Pencil signed and dated etching. Plate measures 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.
This framed lithograph by Engelmann after Vernet, measures 17 x 10 3/4 inches. It is plate signed and titled on the lower margin. Godefroy Engelmann was born in 1788 in Mühlhausen, France and trained in Switzerland and France at La Rochelle and Bordeaux. He studied painting and sketching in Jean-Baptiste Regnault’s atelier in Paris. In the summer of 1814 he traveled to Munich, Germany to study lithography and is largely credited with bringing lithography to France.
Signed and numbered in ink. Plate signed and dated in the lower right. C. 1921. Plate measures 7 3/8 x 12 7/8 on 8 3/4 x 15 inch laid type paper. Catalog: Hardie 213. Print 8 in an edition of 76. Born into poverty, McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. This print has a unique perspective as well as a rich drypoint burr.
Etching, image size: 4 5/8 x 8 1/4 inches, 1888, After de Neuville, signed in plate lower left, pencil signed lower right
This is an original pencil signed and titled woodblock print by American artist Isac Friedlander. The title of this work is "Jeremiah", created and printed circa 1940. The image measures 6 3/4X5 7/8 inches. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
This is an early engraving by Bernardus Baron (1696-1766) Portrait of "John, Count of Nassau-Siegen and family", This engraving was created and printed in 1761. It is after the painting by Van Dyck. The engraving measures 20 1/2X18 1/2 inches, trimmed on the three sides, a tear in the upper right corner, not into the image area.Printed on a heavy weight laid type paper.
Engraving after Spada; Prov. JW Randall Coll. 3763; dessine par Gianni; grave par Fosseyeux; imprime par Rambois; paper size 24 x 18 1/2 inches; plate size 18 1/4 x 13 1/2 inches; image size 13 5/8/ x 10 1/2 inches
Engraving after Titian. According to Louis Thies, the painting in the Louvres "is supposed to represent the Duke Alfonso I of Ferrara and Laura Bianti." Image size 13 1/16 x 10 3/4 in, sheet size 16 1/4 x 12 3/8 in. Randall Coll. #12117, Fogg Museum provenance.
Engraving after Charles Coypel, 2nd state with the correction "modele," image and plate size 16 1/8 x 11 7/16 in, Gray Coll. #1028, Fogg Museum provenance
Drypoint etching. Max Blach Wien collector's stamp on back. Pencil signed "A. Legros" in the lower right. Plate measures 3 7/8 x 6 3/4 inches on 7 x 9 1/4 inch watermarked laid paper. An atmospheric scene with a rich drypoint burr. Catalog: Bliss 364. A rare print.
This airy, impressionistic line etching depicts a man fishing in a forested landscape. Etched circa 1900, its measurements are 5 7/8 x 7 3/4 inches and it is signed "A. Legros" lower right. Provenance: Baldwin-Wallace College.
Engraving, provenance Fogg Museum, Gray:3312; after a picture by a pupil of Raphael from Marc-Antoino's engraving with slight changes; circa 1819.Engraved for the Musee Francais
Etching, image size 8 7/8 x 5 3/4 inches, 1909, edition of 9, cat: Hardie-55, pencil signed l.r, "W Lee Hankey", plate initialed l.r. and artist seal l.c.
Etching, image size 10 3/16 x 8 1/2 inches, subsequent to Hardie, pencil signed.
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