Etching, image size 6 7/8 x 8 1/2 inches, pencil signed.
Color Etching, c. 1940, ed. less than 25, image size: 7 1/8 x 14 3/4 inches, pencil signed
Lithograph, image size: 11 x 16 1/2 inches, edition of 100, signed in ink
Lithograph, image size 6 x 7 1/4 inches, 1858, plate signed and dated. William Morris Hunt was one of the earliest American lithographers. He was also a painter, and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.
Etching with drypoint by Ernest Haskell measures 10 5/8 x 5 inches, plate signed, 1923. This was a presentation print for the Brooklyn Society of Etchers. Ernest Haskell was born in Connecticut and in the early 20th century spent time in both New York and Paris. While in Europe he met Whistler and was inspired to take up etching; his style was greatly influenced by the work of Whistler as well as that of Rembrandt, Da Vinci and Durer.
A drypoint etching from 1867. First state of three. Printed before lettering. Plate signed and dated in the upper left. Plate measures 9 1/4 x 6 1/2 inches on chine colle. A richly detailed print with ecstatic, intricate linework.
This is an original drypoint etching by British artist Henry Rushbury. The title is: "Old Deal", created in 1920, this etching has an image size of 6 7/8X7 inches. Pencil signed lower right border, inscribed "30 impressions", this is an early state of three.
Pencil signed "H A Webster" in the lower right. C. 1930. Catalog: Webster 105. Plate measures 7 3/4 x 10 7/8 inches on 9 3/4 x 12 7/8 inch watermarked arches laid type paper. Signed artist's proof. Plate destroyed. This print has a rich drypoint burr and dramatic use of light and shadow. Herman Webster was an American artist who moved to Paris in the early 20th century to attend the Academy Julien. There he studied under J. P. Laurens and Eugene Bejot, and was also greatly influenced by the etchings of Whistler and Meryon. He traveled extensively throughout Europe, specializing in finely detailed architectural views, cityscapes and landscapes.
A wonderful etching depicting a band of strolling musicians and their caravan, by the British etcher, Sir Frank Short, measures 6 7/8 x 9 7/8 inches. Pencil signed on the l.r., Hardie cat: 335, 1907.
Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed
This is a very fine original etching by British artist Ian Strang (1886-1952) This image titled: Place Cassanyes, Perpignan, was created and printed in 1920. It is pencil signed lower right by the artist and has an image area of 6X9 inches. Rich use of plate tone in the sky and sand. Very nice condition, printed on a medium weight laid type sheet.
This rare, early 20th C. etching by Francis Hopkinson Smith measures 9 7/8 x 7 1/2 inches, pencil signed and titled. Smith was an author, artist and engineer, writing many books but also known for his atmospheric watercolors and oils. In his early years he is credited with building the foundation for the Statue of Liberty. At the age of 50 he gave up his engineering career and devoted the rest of his life to writing and painting.
This lithograph of the First Congregational Church in Old Lyme measures 12 3/4 x 17 inches. It is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
Etching by the British artist Sir Francis Seymour Haden measuring 5 7/8 x 8 7/8 inches, pencil signed, plate dated, 1877, cat: Schneiderman-155. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers and was knighted in 1894.
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