Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/München" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.
This is a fine original oil on board painting by American artist William Henry Howe. This image of Village life in Normandy France. A subject that he was well known for in the late 19th century. This view of carts unloading the days catch has an image size of 9 3/4X13 1/4 inches. The painting is signed lower left William Henry Howe. with a partial date after the name.
Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design. He exhibited his work at the Paris Salon, The Boston Art Club, The Carnegie Institute, and the Art Institute of Chicago, as well as in exhibitions with the Society of American Artists and the National Academy of Design.
This is an early 20th century landscape painting, oil on canvas titled: "The Oak", it was created circa 1920-30's. It is signed lower left corner with the initials A. F. and also initialed and titled on the back of the canvas. The painting itself measures 18X24 inches. A fine impressionistic view of a woodland scene with a figure in the background. Very good condition, the artist is a mystery. This might possibly be the work of Alexis J. Fournier...
This is an original oil on Canvas painting of a Grand Child''s Birthday present. The painting is signed lower right corner but not easy to make out. It looks like H. J. ..........? The canvas measures 17X14 inches and came in a fine period gilt frame. There is one repaired tear in the lower center of the canvas and some cracking to the paint. Over all a very fine painting highly detailed. Guaranteed to be a mid to late 19th century work. Most likely British or American origins...
Watercolor on paper, signed and dated lower right, 1807, 20 x 27 inches in a gold 29 x 25 inch frame. A beautifully detailed watercolor that remains vibrant, even after over 200 years. Ramsay Reinagle first studied under his father, Phillip Reinagle, before going on to study in Italy, Holland, and Rome. Reinagle painted portraits, historical subjects, animals, and landscapes. He exhibited at the Royal Academy and the Society of Painters in Watercolours.
This is a fine original oil on canvas painting by American artist Daniel Strain 1847-1925. This fine portrait of a Young Boy is signed upper left, and dated 1896. The painting measures 18X16 inches. Strain is best known for his portraits and landscape paintings. One tiny spot of touchup, very minor. Nicely housed in a gilt frame.
This is an original oil on canvas painting of an Ox and Cart coming down the road. The painting has 3 intials lower right, they seem to read: "W. ?. S." Weve been unable to make out who the artist was. We feel the painting is from the late 1890's and is most likely American in origin. The painting was expertly done. The canvas laid on board measures 19X13 inches and is in a 19th century gilt frame.
This is an original oil on canvas landscape with cows painting. Created late 19th century this painting is signed lower left: It looks like Neil..? But we are unable to attribute it to a specific artist. We are selling this as Nineteenth Century American School. The painting measures 12X20 inches and came to us in what appears to be the original 19th century gilt frame. The painting is in good shape, one tiny repair in the bottom center of the image.
This is a very fine Hudson River School landscape, oil on academy board, 9 3/4 x 18 3/4 inches, c. 1880s, unsigned, in an ornate period gilt frame. Although this painting is unsigned it is quite well painted, evidently by a very competent artist.
A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.
This is an original oil on board painting by American artist Henry Mortikar Rosenberg. This study of a museum visitor was originally in the collection of the Mobile Museum of Art, Alabama. The painting is signed lower right in pencil and inscribed on the back. The image measures 16X12 inches. A few minor spots of touch up, nothing major. A fine modernist impression. Rosenberg studied under Frank Duveneck.
This is a fine moderist study of a young girl, oil on canvas, unsigned but very similar in the style and manner of American artist Robert Henri. This work measures 16X14 inches. Has a couple of minor repairs. The style of roughly applied highlights to the face look very much like the way Henri worked but since this is unsigned we are only able to represent this as an early 20th century American School portrait.
This is an original 19th century American School painting of a Steamer in a stormy seas. The painting is oil on board framed in a fine gilded oak frame. The painting measures 11 1/2X18 inches. No apparent signature. In very fine condition.
This is a fine oil on board painting by American artist, Jay H. Connaway. This painting is signed lower right and also signed and titled on the back of the board. "A Big Wave", it was created circa 1940's when Connaway lived and painted on Monhegan Island. This was also after he was elected as a Member of the National Academy of Design. The painting mesures 8X10 inches, in a fine period frame.
Copyright 2021· All rights reserved