Featured Artwork

This is an original lithograph by French artist Georges Rouault.  This is a portrait of Gustave Moreau, the teacher and mentor of Rouault.  It is known as the portrait in the little hat.  This pencil signed impression is the 3rd state of 4 with the edition of 25.  It was later published in state 4 with an edition of 350.  This lithograph was created and printed in 1926.  The image measures 9 1/8X6 3/4 inches.  This image is cataloged as F. 57.

This is an original lithograph by American artist Mabel Wellington Jack.  The title is Farm Lad, it was created for the WPA, The Federal Art Project N.Y.C...  Hand signed and titled in pencil, wpa stamp lower left.  The image measures 13X9 7/8 inches.  Printed on a medium weight Rives BFK wove type paper.  A very rich impression of this scarce image.  A New York born artist who was active on the NYC-WPA.. Her work is in many museums including the Smithsonian.

This is a fine original pencil signed etching by British artist Gerald Brockurst.  Created and printed in an edition of 111 impressions in 1931.  This image measures 9X7 1/4 inches.  Nicely framed with archival materials.  An impressive portrait, one of his finest etchings.

This is an original pencil signed and numbered lithograph by American artist Stow Wengenroth.  The title is: Homeward Bound, Port Clyde, created and printed in 1956 in an edition of 45.  The image measures 10 3/4X15 5/16 inches.  Printed on a medium weight wove type sheet.  This image appears in the Stuckey catalog as image number 232.

Etching, plate size: 15 5/8 x 23 5/8 inches, image size: 13 3/8 x 21 5/8 inches, 1887-1888, cat. Schneider-133, remarque lower left, inscribed lower right: "Selected for Mr. E. Q. Kennedy", printed by H. Wunderlich & Co., New York, on parchment, pencil signed lower right.

This is an original drypoint etching by British artist William Russell Flint.  The title is Aragonese String Makers, it was created and printed in 1930.  It is editioned as impression number XXVII...  The image measures 9 1/2X14 3/4 inches.  Printed on an early laid type paper, R.G. 1820.  The image is signed in sepia ink lower right border.  A very rich inking with extensive use of plate tone in the sky and land.  A beautiful impression.  This image was reproduced  for  the book "Fine Prints of the Year, 1931, published by Malcolm Salaman

This is an original color woodblock print by French artist Auguste Lepere (1849-1918)  The title of this work is: Bucolique Moderne, Modern Arcadia.  It was created and printed in 1882.  Printed on a medium weight wove type paper.  This printing is the first state of V.  The image measures 10X15 inches.  Pencil signed and dated in the lower right border.

This is a fine experimental etching by American artist Joseph Pennell.  The title is: Whitehall Court, created and printed in  1903 in an edition of 60.  The image measures 10 1/2X8 inches. The lights of the Charing Cross Bridge in the foreground and reflected in the water.  This image is in the Wuerth catalog as image number 275, pencil signed lower border, printed on a light weight laid type sheet.  A well inked impression.  This etching was last sold by Frederick Keppel in New York, the original label is included.

Aquatint, image size 10 1/2 x 16 1/4 inches, 1918, cat. Hardie-163, pencil signed. One of Short's largest aquatints, this scene depicts two fishermen on the Bure at Stokesby Ferry near Acle in Norfolk.

This is an origiinal etching by California artist Armin Hansen.  The title is: Returning Fishermen, created and printed in 1925.  The image pencil signed  and titled and measures 6X7 7/8 inches.  Fine condition, printed on a medium weight laid type sheet.  This image appears in the White catalog as image number 74.  "Armin Carl Hansen (1886–1957) was an American prominent painter of the en plein air school, and a native of San Francisco, best known for his marine canvases. His father Herman Wendelborg Hansen was also an artist of the American West. Armin Hansen studied at the California School of Design (now the San Francisco Art Institute), and in Europe. He achieved international recognition for his scenes depicting men and the sea off the northern coast of California. He was elected an Associate to the National Academy of Design in 1926"

This is a fine industrial etching by American artist   Otto Kuhler.   "Monster & Midgets". 1928. The image measures 9 3/8 x 12 7/8. inches.  Etching. Signed in pencil. Edition: 75. Excellent condition. Although best known for his industrial Designs, Otto Kuhler  is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's. "This merging of industry and art proved so successful that after years of submitting designs, a locomotive based on Kuhler's designs was built. The engine, Hiawatha, rolled out of the Schenectady, New York yard in May, 1935. It was the first streamlined steam locomotive to be built from scratch in America. This signaled the start of the next phase of his career- as a successful industrial designer."

Etching with drypoint, image size 9 1/4 x 11 1/2, 1934, edition of 40, pencil signed and numbered. This print is also in the MoMA collection.

This is an original etching by American artist Otto Kuhler.  The title is: The Queen and the Slaves, created and printed in 1926.  This impression is pencil signed and inscribed as "Trial Proof, ltd edition 10 proofs", 1926.  The image measures 9 1/2 X13 1/4 inches.  Fine use of plate tone in the sea and sky.  The subject is the German liner, Breman.  The later published edition done in 1930 was of only 40 ...

This is a fine original etching by American artist John Taylor Arms.  The title is: Notre Dame de Paris, created and printed in 1925 as part of his Churches of France series.  This impression is pencil signed, printed in an edition of 150, the image measures 12 3/8X13 15/16 inches.  It appears in the Fletcher catalog as image number 167.  A combination of etching with aquatint.  One of his finest etchings of europe.

This is an original drypoint etching by French artist Jules Pascin 1885-1935.  The title is Bal Tabarin, ( The tabarin Ball) created and printed in  1926 in an edition of 100, this impression is hand signed in pencil and numbered 30/100.  The image measures 11 1/4X13 1/4 inches.  "Pascin was Bulgarian and moved to Paris in 1905. He exhibited at various Paris art shows and was also an exhibitor at the Armory Show in New York in 1913. He moved to New York with his lover, Hermine David, and they eventually married in 1918. Like Toulouse-Lautrec, Pascin drew upon his surroundings and his friends as subjects. Nightlife scenes, such as this one, were typical of his artwork"