Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", Schneider 136.
Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", Schneider 136.
Etching, image size: 4 5/8 x 8 1/4 inches, 1888, After de Neuville, signed in plate lower left, pencil signed lower right
This engraving by James Smillie measures 15 x 22 3/4 inches. Created after four paintings by Hudson River School founder Thomas Cole, this early lettered proof impression, published in Boston by L.A. Elliot, reads, "From the original Painting by Thomas Cole, in the possession of Rev.d Gorham D. Abbott, Spingler Institute, New York", under the title on the lower margin. Also included on the lower margin is a poem by J.H. Daniels. In 1842 Thomas Cole did a series of paintings that represented an allegory for the four stages of life; childhood, youth, manhood, and old age. Each phase accompanied by a guardian angel. In "Old Age" the voyager is looking across the river of life towards an angel filled sky, ready to enter the kingdom of heaven. Cole's paintings were converted to engravings after his death and widely distributed during "The Third Awakening", a period of religious activism from the late 1850's to the early 1900's.
This is a rare original lithograph by American artist and lithographer William Morris Hunt. The image size is 7 1/2 x 5 5/8 inches, published in a small edition in 1857, after the painting by Hunt which is now in the collection of the MFA Boston. William Morris Hunt was one of the earliest American lithographers. He was also a painter and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.
This is an original early etching by American artist Joseph Pennell. The title is: Covered Street, Florence, it was created and printed in 1883 in a very small edition. Hand signed by the artist in his early style of signature that he used in the 1880's. This image measures 10X7 inches, printed on a medium weight wove type sheet. Extensive use of plate tone in this impression. The image appears in the Wuerth catalog as image number 58.
Etching, image size: 3 7/8 x 5 inches, 1888, cat. schneider-145, pencil signed lower right.
Etching, image size 10 3/4 x 14 1/2 inches, 1884, artist's monogram within the plate, pencil signed, l.r, printed on Japan paper.
This is an atmospheric original etching of a herd of sheep by American artist John Austin Sands Monks. Image size 11 x 16 1/2 inches, c. 1880s, shepherd's crook remarque in the lower right corner, pencil signed. A rich impression with beautiful plate tone and ample margins on Japan paper.
Etching, 1882, 9 1/2 x 15 inches, plate signed. Published by Fishel, Adler and Schwartz, London.
This is an original etching by American artist Thomas Moran, this image done with roulette, sandpaper ground, drypoint and retroussage to create the etching. The title of this work is:
"The Coyote-Arizona, also known as "Twilight in Arizona".. This etching was created and printed in 1880. It is plate signed with the TM monogram in the lower left corner of the image, printed on a medium weight wove type paper. The image measures 5 7/8X8 3/4 inches, A very rich impression of this important etching by Moran. This image appears in the Gilcrease catalog as image number 36.
This is a fine pencil signed etching by American artist Edith Penman (1860-1929) The title is Landscape, thought to be the Orchard at St. John's College, created and printed in 1888. This etching has an image size 3 1/4X4 7/8 inches. Printed on Japanese vellum paper. Another impression of this etching is in the collection of The Parrish Art Museum in Southampton. Nicely framed with archival matting.
Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.
Etching on thin Japan,1900,image size 6 7/8X4 1/2",pencil signed
This is a scarce etching by American artist Charles Adams Platt. It is titled: The Harbor of Naples, it was created and printed in 1887. The image measures 5X7 5/8 inches. Pencil signed lower right border, framed with a label from H.V. Allison & Co, New York,
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