed in the lower right. Ca. 1936. Plate measures 9 3/4 x 14 1/2 inches on 11 x 17 inch laid type paper. This print shows good use of plate toning and negative space.
Etching, image size: 6 x 8 15/16 inches, pencil signed lower right
Lithograph, image size 11 x 7 3/8 inches, 1927, Stone No. 14, pencil signed and numbered 44/50
This is an original etching by American artist Joseph Pennell. The title of this work is: "Royal Windsor". It was created and printed in 1903 in an edition of 35. The image measures 6X11 inches, printed on a thin laid type paper, some finger prints from the printing in the borders and on the back of the sheet. Pencil signed in the lower border. This image appears in the Wuerth catalog as image number 279.
A wood engraving from 1940. Numbered 8 out an edition of 12. Pencil signed and dated in the lower right. Pencil titled and editioned in the lower left. Plate measures 8 x 10 inches on 10 1/2 x 12 inch thin laid paper.
Etching,1929,Edition of 100,image size:9 1/2X11 1/4 inches,Bpl 153,pencil signed
Etching from June 1931. Edition of 100, with 5 working proofs. Pencil editioned in the lower left, signed in the lower right. Image measures 5 3/4 x 8 1/4 inches in a 12 3/4 x 15 1/2 inch gold frame. An incredibly detailed scene with plate toning and a rich drypoint burr.
Etching and drypoint, image size 4 7/8 x 13 1/8 inches, 1912, printed on cream wove paper. Addams was born in New Jersey and attended the Drexel Institute there. He won a Philadelphia Academy Cresson Traveling Scholarship and entered Whistler’s Academy in Paris in 1899. In the 1900′s, London’s working class Italian Soho district was the subject of many artists of the day including Whistler's shop-front prints such as T.A. Nash’s Fruit Shop. The horizontal format and the density of the etching work is comparable to many of Whistler Amsterdam prints.
This is a very rare early trial proof etching by Joseph Pennell, one of the foremost American etchers of the early 20th century. The plate size is 11 x 8 5/8 inches; the image itself measures 10 x 8 1/4 inches. It was created in 1906 and is pencil signed by both Pennell and Goulding, the printer. It is notated 'trial proof' in the lower right corner, the later published state of this image is #411 in the Wuerth catalog. As is typical of Pennell's prints, the margins are small, but adequate for proper presentation. This etching comes with original label from Frederick Keppel & Co, New York.
This 1941 etching by John Winkler measures 13 1/2 x 8 1/4 inches and is pencil signed. Winkler was originally from Austria coming to America at the age 16. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in many major museums throughout the US and Europe.
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