This is a very rare early proof etching by Jacques Villon titled "La Pedicure". The image size is 9 1/4 x 6 1/2 inches; this print was published in 1907 in an edition of 50, although this is an early state before the published edition. It is pencil signed and notated "Essai" which translates as "test" or "trial". This image is very richly inked with beautiful plate tone and has several of the artist's fingerprints in black ink around the edges of the sheet, all away from the image. This is a truly remarkable early state etching by a very important 20th century artist and would make an excellent addition to any serious collection.
This is an original pencil signed etching by French artist Jacques Villon. The title of this work is: "Maternite", it was created and printed in 1952, it is editioned as 15/75. The image measures 11X7 1/2 inches.
Framed, in very fine condition.
A great sporting etching by American artist and member of 'The Ten', Frank W Benson. Image size 13 7/8 x 11 3/4 inches, 1928, edition of 150, cat: Ordeman-278, printed on Whatman paper, pencil signed. Frank Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
A great sporting etching by Frank Benson, this image measures 14 x 10 7/8 inches, 1922, cat: Ordeman-213, pencil signed. A very rich impression on a medium weight laid type paper. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
This is a striking original etching by British artist Gerald Brockhurst. The image size is 4 7/8 x 5 3/4 inches, published in 1928 in an edition of 111, pencil signed, framed, with a label from the Vincent Price Collection. Although Brockhurst is known for his remarkable portraits, this is one of his finest, most sought after etchings. Born in England and found to be artistically talented at an early age, Gerald Brockhurst was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him. He became well known for his classically styled portraits etched with a remarkable sense of detail and texture. Framed
Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.
A superb portrait of Brockhurst's first wife Anais, this etching measures 8 3/4 x 6 1/4 inches, published in 1927 in an edition of 111, pencil signed. Born in England and found to be artistically talented at an early age, Gerald Brockhurst was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him. He became well known for his classically styled portraits etched with a remarkable sense of detail and texture.
This is one of the most impressive etchings by American artist Stephen Parrish. It is titled: "A GLOUCESTER WHARF", it was created and printed in 1886. It was one of three plates that Parrish did exclusively in dry point. The image is quite large, measuring 17 7/8X11 7/8 inches, printed on a medium weight wove type hard paper, A beautiful impression with extensive use of plate tone in the sky and sea. Printed with brown ink, fine condition. The Oil,Sounds & Livers advertised on the building are important fisheries products. Sounds are fish air bladders ground up for use in making isinglass. Parrish made very few etchings in a vertical format. (rona schneider)
Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed
This remarkable etching is one of Eby's finest prints, and is featured on the front cover of the Giardina catalog. The image size is 8 5/8 x 15 5/8 inches, published in an edition of 100 in 1931, cat: Giardina-168, pencil signed "Kerr Eby imp", the 'imp' indicating that Eby printed this impression himself. This image is one of several landscapes Eby made depicting his house in Westport, Connecticut and with it's rich tonal range and vivid contrasts, it is by far one of his most impressive images. This etching features a very richly inked impression on a medium weight watermarked wove type paper.
This is a cool original oil on canvas painting of Nymphs in the forest. A fine tonalist work.
It appears to be signed lower right but we cannot make out who the artist was. The work looks to be from the 1920's, The canvas measures 30X22 inches. The canvas has be relined in the past, housed in a rustic frame that goes well with this tonalist impressionist work of art.
This is a beautifully colored etching and aquatint by French master of the Belle Epoch, Manuel Robbe (1872-1936) The title of this work is" Claudine" it was created and printed in 1903 and Published by Sagot in Paris. The image measures 12X9 3/4 inches, printed on a medium weight Arches watermarked laid paper. deckeled edges, a very rich impression, excellent condition. Robbe studied at the Academie Julien and then the Ecole des Beaux Artes. His technique of hand coloring the images means that no two are exactly alike, a very painterly technique.
Aquatint, image size 10 1/2 x 16 1/4 inches, 1918, cat. Hardie-163, pencil signed. One of Short's largest aquatints, this scene depicts two fishermen on the Bure at Stokesby Ferry near Acle in Norfolk.
Etching, plate size: 15 5/8 x 23 5/8 inches, image size: 13 3/8 x 21 5/8 inches, 1887-1888, cat. Schneider-133, remarque lower left, inscribed lower right: "Selected for Mr. E. Q. Kennedy", printed by H. Wunderlich & Co., New York, on parchment, pencil signed lower right.
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