Prints

Etching & dry-point, image size 9 1/4 x 9 inches, circa 1930, Subsequent to Hardie, pencil signed

Etching, image size 20 x 9 inches, 1887, remarque lower left, pencil signed lower right, published by Klackner, New York

This is an original Revolutionary war period engraving by Robert Pollard .   The subject is: "Lady Harriet Ackland Harrowed on the Hudson" In 1777.  This engraving is hand colored and appears to be a period printing done in London in 1784.  The image measures 15 1/4X20 5/8 inches.  The sheet has been professionally adhered to a support sheet and a few tears in the lower margin have been repaired. The borders on three sides have been trimmed to just outside the platemark.  The writing under the image appears to be complete.  The Engravers information appears just under the image: London: Robert Pollard, Brayne’s Row Spa Fields, 1784. Overall this is a very presentable engraving just as it now appears.  "A scarce engraving celebrating the pluck of Lady Harriet Ackland, shown here in a boat on the Hudson River going to the aid of her injured husband, who was captured by the Americans during the Battle of Saratoga.

This is a very rare etching from a scarce, unpublished plate by Francis Sydney Unwin. The image size is 12 1/8 x 16 inches, 1916, pencil signed; a richly inked impression on a fine cream colored Japan paper. Unwin studied at the Winchester School of Art and the Slade School; he traveled extensively throughout Europe and spent several months in Egypt drawing the tomb interiors for an archaeological expedition. He then settled in London, becoming known for his landscapes and remarkable interior architectural views, such as this finely detailed image of the Albert Hall. Unwin died at the age of 40, after suffering from tuberculosis for much of his adult life.

Colored softground and aquatint from 1925. Numbered 65 in an edition of 300. Catalog: Novak 432. Pencil signed in the lower right, numbered in the lower left. Plate measures 11 5/8 x 15 1/4 inches on 15 1/8 x 19 inch watermarked wove type paper. An atmospheric etching that captures the bleak weather with splashes of color. F. Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts. Simon was an exceptional painter and printmaker, and is best known for his atmospheric color etchings and aquatints, such as this wintry Paris scene.

This is a fine line engraving by British artist Stanley Anderson.  The title is The Old Tinker.  This pencil signed impression measures 7 X5 1/2  inches, created and printed in 1933.  This image appears in the Anderson Catalog as image number 208.  The tinker is depicted soldering a patch to a leaking kettle while his wife is about to renew the cane seat of an old chair.  Anderson often returned to the subject of the wanderer, of itinerants such as wayfarers pedlars and gypsies making their way through town.  This engraving is in a modern frame with archival materials.

This is an original etching and aquatint by American artist Kerr Eby.  The title is: Still Hollow 1936, a winter scene most likely near his home in Connecticut.  This etching was created in an edition of 100.  The image measures 10 3/16X14 1/2 inches.  Pencil signed and editioned in the bottom border.  Fine condition, a rich impression.  Presented in a fine frame with archival framing materials.  This image appears in the Giardina catalog as image number 185.

This is an original pencil signed and titled lithograph by American artist Henry Ziegler.  This image is titled: The Last Fight in Old Madison Square Garden, it was created and printed in 1925.  This large image measures 14 1/2X19 3/4 inches.  Printed on a medium weight wove type paper.  One of Ziegler's most impressive lithographs.

This is an original pencil signed mezzotint by American artist Allesandro Mastro-Valerio.  This study of two bathers at the ocean has an image size of 7X6 3/4 inches.  Numbered as 20/35.  A scarce image by this well known artist and master of the modern mezzotint.  Printed on a heavy weight wove type sheet.  He was a member of the Chicago Society of Etchers,  He is best known for his mezzotint* prints, particularly his female nudes.  His work helped to revive mezzotint as an artistic medium in the United States.

This is a fine original etching by French artist and print maker Louis Auguste Lepere.  The subject is Amiens Cathedral, created and printed in 1907.  The pencil signed impression measures 13 11/16X9 5/8 inches.  Printed on a medium weight laid type sheet.  Very fine condition.  This image appears in the Saunier catalog as image number 344.  Printed in an edition of 150.

This is an original drypoint and aquatint etching by French artist Jacques VIllon, The title is: Petite boudeuse, created and printed in 1905 in an edition of 50.  Hand signed in pencil, the image printed in sepia ink measures 13 3/4X9 inches.  This image appears in the Ginestet/Pouillon catalog as image number 129 ii/ii.

This is an original etching by well known Swedish artist Anders Zorn.  The title is: Dal River, created and printed in 1919.  This impression measures 7X4 5/8 inches, printed on a medium weight laid type sheet.  hand signed in pencil lower right.  This image appears in the Asplund catalog as image number 284.  One of his series of nude bathers that he is well known for.

This is an original etching by American artist Stephen J Ferris.  Titled: Dreamland it was created and printed in 1883, published by Klackner in New York.  This image was done after the painting by Charles D. Weldon.  One of the finest examples of reproductive etching from the 19th century.  The image measures 16X25 1/2 inches on a sheet size of 21X30 inches.  Hand signed by both the etcher and the painter in the bottom border.  A fine remarque of a lady lower border.  Printed on a medium weight wove type paper.  This large etching is in beautiful condition.

This is a fine original etching by British marine artist Arthur Briscoe.  The title is: The Main Brace, created and printed in 1929.    The image measures 13 11/16X9 15/16 inches, printed on an antique wove type sheet.  It is hand signed with pen and ink and also numbered 39/75. " This view of men hauling in on the brace while at the same time keeping their balance in the heeling ship as a spray sweeps over the weather rail."

This is an original soft ground etching and aquatint by Austrian artist Tavik F. Simon.  The scene is: The Kiosks on the Grand Boulevards, in Paris.  This etching was created and printed in 1926 in an edition of 200, published by G. Petit, Paris.  The image appears in the Novak catalog as image number N.123.  The image measures 13 3/4X16 3/4 inches.  This etching is in the early frame with french matting.  Pencil signed lower right and numbered 6 of the edition.