A wonderful painting by the "father of Russian Futurism", David Burliuk. Oil on canvas board, 13 x 13 inches, framed, signed on the lower left. Painted with heavy impasto brushwork. Burliuk studied at the Royal Academy in Munich and at the École des Beaux-Arts in Paris. In his most active period he participated in many important avant-garde exhibitions in Kyiv, Moscow, St. Petersburg, and Munich. The appearance of the Futurists, as they called themselves, liked to wear gaudy waistcoats, sometimes painted animals on their faces, and wore wooden spoons in their lapels. Their performances drew packed audiences, scandalized many, but also won many new converts to this new vision of art. Burliuk’s exuberance for life, his creative force, and his celebration of the new left a lasting impact on the history of modernism. His later work reflected the life in rural Russia. This image is an expression of his memories of childhood in Russia at the turn of the century.
This is an original oil on canvas painting by American marine artist Harry Chase. The title is: Windy Day Coast of Holland. It is signed and dated , Scheveningen 1879 in the lower right corner and titled on the back of the canvas. The painting measures 20X36 inches and is in a fine carved gilt picture frame. This painting was created during his time studying in Holland under Mesdag and Gerdts. He was strongly influenced by the Hague School of Dutch Impressionism. He brought back to America many of his paintings done in those three years in Holland. These paintings were brought back to St. Louis where they were offered in a solo show at Pettes and Leathe Gallery in St. Louis in 1880. All of his paintings were sold at this show.He also illustrated the catalog with etchings of his paintings.. This one, A Windy Day, was purchased by Marc Holmes of St. Louis, later Chicago. A fine impressionistic view of the Coast of Holland. We have extensive information about the provenance of this work.
William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase. Framed oil on canvas, 25 x 48 inches. Provenance originally sold by Doll & Richards, label on back. Painting is in original custom frame. Signed in the lower right with the word "munchen," meaning it was painted in Munich. Circa 1879.
This is an original early William Preston Phelps painting titled: The Homestead, N.H. This oil painting from circa 1890 has a canvas size 18X30 inches. It is in a heavy Gold Leaf frame of the same period as the painting. There is a couple of old labels on the back. The painting is in good shape, no evidence of restoration. Signed lower left corner. The house in view is most likely Phelps own in Chesham New Hampshire.
This is an early still Life of Flowers, oil on chamfered panel by American artist Abbott Fuller Graves. Created circa 1900 this painting is signed lower left corner and has an image size of 8 5/8 X 6 5/8 inches. Good condition with a few minor cracks in the panel, unobtrusive. This painting is housed in a period gilt frame. Graves worked with both Edmund Tarbell and Childe Hassam who he met while studying in Paris at the Academie Julian. The former owner purchased this painting at Christies Auction House, N.Y. at their American Painting sale of March 1992.
This is an impressive large seascape by American Marine painter Franklin Dullin Briscoe. This view of fishing boats at sunset, oil on canvas with an image size of 28X50 inches. It is signed and dated lower right corner, 1873. This painting came to us in a fine modern cove style gilt frame. The overall size of the frame is: 34X56 inches. One of the best Briscoes weve seen.
This painting of a lakeside cottage is by American artist Henry Pember Smith (1854-1907) This oil on canvas measures 12X16 inches. Signed lower right corner. Framed in a period carved and gilt molding. Very fine condition, one tiny repair in the upper left, invisible to the eye. His landscapes are his best known works, particularly those of New England, Spain, Italy, England. "Working primarily in oils and watercolors, and using a tighter technique than the emerging impressionists of his time, Smith was a true realist."
This is an original William Preston Phelps painting of Cows watering in a stream. This oil on canvas is clearly signed lower right corner. The image measures 12X18 inches and is in a period gold leaf frame. This painting is in excellent original condition, no flaws or imperfections. Phelps was the well known painter of the Monadnock region of New Hampshire. This work dates to circa 1900.
This is an original oil on canvas painting by American artist Charles Harry Eaton. It is a fine costal view with sailboats on the horizon. This painting measures 14X20 inches and is in a fine newcomb macklin carved picture frame. It is signed lower right corner. A fine expressive costal view by this well known New York artist.
This oil on canvas painting of an Autumn Stream was the work of American Tonalist Franklin de Haven (1856-1934). This painting measures 30X24 inches. It is signed lower right corner and was created circa 1918. A fine tonalist study of a stream at a lower angle of view. de Haven was a member of the Salmagundi Club where he had numerous shows and won many awards for his impressionistic works of art. This painting was quite similar to the one illustrated on page 464 of the Cleveland Book on American Tonalism.
This is an original oil on board painting by Canadian artist Albert Edward Cloutier ((1902-1965) Signed lower center, this painting has an image area of
29X35 inches. It came to us in what appears to be the original frame with the Walter Klinkhoff Gallery,Montreal, label on the back. The title of this work is:
"Winter Lac Ouimet, Mont Tremblant", it is a view of the Laurentian Mountains of Quebec. Albert Cloutier was a painter, commercial artist and muralist who grew up in Montreal. He also lived in Ottawa and during his time as a war artist was posted in several locations in eastern Canada. He was a member of the R.C.A. and also the CSGA. He moved to Saint-Hilaire, Quebec in 1959 where he lived the rest of his life. His mediums were primarily oils and graphics. His subjects were landscapes, commercial art and (during the war)the military. His style was expressionist and greatly influenced by the Group of Seven.
He studied art under A.Y.Jackson and Edwin Holgate. And from 1955 until 1965 he taught at the École des Beaux-Arts in Montreal.
This is an original oil on canvasboard painting by American artist Charles Paul Gruppe (1860-1940) This painting is signed lower right Char P. Gruppe. On the back is an old label with the title: In a Dutch Canal, Delft. This painting from circa 1900 has a canvas size of 8X11 1/2 inches. Housed in a reproduction 19th century gilt picture frame.
This is an original painting by American artist Platt Powell Ryder. This scene of the Village Market Place was painted circa 1870, signed by Ryder lower right with ANA after his name, when he was an established member of the National Art Academy. The painting is oil on board, framed underglass. Excellent condition in what appears to be the original 19th century frame. The painting itself measures 7 3/4X10 1/4 inches. The frame itself has some chips to the corners.
This is an original oil on canvas painting by European/American artist Hendrick Dirk Kruseman Van Elten. The subject of this painting is a river scene at sunset. It measures 12X22 inches, signed Kruseman Van Elten Lower right corner. The painting is in a period gilt frame. This painting was most likely from the late 19th century, circa 1870's.
Oil on canvas, 18 x 23 1/2 inches, There is a partial obscure signature and date in the painting lower right, the early label on the back is from the gallery of Charles G. Calder who was a well known Providence, R.I. painting dealer, also on the back is a partial label from Whitaker studios. This is a fine Barbizon style landscape painting by American artist George William Whitaker. Whitaker was a teacher and important painter in Providence R.I. and was known as an American tonalist, influenced by George Inness and Alexander Wyant. At a young age he traveled to Paris where his paintings became heavily influenced by the Barbizon painters of the Fontainebleu, especially the talented Francois Millet. George Whitaker's excellence in art is equaled to his contribution to the development of a Rhode Island art community. He was instrumental in recognizing the need for an organization to nurture and support the talented artists within the state. The Providence Art Club was formally instituted in 1880 by Whitaker and his friends Sydney Burleigh, E.M. Bannister and Charles Walter Stetson.
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