This is an original etching by American artist Leonard Baskin. It is a portrait of Hercules Seghers, the Dutch old master painter. This portrait was created and printed in 1962. It appears in the Fern-OSullivan catalog as image number 432. The image measures 17 3/4X14 1/2 inches. Printed in two colors. It is pencil signed and editioned as 1of 12 in roman numerals. Beautifully framed with archival materials.
This is an original etching by American artist John Taylor Arms (1887-1953) The title of this etching is :Sunlight on Stone, Caudebec-en-Caux. 1931. This etching was created as part of the artist's French Church Series. Printed in an edition of 164. This etching was pencil signed, dated and inscribed as Trial Proof II. The image measures 14 1/4X7 1/2 inches. It appears in the Fletcher catalog as image number 241. The etching was printed on a medium weight laid type paper. Beautiful condition, strong contrasts between the shadows and high lights with nice use of plate tone in the sky. This etching has won numerous awards including from the Society of American Etchers.
This is an original etching, and aquatint by French master Georges Rouault. The title of this work is "Chantez Matines,le jour renait"< (Sing Matins, a new day is born) This etching was created in 1922 as part of the Miserere series. This is plate number 29. It was published by Vollard in an edition of 450. It is signed lower left corner of the image. This etching was never pencil signed. It appears in the C& R catalog as number 82d., The image measures 20 X 14 5/8 inches. Nice condition, a line of toning in the border from an earlier window mat.
This is an original etching and aquatint image by French master Georges Rouault. The title of this work is: "Femme Affranchie A Quatorze Hevres Chante Midi" (Emancipated woman, who has lost her bearings) It was part of the Miserere series that Roualt created in 1923. This etching was published by Ambroise Vollard in an edition of 450 and has his Vollard watermark in the sheet. The image is plate signed G. Rouault,1923 lower left in the image. This etching was never hand signed by the artist. It appears in the Wofsy catalog as image number 124. The platemark measures 22X17 inches, The condition is excellent no tears, or stains. This etching is not framed.
A truly remarkable original lithograph by Joseph Pennell, this image measures 21 1/8 x 16 5/8 inches, published in 1913 in a very small edition of 50, pencil signed, from Pennell's series of lithographs created in his travels through Italy and Greece. Printed on a cream colored laid type paper with the watermark "Ingres PMF Italia". In his book "In the Land of Temples", Pennell writes of this image, "Night was falling as I was coming back from drawing by the river Ilissos. The subject was the most impressive I saw in the Land of Temples, and in the gathering darkness I drew it as well as I could."
Lithograph, image size 13 x 18 1/2 inches, 1949, edition of 30, pencil signed, titled and editioned. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
This is an original etching by French Master Georges Rouault. The title of this work is: "Sunt lacrymae rerum " ( There are tears in things ) This etching and aquatint was created for the Miserere series in 1926 as image number 27. . The platemark measures 24 1/4 17 1/2 inches. It was published in an edition of 450 on arches wove type paper by Ambroise Vollard. His Vollard watermark appears in the sheet. The etching is signed and dated in the image in the lower right. This etching was never hand signed by the artist.
From his French Church Series #47, this 1947 award winning etching by John Taylor Arms measures 13 3/8 x 6 7/8 inches, pencil signed and dated, edition of 198, state II, cat: Fletcher-47. This image won five major awards between 1947 and 1951 including 1st Prize at the Annual Exhibition of the Chicago Society of Etchers in 1949. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.
This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images. This richly inked image was exhibited at the Royal Academy in 1927. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Color woodblock, circa 1740 image size 12 3/4 x 5 3/4 inches
Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark
This is an original drypoint etching by British artist Sir William Russell Flint. The title is : Gleaming Sands, created and printed circa 1930. The image measures 13 3/8X8 5/8 inches. Hand signed in sepia ink, editioned as XXVII. A rich impressin, nice use of plate tone in the sand and sky.
This is a scarce original pencil signed etching by American artist Stephen Parrish. The title of this work is: "The Harbor of Cannes, 1886" . This image was created when in November of 1885 Parrish arrived in Cannes. "The harbor was so beautiful that it inspired this etching." (R.S.) The image measures 11 7/8X18 5/8, printed on a medium weight wove paper called "Imperial Japan". Excellent original condition, a rich warm tone to the sheet. This etching was last sold by Hermann Wunderlich, the label appeared on the back of the frame, this etching is currently matted, not framed. An excellent rich impression.. This image appears in the Schneider catalog as image number 116.
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