A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.
This is a very fine original 19th Century painting in the style of Marinus Adrianus Koekkoek (1807-1868). Oil on panel, 7 1/4 x 8 7/8 inches, c. 1850, unsigned, in an ornate period gilt frame. Although this painting is unsigned, the style and subject are very reminiscent of the work of Dutch artist Marinus Adrianus Koekkoek, who was known for his delicately painted atmospheric landscapes.
This is a fine original oil on canvas painting by British artist Walter Heath Williams. The painting is partially signed lower right edge. The painting most likely the Lakes District in Northern England. A beautiful work, subtle tones of the sky right after sunset. This artist was a member of the Royal Academy and lived most of his life in Devon and Cornwall. The painting is in the original turn of the century frame. The canvas measures 11X16 inches. The overall frame size is 15X20 inches. Excellent condition.
A truly remarkable original lithograph by Joseph Pennell, this image measures 21 1/8 x 16 5/8 inches, published in 1913 in a very small edition of 50, pencil signed, from Pennell's series of lithographs created in his travels through Italy and Greece. Printed on a cream colored laid type paper with the watermark "Ingres PMF Italia". In his book "In the Land of Temples", Pennell writes of this image, "Night was falling as I was coming back from drawing by the river Ilissos. The subject was the most impressive I saw in the Land of Temples, and in the gathering darkness I drew it as well as I could."
From his French Church Series #47, this 1947 award winning etching by John Taylor Arms measures 13 3/8 x 6 7/8 inches, pencil signed and dated, edition of 198, state II, cat: Fletcher-47. This image won five major awards between 1947 and 1951 including 1st Prize at the Annual Exhibition of the Chicago Society of Etchers in 1949. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.
This original drypoint etching by Alphonse Legros was created in 1881 and is pencil signed. A delicately etched image of the world-renowned sculptor and artist, Auguste Rodin. Cat: Bliss 237, 9 3/4 x 6 7/8 inches. Artist provenance on backing with label from "Halcyon Days LTD, framed.
Lithograph, image size 13 x 18 1/2 inches, 1949, edition of 30, pencil signed, titled and editioned. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
This is an original James Whistler etching titled : "Seymour Standing under a Tree", it was created and printed in 1859. The image measures 5 3/16X3 3/4 inches. Printed on a cream laid type paper. This image is the second state of three. Seymour Standing Under a Tree is a portrait of Francis Seymour Haden, Jr. (born 1850), the elder son of Whistler's half-sister, Deborah Delano who married the well known artist etcher, Sir Francis Seymour Haden. This image appears in the Kennedy catalog as image number 31.
This is a very fine Hudson River School landscape, oil on academy board, 9 3/4 x 18 3/4 inches, c. 1880s, unsigned, in an ornate period gilt frame. Although this painting is unsigned it is quite well painted, evidently by a very competent artist.
This 1927 marine etching by the British printmaker Arthur Briscoe measures 9 7/8 x 15 7/8 inches, hand signed in inked and editioned as 58/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark
This is a very fine impression of the well known Whistler etching, "The Rag Gatherers", created and printed in 1857, this etching is plate signed, on the right side of the image. The image measures 6X3 1/2 inches. It is the fifth state of 5 with the edition of the two children in the interior space. This etching came to us framed with the Kennedy Galleries label on the back. Excellent condition, apparently printed on an antique laid type paper.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
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