Etching/drypoint, image size 8x6 inches, 1919, Hardie 165, edition of 100, pencil signed with artists blind stamp.
Lee-Hankey was a very gifted drypoint artist known for his portrait studies of the local folk of Brittany.
Etching/drypoint, image size 8x6 inches, 1919, Hardie 165, edition of 100, pencil signed with artists blind stamp.
Lee-Hankey was a very gifted drypoint artist known for his portrait studies of the local folk of Brittany.
Drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left. Plate measures 8 7/8 x 11 1/2 inches.
This is a fine original etching by American artist John Taylor Arms. This etching is titled The Red Mill, also called The Red Barn, Southport. The image measures 11 1/8X7 1/4 inches. This pencil signed impression done in etching and aquatint was published in 1922 in a first edition of 25. Beautiful tonal range and fine composition with extensive reflections in the water. This etching was later printed with some color in the barn and sky. Nicely framed with French matting.
Lithograph, image size 9 1/2 x 13 1/4 inches, 1st state of 2, cat. Walterskirchen-187, framed, pencil signed lower right
This is an original hand signed wood block print by Jamaican artist Albert Huie. The title of this work is Road Mending, created and printed circa mid 1940's. The image is signed and titled lower border, the image measures 7 3/4X5 7/8 inches, Good condition.
Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.”
This is a fine original wood engraving after Homer, published in Harpers Weekly in September 20, 1873. This is a wood engraving with the original Harpers written story on the back of the sheet. This is perhaps the best known of the large double paged images that were ever done for Harpers. The image measures 13 9/16X 20 5/8 inches on a total sheet size of 15 15/16X21 7/8 inches. Very nice condition, museum matted and framed. The title Snap the Whip, after the painting by Winslow Homer. This image was engraved by W. H. Lagarde.,.
This is an original pencil signed lithograph by American artist Joseph Pennell. He traveled down to Panama in 1912 to record the building of the Canal. He created a series of lithographic images from that trip. This image is titled: The Cut From Culebra. It was created and printed in 1912 in an edition of 100. The image measures 22 1/2X17 inches on a sheet size of 25 1/2X20 1/2 inches. Printed on a Fabiano watermarked laid type paper.
This is an original etching with drypoint and aquatint by French artist Felix Buhot. The title is Le Retour des Artistes, The Return of the Artists, created and printed in 1877, This is the 4th state of 4 published by Cadart in Paris. The image measures 8 1/8X12 1/2 inches. Signed, titled and dated in the plate lower left. Cataloged as Bourcard-Goodfriend 125. Printed on a medium weight laid type sheet with "C.F." watermark.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
This is an original etching by British artist Arthur Briscoe. The title is: "Manning the Pumps". This etching was created and printed in 1931 in an edition of 75. This etching is hand signed and editioned in pen and ink by the artist. The image measures 12 1/4X9 1/8 inches. "The action shows the men manning the pumps which are in the waist of the ship, the wettest part of all when seas are coming aboard". This etching is framed with archival materials.
This is an original etching by French impressionist Edgar Degas. The title is, "AutoPortrait", Self Portrait. It was created in 1857, this is the Forth state of 4, after the cancellation marks. Delteil 1.
The image measures 9X5 3/8 inches. printed on a cream wove type paper. Unsigned as issued.
This is an original pencil signed lithograph by American artist Joseph Pennell, as part of his Panama Canal Series, this image is titled: Official Ancon-Administration Buildings, created and printed in 1912. The inmage measures 22X 16 1/2 inches, on a Fabiano watermarked laid type paper which has a sheet size of 25 1/2X20 1/2 inches.
This is a fine drypoint etching by Scottish artist James McBey. This scene from his Venice series is titled: Bridge at Night, it was created and printed in 1925. This image is hand signed in sepia ink and numbered as XL.of an edition of 60 impressions. The image measures 9 3/8X5 15/16 inches. Printed on a laid type sheet, blue hued paper. Catalog number Hardee 232.
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