A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.
This is a very fine original 19th Century painting in the style of Marinus Adrianus Koekkoek (1807-1868). Oil on panel, 7 1/4 x 8 7/8 inches, c. 1850, unsigned, in an ornate period gilt frame. Although this painting is unsigned, the style and subject are very reminiscent of the work of Dutch artist Marinus Adrianus Koekkoek, who was known for his delicately painted atmospheric landscapes.
This is an original oil on canvas portrait of a young woman, signed Flood, 1945, in the upper left corner of the image. We feel this might be the work of California artist Mary Emma Flood (1900-1987) The painting measures 21X18 inches. Flood was a member of: San Francisco Art Association, 1920-25; CPLH, 1920s; Nat'l Ass'n of Women Painters & Sculptors, 1935-38.
This is an original oil on canvas landscape with cows painting. Created late 19th century this painting is signed lower left: It looks like Neil..? But we are unable to attribute it to a specific artist. We are selling this as Nineteenth Century American School. The painting measures 12X20 inches and came to us in what appears to be the original 19th century gilt frame. The painting is in good shape, one tiny repair in the bottom center of the image.
Ink and wash, image size 9 3/4 x 13 7/8 inches, inscribed on reverse "J. Bosch 1773 in de manier van N. Berchem met stoffazie na A.v.d.Velde" (In the manner of Nicolae Berchem [Dutch, 1620-1683] and Adriaen van de Velde [Dutch, 1636-1672]), framed.
This 1927 marine etching by the British printmaker Arthur Briscoe measures 9 7/8 x 15 7/8 inches, hand signed in inked and editioned as 58/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an oil on artist's board by American artist George A Hays. This scene of 4 cows resting on a summers day has an image size of 8X10 inches, signed lower left. This painting has an early label from Providence Art Club on the back. Also the date of 20 written on the back. Hays was best known for his Lanscapes with cattle. He lived in New Hampshire and later in Providence RI. He was a member of the Providence Art Club, where he exhibited from 1888 to 1940; Society for Independent Artists, Copley Society, and Providence Watercolor Club.
Etching, image size 7 7/8 x 9 7/8 inches, published state, 1923, Ordeman 226
This is an original etching by American artist James Whistler. The title is: "La Marchande de Moutarde" It was part of the series titled: "The French Set", published and printed in 1858. This etching is signed lower left corner of the image, printed on a thin Japan type laid paper. According to the Glascow catalog this is state V/V before the plates cancellation. The image measures 6 1/4X3 1/2 inches.
This is an original etching by French artist Georges Rouault. This image was plate 39 of his Miserere Series created in 1922. This image is titled: Nous Sommes Fous. It was printed with a combination of etching,aquatint,burnisher and roulette. The image measures 22 1/2X16 1/8 inches. It was printed in an edition of 425 printed on Arches wove type paper with the Ambroise Vollard watermark. This etching is signed within the plate lower left but is not pencil signed which was how this etching was originally sold.
This is an original etching by American artist Stephen Parrish. The title is A Gale at Fecamp, it was created and printed in 1886. The image including the remarques measures 13 3/4X15 3/4 inches. It is hand signed in pencil and also has the artist's estate stamp in the lower left border. This is Parrish's only etching with such complete remarques. Showing the influence of French artist Felix Buhot. The remarques revel Parrish's lively sense of humor, showing sketches of books with such titles as Philadelphia as a Summer Resort, Etching in Summer and other gems. This is a very rare etching by Parrish, and is from a trip he took to Fecamp in 1884.
Original etching and drypoint by French artist of the Belle Epoque era, James Jacques Tissot. The title is: L'Ete, this image was created and printed in 1878 in an edition of 100 unsigned proofs. The image measures 14 3/4X8 3/8 inches. Printed on a cream toned laid paper. The sitter is Kathleen "Kate" Newton (1854-1882), Tissot's Irish muse and mistress from 1871-82. Tissot portrayed her as a personification of summer in this etching. This image appears in the Wentworth catalog as image no. 43...A very fine impression in an archival picture frame.
This is a very fine etching on a colored Chin Collet by French artist Charles Meryon. The title is : Le Petit Pont, Paris. This etching was created in 1850. The image measures 10 1/16X7 3/8 inches. This impression is the V/VII state. It has printed the title in the lower border as well as: "Public par L'Artiste" in the lower left and "Imp A. Delatre, Rue St Jacque 171" in the lower right. This image appears in the Delteil-Wright catalog as image number 24.
This is an original Anders Zorn etching titiled: "Dagmar", one of his best etchings from his bather series. This image was created and printed in 1912. The image measures 10X7 inches, printed on a watermarked Van Gelder Zonen laid type paper. This image is pencil signed by the artist lower right border. A very rich impression printed with a warm toned ink. This image appears in the Hjert & Hjert catalog as image number 263.
This is a rare pair of Folkart Portraits of a Brother and Sister, oil on canvas, unsigned but in the style of Joseph Goodhue Chandler. Each painting measures 10 3/4X9 1/4 inches and came in a pair of 19th century gilt frames. The overall frame size is 13 1/2X12 inches. There are a few minor spots of repair and retouch. Both works could use a cleaning but they are quite presentable as they now appear.
Copyright 2020· All rights reserved