This 1928 marine etching by the British printmaker Arthur Briscoe measures 12 1/8 x 8 7/8 inches, hand signed in ink and editioned as 7/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
A fine example of the Drypoint work of French artist Jacques VIllon. The title of this work is :"L'Epingle A Chapeau", the hat pin. This image was created and printed in 1909. The image is editioned lower left as 12/20. A rare image. The drypoint measures 15X12 inches, printed on a medium weight, watermarked, laid type paper. very fine condition, a rich impression showing a velvet burr of ink throughout the figure.
This drypoint is clearly signed in pencil by the artist lower right border.
This is an original mezzotint by British artist Sir Frank Short. The title is: "Moonrise on the Bure" This mezzotint was printed in 1922, the image measures 11X15 7/8 inches, printed on a medium weight wove type paper, pencil signed lower right and monogrammed in the plate lower left corner. A beautiful rich impression, very subtle tonal range throughout. Beautiful condition.
This is an original etching by American artist Leonard Baskin. It is a portrait of Hercules Seghers, the Dutch old master painter. This portrait was created and printed in 1962. It appears in the Fern-OSullivan catalog as image number 432. The image measures 17 3/4X14 1/2 inches. Printed in two colors. It is pencil signed and editioned as 1of 12 in roman numerals. Beautifully framed with archival materials.
Drypoint etching, image size 7 7/8 x 4 7/8 inches, edition of 100, 1919, Hardie 168, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest works.
This is a very fine etching on a colored Chin Collet by French artist Charles Meryon. The title is : Le Petit Pont, Paris. This etching was created in 1850. The image measures 10 1/16X7 3/8 inches. This impression is the V/VII state. It has printed the title in the lower border as well as: "Public par L'Artiste" in the lower left and "Imp A. Delatre, Rue St Jacque 171" in the lower right. This image appears in the Delteil-Wright catalog as image number 24.
This is a very fine original 19th Century painting in the style of Marinus Adrianus Koekkoek (1807-1868). Oil on panel, 7 1/4 x 8 7/8 inches, c. 1850, unsigned, in an ornate period gilt frame. Although this painting is unsigned, the style and subject are very reminiscent of the work of Dutch artist Marinus Adrianus Koekkoek, who was known for his delicately painted atmospheric landscapes.
This is an original etching on toned chin collet by French artist Charles Meryon. The title is: La Pompe Notre-Dame, Paris. This etching was created in 1852. The image measures 6 3/4X10 inches. It is the VII/IX state, 7th of 9. In the bottom margin is printed the title, "Public Par L'Artiste" in the lower left. In the lower right is "Imp. A. Delatre, R.s. Jacques 171" This image appears in the Delteil catalog as image number 31...
This is an amazing original etching by American artist John Taylor Arms. The title is :Reflections at Finchingfield, England. It was created and printed in 1938, this was from the second state of two, Edition of 100. It is pencil signed, dated lower border. Extemely fine detail, This was a prize wining etching, part of his English Series. The image measures 7 1/16X17 1/8 inches. Very fine condition, ample borders all around.
A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.
This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images. This richly inked image was exhibited at the Royal Academy in 1927. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark
This is an original oil on board painting by American artist Henry Mortikar Rosenberg. This study of a museum visitor was originally in the collection of the Mobile Museum of Art, Alabama. The painting is signed lower right in pencil and inscribed on the back. The image measures 16X12 inches. A few minor spots of touch up, nothing major. A fine modernist impression. Rosenberg studied under Frank Duveneck.
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