etching/drypoint, 87/250, 10 3/4x7 1/4, pencil signed
Color woodblock, image size 13 9/16 x 10 13/16 in, signed in pen lower left
Etching, 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed
A richly toned etching by George Hand Wright measuring 8 7/8 x 11 7/8 inches, pencil signed and titled. George Wright studied at the Academy of Fine Arts in Philadelphia, Paris and Munich before settling in New York where he was an illustrator for Harper's and The Saturday Evening Post. He exhibited at the Art Students League and was a member of the Salmagundi Club and the Society of American Etchers.
Engraving after Merelle. Randall 13952. Image size 16 1/4 x 12 5/8 in, sheet 16 5/8 x 12 3/4 in.
Pencil signed in the lower left corner, etching measures 4 3/8 x 9 1/8 inches on laid-type paper.
An original engraving by Jean Jacques Avril after the painting by Dutch artist Nicolaes Berchem (1620-1683). The image size is 18 5/8 x 26 5/8 inches, printed by C Weisbrod in 1776, with thread margins.
A fine etching in sepia ink by Sir Francis Seymour Haden, one of the most important British etchers of the 19th century. This image measures 6 x 8 7/8 inches, 1892, state III/III, cat: Schneiderman-207, pencil signed. A richly inked impression with very nice plate tone.
This 1936 etching by the American artist Walter Locke measures 11 7/8 x 8 1/4 inches, pencil signed, dated and titled. AAA label with artist provenance included, edition of 250, c. 1938.
Lithograph, image size: 7 1/2 x 5 3/4 inches, from "Les Hommes Abandonnes," framed
Drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right
Etching and drypoint,image size 9 7/8X7 1/2 inches, pencil signed
German Expressionist figure study c. 1916. Printed on wove-type paper, 6 1/4 x 5 inches on 12 1/2 x 9 3/4 paper. Artist signed in pencil.
Drypoint, image size 9 1/8 x 6 3/4, 1939, edition of 300, cat. BPL-273, pencil signed.
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