This is an original lithograph by Japanese American artist Yasuo Kuniyoshi. It is titled The Cyclist. It was created and printed in 1939 and originally sold through Associated American Artists in New York. The image measures 12 1/2X8 3/4 inches. Printed on a medium weight wove type paper. This lithograph is clearly signed in pencil lower right by the artist. One of his images from his circus series.
Drypoint etching C. 1900. Pencil signed in the lower right. A rare print. Repaired tear in the top edge of the paper, not in the image. An intense and brooding portrait with a rich drypoint burr. Plate measures 21 x 13 inches on 26 x 18 inch wove type paper. Helleu began his art career when he enrolled at the Ecole des Beaux Arts and worked as an apprentice for Theodore Deck, decorating ceramic plates with women's portraits. He became friends with many artists of La Belle Epoch, including John Singer Sargent, Whistler, Tissot, Monet and Rodin, and became well known for his elegant portraits of women of French society. He traveled between France and America, and in 1912 was commissioned to create the astrological ceiling decoration in New York's Grand Central Station.
This is an original drypoint etching by British artist David Muirhead Bone. The subject of this work is: Canal and Bridge of SS Apostoli, Venice. THis etching was created and printed in 1916 in an edition of 129. This etching printed in sepia toned ink measures 12 7/8X8 7/8 inches. The image appears in the Dodgson catalog as image number 351.
A remarkable etching by James McBey of the New York City skyline from Weehawken, NJ, this etching measures 8 x 14 7/8 inches, 1940, cat: Hardie-277, plate signed and dated, hand signed and numbered "XXVII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. McBey lived in New York for several years, and his images of the city are considered some of his finest work.
Etching and drypoint, early proof of this rare image, image size 7 7/8 x 11 7/8 inches, 1911, cat: Schwartz-76, inscribed "probedruck" (test print) l.l. and signed l.r. both in red crayon, blindstamp l.l. just below image. Corinth began his art career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He then returned to Germany and became a member and then president of the Berlin "Sezession".
This is an original rare etching and aquatint by German artist Heinrich Vogeler (1872-1942) The title: Weihnachten translates: Christmas, was created and printed in 1912 in an edition of only 30 impressions. This etching printed in blue toned ink has an image size of: 14 7/8X11 1/8 inches. The platemark measures 15 5/8X 11 5/8 inches. Printed on a soft wove type paper. Pencil signed lower right, published by Otto Felsing,Berlin, in pencil lower left, titled lower center border. Very fine condition, a rich impression. A fine example of German expressionism. This image is cataloged as Rief 48a.
This is an original prize winning etching by American artist John Taylor Arms. The title is Sunlight on Stone, Caudebec-en-Caux. The image created in 1931 measures 14 1/2X7 5/8 inches. Printed on an antique laid type paper, hand signed in pencil, and inscribed "Ed 100 II" lower left, also with a collectors seal "HOW" in red, lower right corner of the sheet. This image appears in the Arms catalog as number 241. This image was part of his French Church series no.31. This image won numerous awards including best print in the Arts and Crafts Association in Connecticut in 1952.
This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris.
This dramatic scene by Arthur Brisco measures 8 x 11 3/4 inches and is ink signed and numbered. Published in 1924 on laid paper, cat: Hurst-94, framed. Briscoe was one of the finest marine artists' of the 20th. century. He studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This color aquatint etching by the French Expressionist Georges Rouault measures 12 1/8 x 8 3/8 inches, plate signed, from the "Circus of the Shooting Stars" series, a group of eight color aquatints created in 1930, on Rives BFK laid type paper, initialed and dated in the plate, lower right, edition of 270, cat: Wofsy-212.
This is an original etching and aquatint from 1922. Unsigned. Plate 19 from Miserere: Son avocat, et phrases creuses, clame sa totale inconscience. Plate measures 21 x 16 inches in a silver 30 x 24 1/2 inch frame. Georges Rouault began his art career at age fourteen, when he began a five year apprenticeship painting and restoring glass. This appears to have had a heavy influence on his cloisonnist style, with the heavy black contouring and glowing colors resembling leaded glass. He began attending evening classes during this apprenticeship and in 1891 entered the École des Beaux-Arts, where he studied under Gustave Moreau. A devout Roman Catholic, his work was often religious, exploring themes of sin and redemption. Rouault is often associated with the Fauvist and Expressionist movements.
Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"
This is a fine original etching by American impressionist artist Frank Benson. The title is Elisabeth, a portrait of the artist's oldest daughter. This image was created and printed in 1918 in an edition of 150 signed impressions. The image measures 10X8 inches. A fine impression with plate tone, there is some old glue residue on the back of the sheet where it was held down to a backing board. Not into the image area. Clearly signed in pencil. A scarce image, This image appears in the Ordeman catalog as image number 150. This etching is housed in a period Foster Brothers,Boston, Gilt Frame.
This is an original color aquatint and drypoint etching by French artist Manuel Robbe. This image is titled "Le Dernier Roman" The plate measures 20 1/2X14 1/2 inches. It is hand signed in pencil in the image and editioned as number 55. This etching is framed and originally sold by Merrill Chase Galleries, label on the back.
This is a fine Modernist lithograph by Russian born artist Alexander Archipenko. The title is: Coquette. This lithograph, printed in blue is hand signed lower right in blue pencil. The image measures 14X10 inches. It was published by Associated American Artists in New York, in 1950. It was printed in an edition of 150, it appears in the Karshan catalog as image number 31. Archipenko was active in the Cubist Movement while living in Paris, he later moved to the USA. This lithograph is framed and in very fine condition, the original AAA Label is on the back.
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