This is an original etching by American artist John Taylor Arms. This etching is pencil signed,dated and numbered as Ed.100. The image measures 7 1/4X6 3/4 inches. This impression is from the 1st state of 3. This award winning etching was entered in an exhibit by the New York Watercolor club, part of their Black and White show in 1932. This etching was originally sold by Kennedy and Co in New York. Framed with original label.
This is an original aquatint etching by French artist Manuel Robbe. The title is; Fleur d'Automne, created and printed in 1903 in an edition of 65, this one is numbered as 55/65 lower left border and hand signed in pencil lower right border. The image measures 19 1/2X14 7/8 inches. Printed on a medium weight laid type paper. This image appears in the Merrill Chase catalog as image number 46. Fine rich impression.
Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y. 1943; the First Prize in Black and White Section at the 12th Annual Exhibition of the Irvington Art and Museum Association, Irvington, N. J. 1945; and the First Prize in Black and White at the Annual Art Exhibition of the Bridgeport Art League, Bridgeport, CT. 1945.
This is an original etching by American artist of the Ash Can School, John Sloan (1871-1951) The title is Mars and Bacchante, it was created and printed in 1915 in an edition of 100 proofs. This one is hand signed and titled in pencil by the artist. The image measures 4 1/4X6 inches. Printed on a medium weight laid type paper, Printed by Charles White.
This is an original lithograph by Japanese American artist Yasuo Kuniyoshi. It is titled The Cyclist. It was created and printed in 1939 and originally sold through Associated American Artists in New York. The image measures 12 1/2X8 3/4 inches. Printed on a medium weight wove type paper. This lithograph is clearly signed in pencil lower right by the artist. One of his images from his circus series.
This is a fine original etching by American artist James Whistler. The subject is: Steet at Saverne, it was created and printed in 1858. This etching was part of the French Set, It is signed lower left,"Whistler", and also has the publishers name and address lower right edge of the sheet., "Imp, Delatre, Rue St. Jacques". This image was created in 4 states, this one is 3/4. The image measures 8 1/8X6 3/16 inches. Printed on an antique laid type paper
This is an original rare etching and aquatint by German artist Heinrich Vogeler (1872-1942) The title: Weihnachten translates: Christmas, was created and printed in 1912 in an edition of only 30 impressions. This etching printed in blue toned ink has an image size of: 14 7/8X11 1/8 inches. The platemark measures 15 5/8X 11 5/8 inches. Printed on a soft wove type paper. Pencil signed lower right, published by Otto Felsing,Berlin, in pencil lower left, titled lower center border. Very fine condition, a rich impression. A fine example of German expressionism. This image is cataloged as Rief 48a.
This color aquatint etching by the French Expressionist Georges Rouault measures 12 1/8 x 8 3/8 inches, plate signed, from the "Circus of the Shooting Stars" series, a group of eight color aquatints created in 1930, on Rives BFK laid type paper, initialed and dated in the plate, lower right, edition of 270, cat: Wofsy-212.
This is a fine color aquatint etching by French artist Manuel Robbe. The title of this work is Cabinet de Toilette. It was created and printed in1904 in an edition of 65. It is hand signed by the artist in pencil and inscribed bon a tirer. It was published by Edmond Sagot in Paris. The image measures 17 1/2X11 3/4 inches. Nicely framed with archival materials.
Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"
This is a very fine original hand colored aquatint etching by French artist Manuel Robbe. The title is: La Tasse De The', it was created and printed in 1906 in an edition of 100. The image measures 19 1/4X 14 3/4 inches. Printed on a medium weight laid type paper, "Arches" watermark. Very fine condition, hand signed in pencil in the lower right in the image.
This is an original color aquatint and drypoint etching by French artist Manuel Robbe. This image is titled "Le Dernier Roman" The plate measures 20 1/2X14 1/2 inches. It is hand signed in pencil in the image and editioned as number 55. This etching is framed and originally sold by Merrill Chase Galleries, label on the back.
This dramatic scene by Arthur Brisco measures 8 x 11 3/4 inches and is ink signed and numbered. Published in 1924 on laid paper, cat: Hurst-94, framed. Briscoe was one of the finest marine artists' of the 20th. century. He studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original etching and aquatint from 1922. Unsigned. Plate 19 from Miserere: Son avocat, et phrases creuses, clame sa totale inconscience. Plate measures 21 x 16 inches in a silver 30 x 24 1/2 inch frame. Georges Rouault began his art career at age fourteen, when he began a five year apprenticeship painting and restoring glass. This appears to have had a heavy influence on his cloisonnist style, with the heavy black contouring and glowing colors resembling leaded glass. He began attending evening classes during this apprenticeship and in 1891 entered the École des Beaux-Arts, where he studied under Gustave Moreau. A devout Roman Catholic, his work was often religious, exploring themes of sin and redemption. Rouault is often associated with the Fauvist and Expressionist movements.
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