An atmospheric etching by Charles Mielatz of a quiet New England harbor, image size 7 1/2 x 22 3/4 inches, published in 1890 by Fiskel, Adler and Schwartz, New York, signed and dated in the plate, with a starfish remarque in the lower margin.
An atmospheric etching by Charles Mielatz of a quiet New England harbor, image size 7 1/2 x 22 3/4 inches, published in 1890 by Fiskel, Adler and Schwartz, New York, signed and dated in the plate, with a starfish remarque in the lower margin.
Etching with sepia ink, image size 9 1/8 x 12 inches, 1883, cat: Tyler-100, plate signed and dated.
Etching, image size: 18 3/4 x 29 3/8 inches, after C.D. Clement, published by Klackner, 1884, plate signed
This 1845 etching by the French artist Charles Jacque measures 5 1/8 x 7 1/2 inches, plate signed, state VI/VIII, previously sold by AAA in New York. Label included.295
This is an original etching by American artist Stephen Parrish. The title is "Belleville on the Passaic, 1879" It was one of the earliest and rarest etching by parrish. The image measures 5 1/4X10 7/8 inches. This etching is plate signed and titled. It is not pencil signed. This image appears in the Schneider catalog as image number 4.
Etching, image size 12 1/2 x 10 inches, pencil signed, copyright 1888 by Klackner, NY.
This is an original etching by American printmaker Charles Yardley Turner. This etching titled The Strike was created after the painting by Hubert Herkomer. Published by Gebbie in 1891, Plate signed by both artists in the lower margin. The image measures 11 3/4X7 inches. Printed on a heavy wove type sheet,
Etching, image size 3 x 5 3/4 inches, c. 1880, plate signed l.r. "JM Falconer" and pencil signed l.r. "Falconer". Falconer was a Scottish-born American etcher, painter, and watercolorist. He belonged to the New York Etching Club, and was made an honorary member of the National Academy of Design in 1856. He is known for his picturesque sites of older buildings and rural ruins. Falconer was a friend of Thomas Cole, Asher Durand, Jasper Francis Cropsey and other artists of the Hudson River School. His works are in the collections of the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; the New-York Historical Society; the Brooklyn Museum of Art; and the Columbus (Georgia) Museum.
Etching, image size 10 3/4 x 16 3/8 inches, pub 1885, plate signed and dated with an additional pencil signature by the artist. Landscape depicting a small town and church steeple nestled among the trees with a slow moving river in the foreground.
Etching, image size 4 x 5 3/4 inches, cat. Platt 54, 1884, plate signed.
Etching measures 5 1/2 x 7 1/2 inches in an 11 1/4 12 7/8 inch black frame. C. 1880. Plate initialed and dated in the lower right. Catalog: Klackner 9. Published in 1880 by the American Art Review. A dark and detailed print with a rich drypoint burr. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter-Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.
Etching, 1885, image size 18 3/4 x 10 11/16 inches, platesigned
Copyright 2021· All rights reserved