This is a rare early engraving by Johannes Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. One side of the sheet shows the 'Betrayal of Christ', the other 'Agony in the Garden'.
Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.
Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.
Etching, BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzleman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete, regarded by Heintzleman as the last of the great Montmartre singers. Young man with guitar is Fredie's son.
Lithograph, 1946,image size,13 3/4X9",Edition of 250,published by Associated American Artists,Printed by George Miller,pencil signed
Etching from the series "The Life of Saint Monique," image size 6 7/8 x 4 5/8 in, 1930, monogram in plate
This is a drypoint etching from February 1931. Edition of 100. Catalog: BPL 104. Pencil signed in the lower right, pencil numbered 35 out of 100 in the lower left. Plate measures 14 1/4 x 9 1/2 inches on 16 1/2 x 11 1/2 inch Rives watermarked wove paper. A well inked, exquisitely detailed etching. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
Etching, image size: 7 x 10 1/8 inches, pencil signed, 1919, ed. 3/50
Engraving 13 in an edition of 30. Pencil signed, titled and editioned. C. 1930. 4 1/4 x 7 inches on 10 3/4 x 13 3/4 inch light wove type paper.
Etching, image size: 10 3/4 x 8 1/2 inches, 1909, cat. Guerin-53, inscribed 1st etat, pencil signed lower right
Etching, image size 7 5/8 x 4 5/8 inches, c. 1930, unsigned, printed on laid paper, re-strike.
Etching, dry point, image size 10 7/8 x 9 3/8 inches, ca. 1936, signed and titled in pencil, also plate signed. Edition of 25 for the NYC WPA. "Federal Art Project/NYC WPA" stamped in l.l.
7 x 7 inch etching on 8 3/4 x 11 1/2 inch watermarked wove-type paper. Pencil signed in the lower right, plate initialed in the lower left. 1st state, C. 1898. Catalog: Bliss 593.
This lovely image of a young girl by the English printmaker Mortimer Menpes measures 5 3/4 x 3 1/2 inches and is pencil signed with an "imp" after his name indicating he was the printer. Etching and drypoint, dated 1882 in the plate. Menpes attended the School of Art in London in 1878 and started exhibiting at the Royal Academy in 1880. He became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself.
Engraving, after Raphael;4th state w/ coat of arms erased - center lower edge - and traces of the erasure.
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