This is an atmospheric marine etching by J. Henry Hill, after the painting by Otis Weber. The image measures 14 1/2 x 18 1/2 inches, published in 1886 by Klackner, New York, pencil signed on the lower right margin. Hill came from a family of artists and became a well known landscape and marine painter keeping with the pre-raphaelite tradition, influenced by John Ruskin and David Johnson.
This is an impressive etching and drypoint by American artist William C. McNulty. The title is: "Demolishing the Century Theater, 1931" A great industrial study done in New York City. This etching has an image size of 9X11 1/4 inches. Pencil signed and titled. Done in an edition of 75 proofs.
This is an original pencil signed etching by American artist Charles Adams Platt. The title of this work is "Pier at Larmor". It was created and printed in 1885. The image measrues 14 1/8X8 1/2 inches. One of a series of Dutch etchings that he created during this period of travel in Europe. This is included in the Platt catalog as image number P-55. Framed.
This is an original pencil signed etching by American artist Lawrence Kupferman. The title of this work is:
"Victorian Carriage House". This etching was created and printed in 1939 and is editioned as 13/100. The etching is signed and titled in the lower border, the image measures 9 3/4X11 5/8 inches.
This is an original etching by Belgium artist Jules DeBruycker. It is titled Ruelle Gand, it was created and printed in 1906. Hand signed and titled in pencil, Le Ruelle. The image measures 13 1/2X5 1/2 inches. Printed on a medium weight laid type paper. With a Van Gelder watermark.
This is an original drypoint etching by French artist Alphonse Legros (1837-1911) The title of this work is: La Ferme De Labbaye (farm at the monastery) Created and printed circa 1880, this image measures 8 1/2X11 1/8 inches. Hand signed and titled in pencil. Printed on a medium weight wove type paper with a partial watermark.
Drypoint etching C. 1927. Plate measures 6 7/8 x 9 on 9 x 12 1/4 inch watermarked David Strang paper. Catalog: Appleby 121. Edition of 100. Illustrated: Fine Prints of the Year, 1927. Numbered 63 out of 100 in the lower left in pencil, pencil signed in the lower right. Plate signed and dated in the lower right. A rich impression with drypoint burr.
This is an oriignal etching, pencil signed by British artist Mortimer Menpes (1855-1938) The title is: Under the Bridge, Japan, Nagasaki. This etching was created and printed in 1896 in an edition of 50 impressions. This has the "imp" after the artist's name which means that he printed this impression himself. The image measures 4X11 7/8 inches. It appears in the Morgan catalog as image number 165 I/III. Printed on a light weight laid type paper.
This is a fine atmospheric etching by British artist Frank Short, the title is: The Old Chelsea Bridge and Church, by the RIver Thames, it was created and printed in 1884. Hand signed in pencil the image measures 6 5/8X14 1/8 inches. Printed in brown ink on a heavy weight wove type sheet.
This is a fine original pencil signed etching by American artist Charles Woodbury . This etching is titled The Pilot, created 1916. The image measures 8 3/4X11 inches. Woodbury was born in Lynn Ma where he became known for his coastal paintings and etchings. He went to Holland in 1890 to study art, Upon his return to New England he settled in Boston for his winter studio and spent his summers in the small fishing village of Ogunquit, Maine; there he founded one of the most successful of the summer art colony schools of art.
This is a fine aquatint etching by British artist Dame Laura Knight (1877-1970) The subject is Pavlova in her role as a Grecian Dancer. It was created and printed in 1923 in an edition of 55. This etching is pencil signed and inscribed "print 2"..The image mesures 9 7/8X 6 7/8 inches. Printed on a medium weight wove type sheet.
Plate measures 10 x 7 3/4 inches on 16 1/4 x 12 1/8 inch watermarked laid type paper. State V/VIII. One of his six final plates, later chosen for publication in the review "L'Art" in 1904, volume LXIII. Catalog: Melot 122. Circa 1877. Printed in the lower right: "Ch. Daubigny. del. et. sc", in the lower right: "F. Lienard. Imp. Paris."
This is an original aquatint etching by American artist Lester G. Hornby. It is titled: Marabout Tombs, Tunis, 1909, and is described in the plate as: "Evening of the Bal Masque", the image measures 9 1/2X14 1/2 inches, pencil signed lower right corner. Printed on a medium weight laid type paper. This is a very scarce etching. It appears in the Falk catalog as image number 301.
This is an original wood block print by Jamaican artist Albert Huie. This image is titled: In The Woods, created and printed circa 1945. This woodblock is hand signed and titled in pencil in the lower border. The image measures 9 1/2X7 1/2 inches.
Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.”
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