Etching, image size 8 13/16 x 11 7/8 inches, Wuerth 807, printed on Arches wove paper, plate signed "JPennell 1923" pencil signed "J Pennell" l.c., private plate, etched for the Brooklyn Edison Co.
Etching, image size 8 13/16 x 11 7/8 inches, Wuerth 807, printed on Arches wove paper, plate signed "JPennell 1923" pencil signed "J Pennell" l.c., private plate, etched for the Brooklyn Edison Co.
A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.
This is an original pencil signed etching of New York City by American artist Joseph Pennell. The title is: Trinity Church from the River, 1904. The image measures 11 3/4X8 3/8 inches. Printed in an edition of 25. This image appears in the Kennedy Catalog as image number 324... This etching was last sold by Kennedy Galleries in New York in 1920. This image is the 2nd state with some changes mostly in the dramatic sky.
Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.
Lithograph, 1875, image size: 7 1/2 x 7 7/16 inches, initialed in plate
This is a fine engraving with drypoint by French artist Philippe Mohlitz. This image is titled: C'est arrive a la antiquaire, created and printed in 1972. The image measures 9 1/4X6 3/4 inches. Hand signed in pencil and numbered 14/60. A fine impression in nice condition, nicely framed. Kersten 44.
This is a fine highly detailed etching by British artist Stanley Badmin, created and printed in 1929 this image is titled: The Old Ash. The image measures 5 1/2X4 inches, pencil signed and numbered: 4/40. Printed on a Buff toned wove type sheet. "Badmin's interest in the stark shapes of leafless trees silhouetted against the skyline is a subject that he frequently pursued.This image shows an old Ash tree near Balcombe, in Sussex. This image appears in the Beetles catalog as number 12.
Engraving after J. Andray, image size 21 1/4 x 16 1/4 in, sheet 22 7/8 x 16 7/16 in, engraved at the age of 19, Randall 3927, Fogg Museum provenance
This is an original etching by American artist Frank Benson. The image titled: After Sunset was created and printed in 1917 in an edition of 152. The image measures 6X8 inches, fine condition, printed on Shogun paper. This image appears in the Ordeman catalog as image number 113.
This is a fine drypoint etching on copper by American artist Frank Benson. It is titled: Over Currituck Marshes, created and printed in 1926 in an edition of 150. The image measures 7X11 7/8 inches. Hand signed in pencil. This image appears in the Ordeman catalog as image number 259. Printed on Whatman Paper.
This is an original etching and aquatint by French artist Georges Rouault, take from his Miserere Series. Plate 56: En ces temps noirs de jactance et d'incroyance, Notre Dame de la Fin des Terres Vigilante / In these dark times of vainglory and unbelief, Our Lady of the Ends of the Earth keeps watch (C&R. 109c). Original aquatint, drypoint, burnisher, roulette, scraper, 1927. 450 impressions for the Miserere, Rouault's masterpiece and one of the most important series of the twentieth century. Signed in the plate and dated 1927 at lower center left (there are no pencil-signed proofs). A beautiful impression of this climactic image. Image size: 23X17 inches.
This is an original etching and aquatint by French artist Georges Rouault. From his Miserere series. Plate 30: "Nous . . . c'est en sa mort que nous avons été baptisés" / ["Know ye not, that] so many of us [as were batised into Jesus Christ] were baptised into his death?" [John 13: 34] (C & R 83e). Original aquatint, drypoint, burnisher, and roulette. 450 impressions signed bottom left (the date of this print is not visible and there are no pencil-signed proofs) for the Miserere, one of the greatest print cycles of all time. Here we are shown St John the Baptist baptising Jesus while the Holy Spirit in the form of a dove hovers above, confirming the words of St John in plate 28. Image size: 21 1/2X 16 1/2 inches.
Engraving after Giulio Romano; Holy Family "with the Lizard" Prov. Gray: 753; Thies: The picture is in the Gallery of the Pitti palace in Florence. Passavant, Rafael, 11.No.230,Copy a.A repetiton of Raphael's Holy Family "under the Oak Tree" in the Madrid Gallery. Passavant,II.230.
Impression with the engraver's address
Engraving after Poussin, image size: 19 5/8 x 25 13/16 inches, paper size 21 1/2 x 30 1/8 inches; Prov. JW Randall: 1498; watermark c.l.
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