Prints

Etching,image size 7 3/4 X 8 inches, 1918, edition of 100, Hardie 152, artist blindstamp, pencil signed.

Engraving after van Dyk; de Beauvais was a student of G. Audran; Engraved for the Dresden Gallery; prov. Fogg Museum, JWRandall Coll 14088; image size 12 3/16 x 13 3/8 inches; plate size 14 5/8 x 14 5/8 inches

Engraving after Raphael; prov.Randall 3739;According to Thies "Baron Rumohr (Italienische Forschungen, III.p.119) considers it, mentioning this very engraving, a very fine repetition or duplicate, and by no means a mere copy, of the well known picture, for the Cabinet Crozat, Np 28."

Etching, image size 8 3/4 X 5 inches, subsequent to Hardie, artist's blindstamp, monogram, pencil signed.

This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894. Haden created a number of remarkable etchings featuring scenes of fishing in the British countryside, of which this is one of his finest.

This is an original etching by French artist Auguste Louis Lepere.  The title is: La Mare de la Prairie, Crèvecoeur, it was created and printed in 1913.  This appears to be an earlier state.  The image measures 6X10 inches.  It has the edition as 27/35.  This etching is hand signed in pencil lower right, printed on a medium weight laid type paper.  THis image appears in the Saunier catalog as image number 404.

This is an original etching by American 19th century printmaker, Stephen Parrish.  The title is: A Showery Day, St. Augustine  This image was created and printed in 1884.  The image measures 5 5/8X9 5/8 inches.  It is hand signed in pencil and has the title written in the artists hand in the lower margin.  Printed on a medium weight wove type paper.  This image appears in the Schneider catalog as image number 100.

This is a pencil signed etching by American artist Stephen Parrish.  The title is: On the Rance, Brittany.  It was created and printed in 1887.  The image measures 4 3/4X9 1/4 inches, printed with a warm toned ink.  A small imperfection at the upper edge of the plate.  It appears to have been a flaw in the copper plate.  This River runs through Dinan on its way north to St. Malo in Brittany.  This etching is framed with archival materials.

This is a dramatic wood engraving of Pounding Surf on the Coast of Maine  by American artist, Leo Meissner.  The title is: Irresistible Force, created and printed in 1936.  This image is pencil signed and titled by the artist, printed in an edition of only 50.  The image measures 10X13 3/4 inches.  Very fine condition, matted not framed. Printed on a smooth wove type sheet.

This is an original pencil signed engraving by Argentinian artist Hemilce Saforcada. The image measures 18X11 1/4 inches.  This image is numbered as 2/5.  Later appears in the book Portrait of Latin America as seen by her print makers, 1946.  Printed on a medium weight wove type sheet.  On the back is a collector stamp "Zorin Collection"

This is an original pencil signed lithograph by American artist Stow Wengenroth.  This image is titled: Woodland, New Hope, Pennsylvania, created and printed in 1950 in an edition of 55.  The image measures 14 1/2X11 7/8 inches.  This print appears in the Stuckey catalog as image number 188.  Printed on a medium weight wove type sheet.

Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

Etching, image size: 12 3/4 x 10 5/16 inches, pencil signed

Etching, image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

This is a beautiful, intimate portrait of a Depression-era worker by Albert Abramovitz. Linocut, image size 7 x 4 1/2 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris. While in Paris he was a member and juror of the Paris Salon, and won the Grand Prize at the Universal Exposition in Rome and Turin, Italy. In the 1920s Abramovitz emigrated to America, first the west coast then settled in New York City where he lived for the rest of his life. He created a number of prints for the WPA, and his work was included in exhibitions by the Union of American Artists, the American Artist's Congress, the ACA Gallery and the National Academy of Design.