This is an original etching by American artist John Taylor Arms (1887-1953) The title of this etching is :Sunlight on Stone, Caudebec-en-Caux. 1931. This etching was created as part of the artist's French Church Series. Printed in an edition of 164. This etching was pencil signed, dated and inscribed as Trial Proof II. The image measures 14 1/4X7 1/2 inches. It appears in the Fletcher catalog as image number 241. The etching was printed on a medium weight laid type paper. Beautiful condition, strong contrasts between the shadows and high lights with nice use of plate tone in the sky. This etching has won numerous awards including from the Society of American Etchers.
This original drypoint etching by Alphonse Legros was created in 1881 and is pencil signed. A delicately etched image of the world-renowned sculptor and artist, Auguste Rodin. Cat: Bliss 237, 9 3/4 x 6 7/8 inches. Artist provenance on backing with label from "Halcyon Days LTD, framed.
This is an original etching and aquatint image by French master Georges Rouault. The title of this work is: "Femme Affranchie A Quatorze Hevres Chante Midi" (Emancipated woman, who has lost her bearings) It was part of the Miserere series that Roualt created in 1923. This etching was published by Ambroise Vollard in an edition of 450 and has his Vollard watermark in the sheet. The image is plate signed G. Rouault,1923 lower left in the image. This etching was never hand signed by the artist. It appears in the Wofsy catalog as image number 124. The platemark measures 22X17 inches, The condition is excellent no tears, or stains. This etching is not framed.
Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark
This is an original etching by American artist James Whistler. The title is: "La Marchande de Moutarde" It was part of the series titled: "The French Set", published and printed in 1858. This etching is signed lower left corner of the image, printed on a thin Japan type laid paper. According to the Glascow catalog this is state V/V before the plates cancellation. The image measures 6 1/4X3 1/2 inches.
Lithograph, image size 13 x 18 1/2 inches, 1949, edition of 30, pencil signed, titled and editioned. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
This 1927 marine etching by the British printmaker Arthur Briscoe measures 9 7/8 x 15 7/8 inches, hand signed in inked and editioned as 58/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original etching, and aquatint by French master Georges Rouault. The title of this work is "Chantez Matines,le jour renait"< (Sing Matins, a new day is born) This etching was created in 1922 as part of the Miserere series. This is plate number 29. It was published by Vollard in an edition of 450. It is signed lower left corner of the image. This etching was never pencil signed. It appears in the C& R catalog as number 82d., The image measures 20 X 14 5/8 inches. Nice condition, a line of toning in the border from an earlier window mat.
This is an extremely detailed etching by American master John Taylor Arms. This image titled: "Limoges" was created and printed in 1932. It was part of his series on French Churches. The image measures 10 1/16X13 5/8 inches, printed on a blue toned laid type paper. The etching is pencil signed and inscribed as "Ed 100 III"
This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images. This richly inked image was exhibited at the Royal Academy in 1927. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Drypoint etching, image size 7 7/8 x 4 7/8 inches, edition of 100, 1919, Hardie 168, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest works.
This is a very fine impression of the well known Whistler etching, "The Rag Gatherers", created and printed in 1857, this etching is plate signed, on the right side of the image. The image measures 6X3 1/2 inches. It is the fifth state of 5 with the edition of the two children in the interior space. This etching came to us framed with the Kennedy Galleries label on the back. Excellent condition, apparently printed on an antique laid type paper.
This is an original etching by French Master Georges Rouault. The title of this work is: "Sunt lacrymae rerum " ( There are tears in things ) This etching and aquatint was created for the Miserere series in 1926 as image number 27. . The platemark measures 24 1/4 17 1/2 inches. It was published in an edition of 450 on arches wove type paper by Ambroise Vollard. His Vollard watermark appears in the sheet. The etching is signed and dated in the image in the lower right. This etching was never hand signed by the artist.
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