This is an original oil on canvas painting signed "F. Yoshida", lower left. This artist is Fujio Yoshida (1887-1987)
Fujio was the wife of the well known woodblock artist Hiroshi Yoshida and the Mother of Toshi. She was the first female in the Yoshida family to become a well known artist. Fujio was known for her western style paintings. This painting measures 20X24 inches. It is housed in a hand carved wooden frame. We assume the painting to be from the late 1930's to possibly 1940.
This is an early oil on oak panel from German artist Henrich Hintze (1800-1861) This painting measures 9 3/4X13 inches. It has the artist's monogram H.H. lower right corner. There is an inscription in German on the back of the panel. It reads approx. "die gegend bei richielsberg voin schildhorne gesehen n. o n. voin h. hintze" The painting is in good condition, there is a repaired crack in the panel but it is not obtrusive. The painting is dated 1832 under the inscription on the back.
Watercolor on paper, signed and dated lower right, 1807, 20 x 27 inches in a gold 29 x 25 inch frame. A beautifully detailed watercolor that remains vibrant, even after over 200 years. Ramsay Reinagle first studied under his father, Phillip Reinagle, before going on to study in Italy, Holland, and Rome. Reinagle painted portraits, historical subjects, animals, and landscapes. He exhibited at the Royal Academy and the Society of Painters in Watercolours.
This 1862 oil on canvas by the British artist Alfred Vickers measures 11 3/4 x 15 3/4 inches, signed and dated l.l., housed in original frame, partial European label on back. Born in London, Vickers was a self-taught landscape painter, who exhibited at the British Institute and the Royal Academy.
This is an original oil on mahogany panel by Belgian artist Henri Van Seben (1825-1913) This view of two young girls measures 9X6 1/4 inches. Signed lower left corner and housed in a period gilt frame, labels and import stickers on the back of the panel. This painting done circa 1870 is in fine condition, a few minor chips to the frame. A very expressive work of art.
Sheep grazing at the end of the day are featured in this oil on canvas by the French painter, Francois-Auguste Ortmans. Canvas size is 13 x 16 inches, signed and dated l.r., , identified on a printed German label affixed to the stretcher also with a canvas stencil from Ancienne Maison Valle, Paris, on the reverse,
This is a very fine original 19th Century painting in the style of Marinus Adrianus Koekkoek (1807-1868). Oil on panel, 7 1/4 x 8 7/8 inches, c. 1850, unsigned, in an ornate period gilt frame. Although this painting is unsigned, the style and subject are very reminiscent of the work of Dutch artist Marinus Adrianus Koekkoek, who was known for his delicately painted atmospheric landscapes.
This is an original tempra painting on artist board by German artist Max Feldbauer. This painting, At the Train Station, is identified on the back of the board with labels from both "Karl Schneider in Munchen" and also "Original der Munchner Jugend, Munchen"..The painting appears to be unsigned, but possibly appears to have a faded signature in the lower left. The painting has an image size of 12X18 inches. Nicely Framed.. Very rich colors and in good condition. An interesting post impressionist style circa 1890-1900.
Framed watercolor portrait, sight size 7 1/2 by 5 1/2 inches in 12 3/4 x 10 Italian carved gilt frame. Signed and dated in the lower right corner. Inscription on the back of the frame has the artist's name, date, and the name of the sitter, Lady Adelaide Horatia Elizabeth Seymour. Lady Seymour lived from 1825-1877 and married Vice Admiral Spencer.
Corbaux belonged to the Society of British Artists and the New Society of Painters in Watercolors in 1839.
This is an oil on canvas painting by British Marine artist George Knight. The image of sailboats on a windy day has a canvas size of 10X14 inches. It is obscurely signed lower left. It came to us in an early heavy period gilt frame. The painting is framed underglass. The frame has some chipping mostly on the edges. The painting has a few minor touch ups. A fine example of a British School marine scene.
This is an original watercolor on Ivory painting, circa 1820. This miniature came to us sealed in a bronze frame with domed glass. The image measures 4 1/4X3 1/2 inches. The painting is signed lower right, Cales....? Possibly French in origin, there appears to be some minor foxing on the work, its possibly just on the glass inside, but this work is sealed up and weve been unable to open it. The backing appears to be of tortoise shell. Overall in good shape a bit of damage to the floral design at the top of the frame. Our photo shows reflection on the left and right edges of the painting, these do not appear on the original artwork.
This is an original watercolor and gouache painting by Italian artist Maria Gianni. This view of Naples has an image size of: 19 1/2X12 1/4 inches. It is in a 19th century walnut frame which measures 26X18 1/4 inches. The painting is signed lower right corner. Gianni, was well known for her views of Naples at the turn of the century. Very fine condition.
This is an original oil on paper modernist floral still life. No visible signature, The sight size is 13X10 1/2 inches, nicely framed with a linen mat and white fillet. The work looks to be early European 20th century. In the style of Odilon Redon. Very thickly painted. Over all frame measures 28X21 inches
This is a painting by Danish artist Carl Erik Baggoe. It is a Nocturne study of a sidewheeler and sailing ships by moonlight. The painting is signed lower left and dated 1877. The medium is a combination of watercolor, ink and pencil. Painted on a medium weight stiffened paper. The painting is blued toned monochromatic, The painting measures 4 5/8X7 inches. Nicely framed.
Attributed to Paul Sandby. Painting measures 5 1/2 x 7 3/4 inches. 1800's. A vibrant and energetic painting despite the gray palette. Paul Sandby, the brother of Thomas Sandby, was an English engraver and painter. He began his artistic career as a landscape painter and draftsman for the Scottish military. As a printmaker, Sandby popularized the use of aquatint, and was considered to be the father of British watercolors. In 1768 the brothers were both among the twenty-eight of the original members of the Royal Academy.
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