Prints

Etching, image size 12 x 9 7/8 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

Engraving after Le Gros, 1730, image size 13 3/4 x 9 7/16 in, sheet 15 1/4 x 10 3/4 in, Randall 3730, Fogg Museum provenance

Engraving after Giorgione, 8 3/4 x 6 5/8 inches

Etching restrike, after Rembrandt, image size 5 1/2 x 5 1/8 inches, initialed in plate.

This is an original pencil signed study of the Crucifixion .  This etching was created by German artist Friedrich Ritschel (1901-) The image measures 15 3/4X15 1/2 inches.  It appears to be early 20th century, printed on a medium weight wove type paper.  Very richly inked.

This is an original pencil signed etching by British artist Mabel C. Robinson (1875-1953)  The title of this work is: A Marsh Road, created and printed circa 1910, the image measures 5 1/4X8 1/4 inches.  Printed on a medium weight laid type paper.

Drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith 92, inscribed "ED 100" in pencil on verso, pencil signed

Aphrodite

Etching, image size 9 3/8 x 5 3/8 inches, pencil signed and titled. Hobbs was a well known artist from Ohio who studied art at the Art Institute of Chicago. He traveled extensively through Europe and the US before settling in New Orleans. He won many awards and honors for his work, and spent two summers as a resident at the MacDowell Art Colony in Peterborough, NH.

This is an original etching and aquatint by American artist Samuel Margolies.  This view of a Farm in winter is pencil signed lower right border, printed in an aqua toned ink. The image measures  8 1/4X11 3/8 inches.  Printed on a medium weight laid type paper with a partial watermark.

A beautiful atmospheric etching by Samuel Margolies measuring 8 1/8 x 9 3/4 inches, pencil signed, AAA label included, c. 1935. Margolies trained at the National Academy of Design and the Beaux Arts Institute. From 1935 until 1939 Margolies participated in the Works Progress Administration program as a printmaker. His work is in the Society of American Etchers and the Library of Congress in Washington D.C.

Etching, image size: , Dated 1911, ed 25/110, pencil signed,image size 11 5/8X12 3/8 inches.

This is a scarce original wood engraving by American Modernist Leonard Baskin.  The title is: Three Women Before a Plain, created and printed in 1952.  The image, pencil signed, measures 3 1/2X4 1/2 inches on a sheet size of 17X17 inches, printed on a thin japan type sheet,  The image appears in the Fern O'Sullivan catalog as image number 214.

A drypoint etching from 1920. Catalog: B-223. Pencil signed in the lower right. Plate 7 3/4 x 12 3/4 inches on 11 1/2 x 16 inch watermarked laid paper. A richly inked impression with a rich drypoint burr. Soper was a master at showing Horses at work in the old British farm lands.

Fac Simile of A apital Initial of the Presentation in the Temple, Draw and Engraved by George Lewis, 1817, Published in London by G.R. Lewis.  "Drawn and Engraved by G,,R Lewis, / from the / Missal executed by Francesco Veronesi & Giralomo dei Libri, [...]', 'Published Decr 1817 by G. R. Lewis 29 Duke Street, St,, James's' and 'See Dibdin's Bibliographical Decameron Vol I Page CXLII'.  Etching and Stipple engraving on chine colle.  The image measures 5 3/4X5 1/4 inches on a sheet of laid type paper which measures 13 7/8X10 3/8 inches.  One copy of this impression is found in the British Museum.

This is a fine original etching by French Barbizon artist Adolphe Appian.  The title is: Au Valromey.  This etching was created and printed in 1868, this is a very rare impression done on a thin laid type paper before the addition of the type setting below the image as it was published later by Cadart . published in Paris by Cadart & Luce (fl.1867–1870/1) as plate 6 to the art periodical in its first year, “L'Illustration nouvelle par une société de peintres-graveurs à l'eau-forte”, vol. 1, 1868. The image measures 4 1/8X7 5/8 inches.  Signed in the plate upper right corner of the image.