Drypoint etching, image size 7 7/8 x 4 7/8 inches, edition of 100, 1919, Hardie 168, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest works.
This is an extremely detailed etching by American master John Taylor Arms. This image titled: "Limoges" was created and printed in 1932. It was part of his series on French Churches. The image measures 10 1/16X13 5/8 inches, printed on a blue toned laid type paper. The etching is pencil signed and inscribed as "Ed 100 III"
Etching with drypoint, image size 11 1/2 x 13 3/16 inches, first plate (Guerin 69), pencil signed and titled
Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark
This 1927 marine etching by the British printmaker Arthur Briscoe measures 9 7/8 x 15 7/8 inches, hand signed in inked and editioned as 58/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is a fine original oil on canvas painting by British artist Walter Heath Williams. The painting is partially signed lower right edge. The painting most likely the Lakes District in Northern England. A beautiful work, subtle tones of the sky right after sunset. This artist was a member of the Royal Academy and lived most of his life in Devon and Cornwall. The painting is in the original turn of the century frame. The canvas measures 11X16 inches. The overall frame size is 15X20 inches. Excellent condition.
From his French Church Series #47, this 1947 award winning etching by John Taylor Arms measures 13 3/8 x 6 7/8 inches, pencil signed and dated, edition of 198, state II, cat: Fletcher-47. This image won five major awards between 1947 and 1951 including 1st Prize at the Annual Exhibition of the Chicago Society of Etchers in 1949. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.
This is a very fine impression of the well known Whistler etching, "The Rag Gatherers", created and printed in 1857, this etching is plate signed, on the right side of the image. The image measures 6X3 1/2 inches. It is the fifth state of 5 with the edition of the two children in the interior space. This etching came to us framed with the Kennedy Galleries label on the back. Excellent condition, apparently printed on an antique laid type paper.
This is an original watercolor painting by American artist Hendrick Dirk Kruseman Van Elten. The painting came to us in what appears to be the original period frame with a gilt covered matboard. The painting measures 15X21 inches, the overall frame size is 30X35 inches. Clearly signed by the artist lower right corner, good condition, slight toning to the sky.
This is a very fine original 19th Century painting in the style of Marinus Adrianus Koekkoek (1807-1868). Oil on panel, 7 1/4 x 8 7/8 inches, c. 1850, unsigned, in an ornate period gilt frame. Although this painting is unsigned, the style and subject are very reminiscent of the work of Dutch artist Marinus Adrianus Koekkoek, who was known for his delicately painted atmospheric landscapes.
This is a very fine Hudson River School landscape, oil on academy board, 9 3/4 x 18 3/4 inches, c. 1880s, unsigned, in an ornate period gilt frame. Although this painting is unsigned it is quite well painted, evidently by a very competent artist.
A truly remarkable original lithograph by Joseph Pennell, this image measures 21 1/8 x 16 5/8 inches, published in 1913 in a very small edition of 50, pencil signed, from Pennell's series of lithographs created in his travels through Italy and Greece. Printed on a cream colored laid type paper with the watermark "Ingres PMF Italia". In his book "In the Land of Temples", Pennell writes of this image, "Night was falling as I was coming back from drawing by the river Ilissos. The subject was the most impressive I saw in the Land of Temples, and in the gathering darkness I drew it as well as I could."
Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.
A superb portrait of Brockhurst's first wife Anais, this etching measures 8 3/4 x 6 1/4 inches, published in 1927 in an edition of 111, pencil signed. Born in England and found to be artistically talented at an early age, Gerald Brockhurst was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him. He became well known for his classically styled portraits etched with a remarkable sense of detail and texture.
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