Lithograph, (c. 1942), pencil signed, image size 7 1/2x11 3/4
This is an original etching by American modernist artist John Marin (1870-1953) The title of this work is "The Lobster Fisherman". It was created and printed in 1948. This is a rare pencil signed early proof. The image measures 8 3/4X7 inches. This etching was later reprinted in a large unsigned edition. Nice use of plate tone in the sky and sea.
“From 1899 to 1901, Marin attended the Pennsylvania Academy of the Fine Arts in Philadelphia. In Philadelphia he studied with Thomas Pollock Anshutz and William Merritt Chase. He also studied at the Art Students League of New York.[
In 1909, Marin held his first one-man exhibition at Alfred Stieglitz's 291 gallery in New York City. He had been introduced to Stieglitz by the photographer Edward Steichen. Marin's association with Stieglitz would last nearly forty years, and Stieglitz's philosophical and financial support would prove essential. From 1909 until his death in 1946, Stieglitz showed Marin's work almost every year in one of his galleries. Marin also participated in the landmark 1913 Armory Show.
Marin spent his first summer in Maine in 1914 and almost immediately the rocky coast there became one of his favorite subjects. Over the rest of his life, Marin became intimately familiar with the many moods of the sea and sky in Maine”
Lithograph from May 1960. Scene from New York, New York. Image measures 15 3/16 x 11 3/4 inches on 19 3/4 x 15 inch medium weight wove type paper. Wengenroth has captured this majestic owl at high alert against a dramatic bright sky, framed with some plate tone on the edges. Catalog: Stuckey 269.
Lithograph, image size 18 x 13 inches, edition of 30, 1945, print signed, dated, edition number, and title in pencil. Plate signed "BS" l.r. Fine & Looney 246. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
Etching, image size 12 3/4 x 9 1/4 inches, titled and signed in pencil
This is a very rare original etching by American sporting artist Frank W Benson. The image size is 7 7/8 x 9 7/8 inches, published in 1921 in an edition of 100, cat: Ordeman-205, pencil signed, titled in the lower margin. There is some old masking tape residue in the margins, but this is outside of the image area and will be covered by a window mat. This print is quite scarce, and an unusual subject for Benson; in most of his images the landscape serves as a backdrop for wildfowl or hunters but in this etching he focuses on the land and river, creating an atmospheric summer scene.
This remarkable etching is one of Eby's finest prints, and is featured on the front cover of the Giardina catalog. The image size is 8 5/8 x 15 5/8 inches, published in an edition of 100 in 1931, cat: Giardina-168, pencil signed "Kerr Eby imp", the 'imp' indicating that Eby printed this impression himself. This image is one of several landscapes Eby made depicting his house in Westport, Connecticut and with it's rich tonal range and vivid contrasts, it is by far one of his most impressive images. This etching features a very richly inked impression on a medium weight watermarked wove type paper.
A beautiful lithograph by the American artist, Stow Wengenroth, measuring 12 1/4 x 17 1/4 inches, pencil signed in an edition of 50. This image is of Winter Harbor, Maine, created in October of 1941, Stuckey cat: 110, framed. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
This is a remarkable original etching of a New England winter by Kerr Eby. The image size is 9 1/2 x 15 1/4 inches, 1941, edition of about 100, cat: Giardina-204, pencil signed "Kerr Eby imp", the 'imp' indicating that Eby printed this impression himself. This etching features a richly inked impression with subtle plate tone, printed on a medium weight watermarked wove type paper.
This is an original etching by American Artist John Sloan. This etching is titled in the catalog as "Nude Sketches", it was created and printed in 1917. The etching is pencil signed, editioned as 100 proofs and also has a drawing in pencil in the lower left of a models feet. This is a rare, unique proof of this etching. The image measures
3 1/4X6 1/2 inches, the sheet size is: 9 1/2X12 1/2 inches. This image appears as number 187 of the Morse catalog.
This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever. And the long drive out over the sacred way, the long, quiet day; and the long drive back, with the Acropolis growing more and more majestic in the twilight, were perfect."
Lithograph, image size 9 1/4 x 12 1/8 inches, 1940, AAA edition, cat. Zink-56, pencil signed
Lithograph, image size: 12 7/16 x 9 9/16 inches, c. 1919-1920, numbered 19/33, pencil signed by the printer Bolton Brown l.l., pencil signed by the artist l.r., cat. Czestochowski-127, provenance: Baldwin-Wallace College
Original 1948 etching by the American artist, Isabel Bishop, measuring 5 x 3 1/2 inches, printed by the artist in the original edition of 22, not the restrike done in 1978, cat: Teller-43. Bishop was one of the foremost women artists of the twentieth century, best known for her images of life around Union Square in New York City where her studio was located. Her sense of observation along with her great technical skill enabled her to portrayed mood and movement in her simple images of ordinary people.
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