This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.
Lithograph, image size: 14 1/2 x 11 inches, numbered 7/20, blind stamp lower left, pencil signed indistinctly lower right
This is an engraving of Charles X of France, created by Adolphe Caron, circa 1800's, identified as an "India Proof before letters", The image measures 16 3/8X9 3/8 inches. lower border,"Grave por Adolphe Caron...
Woodblock print, image size 13 5/8 x 12 1/4 inches, This print is titled: "Ship Building, Nova Scotia". and was created and printed by Albert Potter c. 1930...This is an unsigned proof.
This is a fine original etching by American artist John Sloan. The title is Jewelry Store Window, aka Carlotta's Indecision. It was created and printed in 1906. the image measures 5 3/4X3 3/4 inches. This is a plate signed impression, not pencil signed. The image appears in the Morse catalog as image number 140.
Etching, image size 9 1/4 X 12 1/2 inches, pencil signed
This 1985 image by Barry Moser titled "Homestake Foundry" measures 4 x 7 inches, in an edition of 350 and is pencil signed by the artist on the lower margin. This is a series of 25 images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design. His prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of these images that it is a "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.
This matted and framed Victorian image, created in 1911, measures 12/1/2 x 10 1/2 inches. It is pencil signed in the lower right corner with a publishers blindstamp on the lower left margin. "Copyright Published January 1st, 1911, Vicars Brothers, 12 Old Bond Street, London." is printed across the top margin. Wilson was a master of the English mezzotint revival style of the early 1900's.
Engraving after G.B. Cipriani, image size: 11 x 9 inches
This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.
This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.
This is an original pencil signed and titled etching by American artist Kent Hagerman. The subject is: The Fairchild Pack plane, C120 created in 1947. This image measures 6 3/4X9 3/4 inches. Part of a series that he created while working for Fairchild Aviation in Hagerstown Md.
Etching, image size 10 x 8 3/8 inches, 1883, plate signed u.r. "I.M.Gaugengigl 1883".
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