18th century engraving by Jean-Rodolphe Holzhalb after J.R. Schellenberg. Image measures 6 1/2 x 4 3/4 inches in 11 x 13 1/4 inch gold frame.
18th century engraving by Jean-Rodolphe Holzhalb after J.R. Schellenberg. Image measures 6 1/2 x 4 3/4 inches in 11 x 13 1/4 inch gold frame.
Print 91 in an edition of 300. Pencil signed and titled. Plate measure 9 1/4 x 5 3/8 in a 17 x 13 black frame. Don Swann was an American artist from Baltimore who studied in Munich, Germany and Italy. His work has been shown in many cities in the United States and forms part of the permanent collections of the Metropolitan Museum, the U.S. Naval Museum, the Congressional Library, and others.
Etching, image size 9 1/2 x 7 1/2 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.
Mezzotint after a painting by G. Kneller (1697), image size 12 3/8 x 9 7/8 inches, 1752, with the text "The Rev. Thomas Burnet L.L.D. Master of the Charterhouse Obijt [there ended his life] 1715."
Etching and engraving, image size 15 1/4 x 11 inches, "L. Desplaces Sclup." l.r. and "Car. le Brun pinx." l.l., after an oil painting by Charles de Brun.
Etching, image size 9 5/8 x 8 inches, inscribed "first state," pencil signed and plate signed.
Mezzotint by Sir Frank Short measures 6 x 14 3/8 inches, pencil signed, publisher information on l.c., after a watercolor by Peter de Wint, cat: Hardie-83, 1904.
Engraving, image size 7 1/2 x 14 inches, 1734. Samuel and Nathaniel Buck were brothers who traveled throughout England and Wales making engravings of castles and ruins, known as "Buck's Antiquities."
Pencil signed, titled, and editioned. Print 207 in an edition of 250. Plate measures 9 x 11 3/4 inches on 13 1/4 x 17 3/8 inch wove type paper. A whimsical print of modernist musicians.
Etching, image size 4 1/4 x 5 1/4 inches, 1657, plate signed u.l. "A.V.V.".
Etching,1926,image size:4 3/4X4 inches,ed.100,Bpl 117,pencil signed
Etching is pencil signed and dedicated in the lower left. c. 1910. Printed on laid-type paper. 7 x 9 3/4. Oliver Hall was inspired by Sir Francis Seymour Haden, and, like Haden, his subjects are typically naturalistic landscapes.
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