20th Century American Prints

This is an original etching and aquatint by American artist Kerr Eby.  The subject is Eby's home which he named Driftway, in Westport Connecticut.  This etching is hand signed in pencil and has an image size of 8 3/8X15 3/8 inches.  Printed in an edition of 100 in 1939.  This image appears in the Giardina catalog as image number 196.  Printed on a medium weight laid type paper.

This is a fine original etching by American artist Joseph Pennell.  The subject is, The Ferry House, The Cortlandt Steet Ferry from the Jersey City Side.  THis etching is hand signed in pencil, the image measures 12X10 inches, printed on an antique laid type sheet.  This was sold originally by Schwartz Galleries in New York.  This impressive etching is nicely framed with collectors annotations on the back,

This is a fine original etching by American Ex Pat, Mary Cassatt.  The title is: Looking into the Hand Mirror, No. 3.  It was created and printed in 1905, done in drypoint on an antique thin laid type paper, unsigned as typical of this image.  The image measures 8 3/4X5 1/4 inches.  This image appears in the Breeskin catalog as image number 202.  Very light toning to the sheet, some imperfections in the paper from when it was produced, unobtrusive .  A fine impression of this well known image.  "Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny, Pennsylvania, but lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. "  Nice custom Framed..

This is a fine original etching and aquatint by American artist Gottlob L. Briem. This rare image is titled Empire State Building, N.Y.C.  It was created and printed circa 1930.  It is pencil signed and inscribed "to Elmerine (Finn) a Vermont artist with best wishes".  The image measures 14X9 inches,  printed on a medium weight wove type paper.

Lithograph, (c. 1942), pencil signed, image size 7 1/2x11 3/4

This is a fine original etching by American artist John Taylor Arms.  The title is: Notre Dame de Paris, created and printed in 1925 as part of his Churches of France series.  This impression is pencil signed, printed in an edition of 150, the image measures 12 3/8X13 15/16 inches.  It appears in the Fletcher catalog as image number 167.  A combination of etching with aquatint.  One of his finest etchings of europe.

This is an original etching by American artist Otto Kuhler.  The title is: The Queen and the Slaves, created and printed in 1926.  This impression is pencil signed and inscribed as "Trial Proof, ltd edition 10 proofs", 1926.  The image measures 9 1/2 X13 1/4 inches.  Fine use of plate tone in the sea and sky.  The subject is the German liner, Breman.  The later published edition done in 1930 was of only 40 ...

This is an incredible rare impression of the well known Panama Canal etching, The Guard Gate, Gatun Lock.  It was created and printed in 1912. Both etching and drypoint, with a rich burr in the shadow areas.   Pencil signed and annotated "imp" meaning that he printed this impression on his own press.  It is printed on a blue toned laid type paper,  Very fine condition, richly printed.  The image measures 12 1/2X9 1/2 inches.  It appears in the Pennell catalog as Wuerth number 627.  The edition is about 60 impressions.

This is a fine industrial etching by American artist   Otto Kuhler.   "Monster & Midgets". 1928. The image measures 9 3/8 x 12 7/8. inches.  Etching. Signed in pencil. Edition: 75. Excellent condition. Although best known for his industrial Designs, Otto Kuhler  is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's. "This merging of industry and art proved so successful that after years of submitting designs, a locomotive based on Kuhler's designs was built. The engine, Hiawatha, rolled out of the Schenectady, New York yard in May, 1935. It was the first streamlined steam locomotive to be built from scratch in America. This signaled the start of the next phase of his career- as a successful industrial designer."

This is a very highly detailed drypoint etching by American artist Walter Tittle, (1883-1966)  This large image, pencil signed measures 10 1/2X15 1/2 inches. Printed on a medium weight wove type sheet, annotated as "Gift of the Artist" lower right border.  Very fine condition, a very rich impression of this rare image.

This is a pencil signed, titled and numbered etching by American modernist artist Leonard Baskin.  The title is Distension, created and printed in 1969.  The sheet size measures 38X24 inches.  Numbered 30/115.  Printed on a heavy weight wove type sheet.  The image is also embossed in the sheet.  The image appears in the Baskin catalog as image number 522.

This is an origiinal etching by California artist Armin Hansen.  The title is: Returning Fishermen, created and printed in 1925.  The image pencil signed  and titled and measures 6X7 7/8 inches.  Fine condition, printed on a medium weight laid type sheet.  This image appears in the White catalog as image number 74.  "Armin Carl Hansen (1886–1957) was an American prominent painter of the en plein air school, and a native of San Francisco, best known for his marine canvases. His father Herman Wendelborg Hansen was also an artist of the American West. Armin Hansen studied at the California School of Design (now the San Francisco Art Institute), and in Europe. He achieved international recognition for his scenes depicting men and the sea off the northern coast of California. He was elected an Associate to the National Academy of Design in 1926"

This is an original etching by American artist Gottlob L.Briem (1899-1972)  This etching titled lower left in pencil, "Tower Under Construction, George Washington Bridge" has an image size of 14 3/4X9 5/16 inches.  Pencil signed, dated, 1930 and numbered, 47/100.  Printed on a watermarked laid type paper.  A very dramatic composition, one of his best efforts.

This is a fine award winning etching by American artist John Taylor Arms.  The title is: Reflections at Finchingfield, it was created and printed in  1938.  From his English Series, this is the 2nd state of two, printed by David Strang in an edition of 100 as inscribed on the etching lower left also hand signed and dated in pencil lower right border.  This large etching measures 7 1/16X17 1/8 inches.  Found in the Fletcher catalog as image number 311.  This image won prices from the Chicago Society of Etchers, the Lotus Club and Northwest Printmakers.  One of his finest images with the  incredible reflection found in the pond below the buildings. ( our photo doesnt show a fraction of the image on the right side, this etching is overall complete with good borders all around.

This is an original engraving with drypoint by American artist Armin Landeck.  The title is: Shadowed Street, created and printed in 1947 in an edition of 100.  This pencil signed impression measures 7 3/4X11 7/8 inches.  Beautiful condition.  
"Landeck found inspiration in the play of shadows found between the buildings of cities, perhaps drawn to the way their angles played against those of the architecture." (Annex).  Found in the 
Kraeft catalog as image number 98.