Prints

etching,1949, Image size:6 7/8X4 7/8",pencil signed,

Lithograph after Whistler, image size 7 1/2 x 5 1/4 inches

Etching, 1880, cat. schneider-12, image size: 6 x 10 7/8 inches, plate signed.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

Etching, image size 5 3/4 x 7 1/8 inches, 1919, most likely an early artist's proof, retouched stain just below image and a reinforced broken plate mark at two corners, pencil signed, dated, and titled.

Etching, image size 7 1/8 x 10 1/8 inches, 1872

Etching, image size 5 3/4 x 7 3/4 inches, 1890, published by Klackner, pencil signed

Etching, 1882, image size 6 3/8 x 9 3/4 inches, signed in plate

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

Lithograph, image size: 20 1/2 x 16 inches, ed of 50, pencil signed lower right

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

Etching, image size 7 7/8 x 5 5/16 inches, 1881, plate signed.

This original etching, after Jules Breton, by Lucien Dautrey measures 9 5/8 x 5 1/8 inches. Created in 1885, this image was Dautrey's first important plate exhibiting it at the Salon of 1885 for which he received an Honorable Mention. Dautrey was a distinguished pupil of Courtry and Felix Bracquemond and a member of the Society of French Artists. Remarque at bottom right of woman putting on coat.

Etching, image size 7 3/4 x 11 1/4 inches, 1931, pencil signed l.r. "George C. Wales", plate inscribed l.l. "Rum and Bibles for the West Coast of Africa G.C.W. 1931". Wales was born in Boston in 1868. He studied architecture at MIT and after graduation worked at a prominent firm in the Boston area eventually opening his own. It was only when he was nearing fifty that he became interested in the art of etching. His first exhibit was in 1921, by 1923 he had "mastered" the lithography process and in 1927 Wales published a book on etchings of American ships.

Etching, sight size 5 x 4 inches, 1928, pencil signed and dated "Simkha Simkhovitch 1928", edition of 40 prints.