Prints

lithograph, AAA, 8 7/8 X 12 1/8", pencil signed.

Engraving after Correggio; Fogg Museum provenance, JW Randall Coll #13030; image size 13 1/2 x 18 11/16 inches; plate size 17 3/4 x 13 1/2 inches; paper size 24 x 18 7/8 inches.

This is an early original etching by American artist John Taylor Arms.  The title is: The Pig Pen, La Parcherie, created and printed in 1920 in an edition of 75.  Printed by Frederick Reynolds.  The image measures 4 5/8X11 7/8 inches. Hand signed in pencil lower border.  A rich impression.  This image appears in the Fletcher catalog as image number 83.

Etching, image size 8 3/4 x 7 inches, Hardie 176, 1920, pencil signed

This is a fine drypoint and etching by French impressionist etcher, Alphonse Legros.  This image was created and printed in 1889, hand signed in pencil, printed on a medium  weight wove type paper.  The image measures 6 7/8X9 1/2 inches.  A fine rich impression. Catalog R.105.

This is a fine original etching by British artist Arthur Briscoe, the title is James and John, this etching was created and printed in 1928 in an edition of 75 signed impressions.  This one is signed and numbered 43/75 in sepia ink.  This is one of his finest images, a couple of Dutch Hengsts moored at Zijpe in Walcheren.  The image measures 9 3/4X13 3/4 inches  Printed on a laid type, watermarked paper.  The borders are a bit trimmed but still enough room for proper presentation.  Printed in a warm toned ink, nice use of plated tone in the sea and sky..

This is an original etching by American artist Kerr Eby.  The title and subject is: "Hungerford Bridge, London"  This etching was created and printed in 1929.  This etching was based on Eby's visit to Great Britain and France during 1924 and 1925.  The image measures 8 7/8X13 3/4 inches.  It was printed in an edition of 90.  Pencil signed lower right border,   Effective use of plate tone in the sea and sky.  This image appears in the Giardina catalog as image number 144.

This is a fine original pencil signed etching by American artist Ernest Roth.  This New York View is of Union Square, created and printed in 1929.  The image measures 9 7/8X7 1/2 inches.  Printed on a medium weight "F.J. Head" watermarked laid type paper.

Drypoint etching from 1921, pencil signed in the lower right. Plate measures 9 7/8 x 6 7/8 inches on 12 3/8 x 7 7/8 watermarked laid paper. Catalog: Wuerth 770. Edition of 50. A well inked impression with plate toning. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.

Printed on laid-type paper. Pencil signed with an "imp" after his name indicating he was the printer. Inscription in the lower left says "Rose." Image is 11 2/8 x 12 3/8 inches on 11 3/4 x 14 1/2 paper. c. 1910.

This is an original color etching by American artist Dorsey Potter Tyson.  The title is: Gossip, created and printed in 1928,  This image is hand signed in pencil and numbered as XXXVIII lower left, also indicated that he printed this impression himself.  The image measure 8 1/2X9 1/2 inches.  It was framed and sold by The Casson Galleries in Boston, dated 1929.

This is a fine drypoint etching by British artist Sir Henry Rushbury.  The subject is the destruction of St. Olave's cathedral on  Tooley Street in Bermondsey.  This drypoint is hand signed by the artist with pen and ink in the lower border.  The image measures 11 3/8X8 1/16 inches.  Very richly printed on a medium weight wove type paper.  This image created in 1927.  "the demolition in process of a historic London dockside church, St Olave's, Bermondsey/ Southwark. This took place because of local depopulation and the church being given 'redundant' status. Demolition took place in two stages and Rushbury has cleverly seized the moment when the nave was all but destroyed (1926) but the tower was still intact. This didn't last long, and it was demolished in turn in 1928. Building materials and debris litter the foreground."

This is a great London etching by American artist Clifford Addams, image size 8 7/8 x 7 1/2 inches, c. 1902, edition of 75, inscribed in the plate, "Loci dulcedo nos attinet" (the sweetness of the place holds us), pencil signed and numbered. Clifford Addams grew up outside Philadelphia and studied art in the U. S. before leaving to further his studies in Europe. He traveled extensively throughout Holland, France, Spain, Italy and Britain, and spent several years in London studying etching with Whistler. He later returned to the U. S. and worked out of studios in both New York and London. He was known for his European city scenes, such as this Whistleresque image of a man gazing out over the busy Thames.

Etching and drypoint from 1922. Pencil signed in the lower right. One of a series of five etchings from his series "The Arteries of Great Britain." Published by Dickins in 1922, in an edition of 425. Catalog: Dickins 73. Image measures 5 1/2 x 7 1/2 inches on 9 1/2 x 12 1/4 inch wove type paper. The scene is of the open Swing Bridge, from a vantage point of the High Level Bridge, Newcastle upon Tyne. An atmospheric print with selectively wiped plate tone. Walcot was born in Russia, the son of a British father and Russian mother.

This is a fine block print by Kansas artist Clara Colline (1881-1945)  The title written in pencil lower left is: Wind in the Cottonwoods.  THis image done circa 1920 is hand signed in pencil and has an image size of: 9X11 3/4 inches.  Colline was a student of Birger Sandzen.  His influence is clearly seen here.