This is an original etching by American Artist John Sloan. This etching is titled in the catalog as "Nude Sketches", it was created and printed in 1917. The etching is pencil signed, editioned as 100 proofs and also has a drawing in pencil in the lower left of a models feet. This is a rare, unique proof of this etching. The image measures
3 1/4X6 1/2 inches, the sheet size is: 9 1/2X12 1/2 inches. This image appears as number 187 of the Morse catalog.
Etching, image size: 7 11/16 x 11 5/8 inches, 1891, 2nd state, ed. 1/12, cat. Delteil 90
Original 1948 etching by the American artist, Isabel Bishop, measuring 5 x 3 1/2 inches, printed by the artist in the original edition of 22, not the restrike done in 1978, cat: Teller-43. Bishop was one of the foremost women artists of the twentieth century, best known for her images of life around Union Square in New York City where her studio was located. Her sense of observation along with her great technical skill enabled her to portrayed mood and movement in her simple images of ordinary people.
Lithograph, image size 9 1/4 x 12 1/8 inches, 1940, AAA edition, cat. Zink-56, pencil signed
A rare artist's proof by Leonard Baskin, this is an early woodcut portraying the artist dressed as a priest. The image size is 21 1/4 x 10 inches, published in 1952, cat: Fern & O'Sullivan-193, pencil signed and dated, notated 'artist's proof', framed. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, and over the course of his long career he created many self portraits which beautifully showcase the evolution of his style.
This is a rare pencil signed impression by Mary Nimmo Moran, etching, roulette and mezzotint, image size 7 3/8 x 11 3/8 inches, 1883, plate signed and dated, pencil signed. A beautiful impression in sepia ink with ample margins. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter-Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.
Engraving after Zampeire, from the fresco in the church of St. Andrew della Valle at Rome, image size 22 3/4 x 17 1/2 inches, plate size 24 3/8 x 17 3/4 inches, Fogg Museum provenance, JW Randall Collection #2528, framed
This 1928 etching by the British printmaker Arthur Briscoe measures 7 x 11 3/8 inches, hand signed in ink and editioned as 32/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Color aquatint and drypoint etching C. 1905. Edition of 100. Signed in orange crayon in the lower right. Plate measures 13 x 11 inches in a 23 1/4 x 20 1/5 inch gold frame. A fine impression. Catalog: Merrill Chase 125. Provenance Merrill Chase galleries, according to a label on the back. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.
Etching, 1909, image size: 8 5/8 x 6 1/4 inches, ed 8/8, pencil signed
An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
Image size measures 14 3/8 x 8 1/2 inches on 18 x 12 inch wove type paper. Plate signed in the lower right of the picture, faint pencil signature in the lower right of paper. Plate titled in the lower right. C. 1893. Etching, aquatint, and drypoint. From his "Les Petits Du Ballet" series. A very stylized print that showcases the stark contrast between the somber adult figure in the doorway and the bright, energetic young dancer entering the room.
Etching, image size 7 5/8 x 16 1/4 inches, 1870, state IX/XI, cat: Schneiderman-133, pencil signed. According to Schneiderman, the Agamemnon was one of the last wooden hulled warships built in England, shown here moored on the Thames, ready for demolition. Haden was commissioned to by P.G. Hamerton to create an etching of the old ship for the newly founded art magazine 'The Portfolio.'This remarkable image became one Haden's most successful prints.
This is an original drypoint etching by American artist Armin Landeck. It is titiled: "Demolition No. 1", it was created and printed in 1940 in an edition of 100. The image measures 7X9 inches. It is pencil signed and dated in the lower right border. Excellent condition.
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