Etching, image size 4 1/8 x 4 3/4 inches, 1606, inscribed "A parente Hercules deitate hones Fatur," an illustration from Ovid's "Metamorphoses," Ferdinand Roten Galleries Provenance.
Etching, restrike, image size 7 1/4 x 5 1/4 inches,
Engraving after Annibal Caracci; Thies: See Hecquet, 17; Brandes, 1p.57; 1st state, with the inscription on a stone in the landscape[l.l.] "AnnibalCarratius pinxit. F. Poilly Scuypsit cum Pr.Re. A Paris, Rue St. Jacques a l'image St. Benoist"
Engraving after Gilles Allou, 1749, image size 13 5/8 x 9 3/8 in, sheet 19 1/8 x 15 1/8 in, Randall 3665, Fogg Museum provenance
Etching restrike, after Rembrandt, image size 5 1/2 x 5 1/8 inches, initialed in plate.
Engraving, after painting by Titian, image size 8 1/2 x 5 7/8 inches
Engraving, 7 3/4 x 12 3/4 inches, framed
Engraving after Giorgione, 8 3/4 x 6 5/8 inches
Engraving after de Troy. Randall 1731. Image size 15 1/8 x 11 1/2 in, sheet 16 5/8 x 12 15/16 in.
Engraving after Correggio. According to Thies: "Proof, with open and traced letters in a border shaded with horizontal lines. With a stamp of the engraver's initials." Randall 12671, Fogg Museum provenance. Image size 13 3/4 x 11 1/4 inches; plate size 17 x 14 3/8 inches.
Engraving after Mignard, image size: 12 1/4 x 8 7/8 inches, sheet size: 18 1/2 x 12 3/4 inches, Fogg Museum provenance, Randall collection #4065
This is an original copper plate engraving by British artist William Hogarth. The title is: The Times, Plate 1. It was created and printed on September 7, 1762. This is a period printing done on early laid type paper. It was "Published as the Act Directs.". Signed and titled lower border. The image measures 8 5/8X11 5/8 inches, on a sheet size of 11 7/8X16 1/4 inches. A rich impression in good shap apart from some unobtrusive foxing marks and a minor crease in the lower border.
(information on both plates, I and II...)
"This pair of engravings have a complicated publishing history. The contemporary collector George Stevens (1736-1800) wrote on his copy of this state that it was ‘taken during the life time of Hogarth’, but it was not until June 1781 that he (according to Malone’s letter to Lord Charlemont) ‘ransacked Mrs. Hogarth's house for obsolete and unfinished plates’, so perhaps the inscription may be taken with a pinch of salt.(sic)
With The Times Plate I Hogarth took a decisive political, and at this time unpopular position to support the peace movement against the Seven Years' War (also called the French Indian War) spearheaded by King George III and his chief advisor, Lord Bute. Bute's opponent and leader of the Commons, William Pitt, supported the interests of the war and the economic profit derived from the colonial exploitations it permitted. In this first state Henry VIII (Pitt in later states) marches on stilts to fan the fires of war which the Union Officer of the King is trying to extinguish with a fire engine. William Beckford, the Lord Mayor and Pitt follower, who made a fortune through tobacco and sugar plantations in Jamaica, appears in the doorway on the left and points to a signboard advertising a naked Indian that reads 'Alive from America.' In the foreground women die of starvation in the street and a drunken fiddler plays his violin. Plate II of The Times depicts a more peaceful and prosperous Britain. Plants are nourished by water spouting from the monument of George III, with the elegant Lord Bute as the chief gardener of the State, controlling access to the King. A gigantic palette dangling from the facade of a newly-erected public building indicates that under the reign of the young King art flourishes. 'Ms Fanny' (a reference to the Cock Lane Ghost) and 'Wilkes', a fervent opponent of the King and Bute, appear in the pillory, while to the left those few members of Parliament who are still awake, including Pitt with bandaged legs, shoot at the dove of peace in the sky."
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