Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited" and "The Cathedral of St. Pierre."
Etching from 1929, pencil signed and dated. From his French church series, 1929. Image size 13 x 5 1/2. Edition of 100.
C. 1944. Pencil signed and dated in the lower right. "II" inscribed in pencil in the lower left. Number two in his "English Church" series. Edition of 155. Catalog: Fletcher 381. Plate measures 9 1/2 x 5 1/2 inches on 11 1/2 x 8 inch watermarked laid type paper. Collector's mark in lower right corner of paper. Arms worked on this plate for a total of 289 hours.
Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y. 1943; the First Prize in Black and White Section at the 12th Annual Exhibition of the Irvington Art and Museum Association, Irvington, N. J. 1945; and the First Prize in Black and White at the Annual Art Exhibition of the Bridgeport Art League, Bridgeport, CT. 1945.
Etching, sight size 3 x 1 9/16 inches, 1944, Fletcher #383, French Church Series, edition of 71, Charles S. White, printer, Miniature Series #35, pencil signed and dated by the artist l.r. with annotated "II" l.l., artist seal l.r, framed, AAA label on back. (M)
An excellent example of the artistry of the American printmaker, John Taylor Arms. This image measures 12 1/4 x 7 3/4 inches, pencil signed and dated 1925, from his Spanish Church Series #5, printed by Frederick Reynolds in an edition of 152, cat: Fletcher 164. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance. He specialized in images of European architecture and cathedrals.
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
Etching of Léon, Spain. Trial proof. Pencil signed and dated 1923 in the lower right corner. Print measures 7 1/8 by 11 1/4 inches in a 16 x 19 inch gold frame. #1 in his Spanish Church Series. Catalog: Fletcher 140. Printed by Frederick Reynolds. This plate was done with the assistance of Kerr Eby. This atmospheric print showcases the artist's incredible eye for detail.
Etching by the American artist, John Taylor Arms measuring 14 x 9 1/2 inches, pencil signed, inscribed "Third State" on lower margin, 1929, edition of 100, printed by Henry E. Carling, from the "French Church Series #26", cat: Fletcher-219. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.
Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed
Etching,1927, ed.250, 7 1/2" x 11 5/8", pencil signed
Edition of 110. Catalog: Fletcher 194. C. 1927. Printed by Frederick Reynolds. Italian series #11. Pencil signed and dated 1917 in the bottom right. Plate titled in the lower right. Plate measures 11 1/4 x 5 1/2 inches on 16 1/4 x 10 1/4 inch blue laid type paper. This print has plate toning and enchanting linework.
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