Prints

This is an original drypoint etching by French artist Paul Helleu.  This view of a Woman with Hat in Profile, was created and printed circa . 1905.  The image measures  21X13 inches. Identified lower right border.  Fine condition, printed on a wove type sheet.

This is an original Arthur Briscoe etching, titiled: "Heavy Canvas", this etching was created and printed in 1931 in an edition of 75.  The image is hand signed in pen and ink and editioned in the lower border.  The image measures 13 1/2X8 3/8 inches.  The subject shows four men making fast the crossjack of a four masted barque.  This etching is archivally framed.

A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

This is an original etching with aquatint and drypoint  by French artist Manuel Robbe.  The title is: Nu Se Coffant, ca.  Nude Combing her Hair, circa 1906.  This etching is hand signed in pencil upper right within the image.  This is a rare black and white impression.  The image measures 19 1/2X13 inches. 

This is an original color aquatint and etching by French artist Manuel Robbe.  The title is Place Pigalle, it was created and printed in 1925 in an edition of 200 published by L'Estampe Moderne.  The image measures 11 1/4X15 3/8 inches.  Hand signed in pencil lower right border.  Place Pigalle is in the 9th arrondissement of Paris, in Montmartre.

Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.

This is an original pencil signed etching by German expressionist Lovis Corinth.  The title is Salome, created and printed in 1919, this impression is numbered 28/150.  The image measures 7 5/8X9 7/8 inches.  Printed on a medium weight wove type sheet, with a Collectors stamp William P. Moor on the back of the sheet.

Colored softground and aquatint from 1925. Numbered 65 in an edition of 300. Catalog: Novak 432. Pencil signed in the lower right, numbered in the lower left. Plate measures 11 5/8 x 15 1/4 inches on 15 1/8 x 19 inch watermarked wove type paper. An atmospheric etching that captures the bleak weather with splashes of color. F. Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts. Simon was an exceptional painter and printmaker, and is best known for his atmospheric color etchings and aquatints, such as this wintry Paris scene.

This is an original soft ground etching and aquatint by Austrian artist Tavik F. Simon.  The scene is: The Kiosks on the Grand Boulevards, in Paris.  This etching was created and printed in 1926 in an edition of 200, published by G. Petit, Paris.  The image appears in the Novak catalog as image number N.123.  The image measures 13 3/4X16 3/4 inches.  This etching is in the early frame with french matting.  Pencil signed lower right and numbered 6 of the edition.

This is an original pencil signed etching by American artist Otto Kuhler.  The image is titled: Steamboat  Wharf, created and printed in 1925.  The image measures 8X10 3/4 inches.  "Although best known for his industrial designs, Otto Kuhler (1894-1977) is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's." (Philadelphia Print Shop)

Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.

This is an original drypoint etching by British artist William Lionel Wyllie.  The title is: Old Waterloo Bridge, London, created and printed circa 1920.  The image measures 7 1/2X14 inches.  hand signed in pencil lower left border.  Wyllie was one of the leading British marine artists at the turn of the century .  Nicely framed, last sold by Harrods LTD in London.

This is an original etching and aquatint by French artist Louis Legrand.  This image was created for his series, La Petite Classe, created in 1908.  This pencil signed and editioned etching is titled: Entree de Scene  (stage Entrance)  It has a plate size of 15 3/4X11 1/4 inches.  It has the number 7/100 from the edition of 100, published by G. Pellet, Paris.  A fine impression on Japon ou velin paper.

This is a fine example of the excellent portraiture by British artist Gerald Brockhurst.  THis portrait created and printed in 1944 is of Mary Mellon, the wife of well known founder of Washington's National Gallery of Art Paul Mellon.  The image measures 10X8 inches, and is hand signed and dated in pencil lower right border.  Printed on a medium weight wove type sheet.  A beautiful rich impression, Brockhurst at his best... Reference, Fletcher 81, printed in an edition of 75.

This is an original etching with aquatint and drypoint by French artist Louis Legrand.  The title is: L'Habillage (Dressing)   a back stage view done for  the La Petite Classe, a series of 12 images  that Legrand created as a portfolio in  1908.  The image measures 16 3/4X11 3/4 inches.  This was the 4th state of 5 which includes the Remarque of a racehorse, printed in an edition of 30.  Signed in pencil and numbered,14/30.  This image appears in the Arwas catalog as image number 369.  This etching printed on a buff toned sheet is archivally framed.  This image was used as the cover of the Arwas catalog.