Prints

Lithograph,1944,image size: 9 3/4X11 1/8",published by Associated American Artists,edition of 250, printed by George Miller, Awarded a purchase prize,Library of Congress,1945,Pencil signed

Lithograph, image size 9 3/4 x 13 1/8 inches, c. 1930s, edition of 40, pencil signed.

Engraving after Titian, two prints:Prov.Gray:3469;prov.Randall 8841, blind stamp Louvre; image size 15 x 217/8 inches; Thies: Rousselet, a designer and engraver born in 1614, studied the works of C. Bloemaert. A copy of Titian's Louvre painting was made for Mamfrini Gallery in Venice - and Schiavoni made an engraving of it. Thus two pair of the image exist.

Etching, image size: 2 7/8 x 5 1/4 inches, 1846, plate signed

Etching, drypoint, image size 6 3/4 x 10 7/8 inches, 1934, pencil signed and plate signed l.r. and l.l. "Muirhead Bone".

This beautiful etching by Luigi Lucioni measures 6 5/8 x 9 inches and is pencil signed, edition of 163, 1939, AAA label included, cat: Embury #46. Lucioni was known for his remarkably detailed etchings of the New England landscape that he could bring to life and gained worldwide attention as one of the great Regionalist artists.

Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

Etching, image size 10 3/4 x 14 1/2 inches, 1884, artist's monogram within the plate, pencil signed, l.r, printed on Japan paper.

Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

Plate signed and dated 1920. Signed "Lumsden imp" indicating that the artist printed it himself. A skillfully done portrait with a rich drypoint burr. Plate measures 5 7/8 inches x 8 1/4 inches on 9 1/4 x 11 1/8 inch thin watermarked laid type paper. The subject is the Reverend Nathaniel Royds, the father-in-law of the artist.

Etching, image size 4 1/2 x 5 7/8 inches, 1870, Harrington 144, Schneiderman 132 v/v, pencil signed

Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.

Etching on thin Japan,1900,image size 6 7/8X4 1/2",pencil signed

This a drypoint etching C. 1920. Plate measures 9 7/8 x 8 inches on 15 1/4 x 11 1/8 inch wove paper. Pencil signed in the lower right. A dynamic and joyful print with good use of plate toning. Warren Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures, many of which were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club. This image is a great example of Davis' use of delicate lines and simple compositions to elegantly capture the beauty of the female figure.

Drypoint, 1959, first prize graphic arts, Salamagundi Club award,
image size: 10 3/4 X 13 3/4" inches, pencil signed