Old Master Prints

Engraving after Philippe de Champagne. Randall 1487. Image size 17 x 12 3/8 in, sheet size 18 3/8 x 13 3/4 in.

Engraving after Philippe de Champagne. Randall 1485. Image size 17 x 12 1/4 in, sheet size 17 7/8 x 13 in.

Engraving after Van Dyck, image size 21 x 16 5/16 in, published by Georges Petit, Paris

This is an early engraving by Bernardus Baron (1696-1766) Portrait of "John, Count of Nassau-Siegen and family", This engraving was created and printed in 1761. It is after the painting by Van Dyck. The engraving measures 20 1/2X18 1/2 inches, trimmed on the three sides, a tear in the upper right corner, not into the image area.Printed on a heavy weight laid type paper.

Engraving after a painting by Correggio, image size 16 1/2 x 14 5/8 inches, c. 1680s, period printing.

This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted. This engraving is printed on a very early laid type paper with margins trimmed to approximately 1/4 inch outside of the plate mark, some foxing as is to be expected in a print of this age.

Engraving after Titian. According to Louis Thies, the painting in the Louvres "is supposed to represent the Duke Alfonso I of Ferrara and Laura Bianti." Image size 13 1/16 x 10 3/4 in, sheet size 16 1/4 x 12 3/8 in. Randall Coll. #12117, Fogg Museum provenance.

Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 11 3/4 x 13 5/8 inches, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Engraving after Rene Guido. First state, with the words "A Paris chez" before the address of N. Poilly. Randall 1670. Image size 14 3/4 x 12 1/8 in, sheet size 16 7/8 x 12 1/2 in.

Engraving, after Raphael; also called La Benediction; later state without engraver's address;

Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. Both images are scenes from Exodus; one side is titled 'Moses and the Israelites Beside the Red Sea", the other is "Moses Leading the Israelites out of Egypt".

This is an original copper engraving by Pierre Lombard (1613-1682) It is a portrait of "Anna Comitissa De Bedford", The wife of William the Fifth, Earl of Bedford.
This engraving circa 1660 was a copy of the Van Dyck painting at Woburn Abbey The platemark measures 13 7/8X9 1/2 inches. This engraving is tipped to a thicker mounting sheet with collectors annotations on the bottom.

Etching image size 11 7/8 x 9 3/8 inches, plate signed lower left, Vivares founded an engravers school, member of the Society of Artists he exhibited in 1766 and 1768. His reproductions of Claude de Lorrain were widely appreciated.