Prints

Engraving, image size 6 7/8 x 5 5/8 in, plate signed, framed.

This is an original hand signed wood block print by Jamaican artist Albert Huie.  The title of this work is Road Mending, created and printed circa mid 1940's.  The image is signed and titled lower border, the image measures 7 3/4X5 7/8 inches, Good condition. 

Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.” 

This is an original etching by British artist Samuel Palmer.  The title is "The Early Ploughman"  It was created in 1861.  The image measures 5 1/4X9 7/8 inches.  THis is the 6th state of eight.  Printed on a medium weight laid type paper.  Partial watermark visible upper left.  This image appears in the Palmer catalog as image number VII.

This is an original pencil signed and titled wood engraving by British artist Mary Elizabeth Groom.  The title is: The Crucifixion, created  and printed circa . 1929, it is numbered as 4/30.  The image measures 9 1/2X7 1/4 inches.  Printed on a thin japan type sheet.  Groom was a well known artist and illustrator one of  the Suffolk artists.  She was also a founding member of the English Wood Engraving Society starting in 1926.  Mary studied wood engraving at Leon Underwood's Art School, along with Underwood himself and with fellow-students such as Blair Hughes-Stanton, Gertrude Hermes  and Agnes Miller Parker 

Lithograph, image size 9 1/2 x 13 1/4 inches, 1st state of 2, cat. Walterskirchen-187, framed, pencil signed lower right

Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.

This is an original engraving by French artist Philippe Mohlitz.  This image is titled: The Abyss.  It was created and printed in 1967.  Pencil signed lower right and numbered as 28/50 lower left.  The image measures 8 1/4X7 1/8 inches.  Printed on a heavy weight laid type sheet.  Mohlitz uses the refined technique of Original engraving, in the traditional manner.  Born in Bordeaux in 1941 Mohlitz studied the techniques of engraving at the studio of Rene Delpech in Paris in the mid 1960's.

This is an original woodblock print by Latvian American artist Isac Friedlander. The title of this work is: "Under the Arch", it was created and printed in 1937. This image is editioned as 1/10, a very rare image. It is hand signed titiled and editioned in pencil in the lower margin. The image mesures 9X8 1/4 inches, printed on a handmade japan type paper. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.

This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.

This is an oriignal  aquatint etching by British artist Leonard R. Squirrell, this etching was created and printed in 1924 in an edition of 75 signed proofs.  The image measures 11X16 1/4 inches.  Pencil signed by the artist in pencil lower right border.  Fine use of highlight and shadow making a dramatic composition. Printed on a medium weight wove type paper.   A rare image only found in Museums.

This is an original woodblock print by American artist Isac Friedlander. it is titled: "Vanquished" it was created and printed in 1938, it is editioned as 1/4 impressions.
The image measures 10X12 inches, printed on a light weight laid type paper. It is hand signed,titled and editioned in pencil in the lower margin. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.

Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.

Original color aquatint etching, created and printed in 1989. This is hand signed and editioned as Eprevues d'artist, artist proof. EA, lower left. The image measures 17 3/4 X 25 1/4 inches. Printed on wove-type paper.

Drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left. Plate measures 8 7/8 x 11 1/2 inches.

This is a fine original screen print by American artist Max Arthur Cohn.  The title is: Night Scene, created and printed in 1944.  Hand signed with pen and ink within the image lower right.  The image measures 12X17 1/2 inches.  "Best known as a pioneer in screenprints, Max Arthur Cohn was born to Russian immigrants in London, in 1903, and moved with his family to New York City in 1905. He got his first art-related job creating commercial silkscreens when he was seventeen. Cohn began to experiment with silkscreening on his own and later exhibited his prints in New York City and Washington, D.C., in the 1930s and '40s." (Smithsonian Museum)