This is an original etching by American artist Joseph Pennell. The title of this work is: "Carriage Approach to Pennsylvania Station, N.Y. This etching was created and printed in 1919, in an edition of only 50.
The image measures 11 3/4X7 inches, hand signed in pencil lower border. The signature has the imp after the artists name meaning that he printed this one himself.
Etching, Artist's Proof with numerous fingerprints left during printing, image size 8 3/8 x 10 3/4 inches, not included in the Wuerth catalogue, inscribed in the plate lower left "Chelsea Church," pencil signed
This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever. And the long drive out over the sacred way, the long, quiet day; and the long drive back, with the Acropolis growing more and more majestic in the twilight, were perfect."
This etching done in 1907 by Joseph Pennell measures 10 7/8 x 8 1/2 inches. It is pencil signed on the lower margin by the artist and is #463 in the Wuerth catalog. Known as an etcher, lithographer and illustrator, Pennell was also close friends with fellow artist James McNeill Whistler. He taught at the National Academy and the Art Students League of New York City.
Etching, image size: 8 3/4 x 11 inches, 1903, edition of about 50 (Wuerth 288), pencil signed and titled
Etching, image size 9 7/8 x 7 inches, 1924, edition of 75, cat: Wuerth-847, as "Orange Street, Brooklyn," plate signed in reverse, titled in pencil at the bottom of the sheet, pencil signed.
Etching, image size 9 3/8 x 12 1/2 inches, 1910, edition of 50, cat: Wuerth-602, pencil signed and titled.
Etching, image size: 9 7/8 x 6 7/8 inches, 1924, cat. Wuerth-837, edition of probably 75, pencil signed lower right
Etching on fine laid paper, 1909, image size 8 1/2 x 11 inches, edition of about 40, cat. Wuerth- 546, pencil signed "JoPennell imp" l.r., "Five Towns" l.l.
This is an original etching by American artist Joseph Pennell. The title of this work is: "Royal Windsor". It was created and printed in 1903 in an edition of 35. The image measures 6X11 inches, printed on a thin laid type paper, some finger prints from the printing in the borders and on the back of the sheet. Pencil signed in the lower border. This image appears in the Wuerth catalog as image number 279.
Original etching by American artist and author Joseph Pennell. This is a very early image by this important artist. It is titled: "San Gimignano", it was created and printed in 1883. This etching is signed and dated lower right in the plate, not hand signed. This impression was published in Germany and has the "Original Radirung von J.Pennell" in the lower edge of the plate. The image measures 10 3/8X8 inches, printed on a warm toned wove type paper, very fine condition. The image appears in the Wuerth catalog as image number 52. Nice use of plate tone in the forground.
This 1906 etching by the American artist Joseph Pennell measures 12 x 5 inches, pencil signed, printed by the artist, 1906, cat: Worth-433, edition of probably 50.
Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes.
This is a very rare early trial proof etching by Joseph Pennell, one of the foremost American etchers of the early 20th century. The plate size is 11 x 8 5/8 inches; the image itself measures 10 x 8 1/4 inches. It was created in 1906 and is pencil signed by both Pennell and Goulding, the printer. It is notated 'trial proof' in the lower right corner, the later published state of this image is #411 in the Wuerth catalog. As is typical of Pennell's prints, the margins are small, but adequate for proper presentation. This etching comes with original label from Frederick Keppel & Co, New York.
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