This is an original etching and aquatint image by French master Georges Rouault. The title of this work is: "Femme Affranchie A Quatorze Hevres Chante Midi" (Emancipated woman, who has lost her bearings) It was part of the Miserere series that Roualt created in 1923. This etching was published by Ambroise Vollard in an edition of 450 and has his Vollard watermark in the sheet. The image is plate signed G. Rouault,1923 lower left in the image. This etching was never hand signed by the artist. It appears in the Wofsy catalog as image number 124. The platemark measures 22X17 inches, The condition is excellent no tears, or stains. This etching is not framed.
This is an original etching, and aquatint by French master Georges Rouault. The title of this work is "Chantez Matines,le jour renait"< (Sing Matins, a new day is born) This etching was created in 1922 as part of the Miserere series. This is plate number 29. It was published by Vollard in an edition of 450. It is signed lower left corner of the image. This etching was never pencil signed. It appears in the C& R catalog as number 82d., The image measures 20 X 14 5/8 inches. Nice condition, a line of toning in the border from an earlier window mat.
A beautiful etching by Sir Francis Seymour Hayden measuring 7 x 13 inches, pencil signed on l.r., Schneiderman cat: 37, state VI/IX, 1860, printed on japan paper, label from Harlow and McDonald included. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894. This print was exhibited at the Royal Academy in 1861, under "H. Dean," the anagram of Haden.
Drypoint etching, image size 7 7/8 x 4 7/8 inches, edition of 100, 1919, Hardie 168, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest works.
A truly remarkable original lithograph by Joseph Pennell, this image measures 21 1/8 x 16 5/8 inches, published in 1913 in a very small edition of 50, pencil signed, from Pennell's series of lithographs created in his travels through Italy and Greece. Printed on a cream colored laid type paper with the watermark "Ingres PMF Italia". In his book "In the Land of Temples", Pennell writes of this image, "Night was falling as I was coming back from drawing by the river Ilissos. The subject was the most impressive I saw in the Land of Temples, and in the gathering darkness I drew it as well as I could."
This is a beautiful, intimate etching by the renowned French Barbizon artist Jean Francois Millet (1814-1875). The image size is 6 x 5 1/8 inches, plate size 7 1/4 x 6 1/4 inches, state V of VI, cat: Delteill- 17, plate signed and dated. This etching, based on the painting of the same name, was created by Millet for the 'Gazette des Beaux-Arts' in 1861. This is a very richly inked inked impression, printed on a medium weight laid type paper with ample margins.
This 1928 original etching by Arthur Briscoe measures 13 3/8 x 8 3/4 inches, pencil signed and numbered, 10/75, cat: Laver 116, plate titled and dated, published by H.C. Dickins. This spectacular image was created at the height of Briscoe's popularity, depicting the dangerous and challenging daily routines aboard a seafaring vessel. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.
A great sporting etching by American artist and member of 'The Ten', Frank W Benson. Image size 13 7/8 x 11 3/4 inches, 1928, edition of 150, cat: Ordeman-278, printed on Whatman paper, pencil signed. Frank Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
This is an original color aquatint etching by Austrian artist Luigi Kasimir. The title of this work is: "Fleet Street,London", circa 1930, one of his best works. The view is of St.Pauls and Ludgate Hill from Fleet Street.
The image measures 21 1/4X17 inches. very nice condition, pencil signed in the lower left border, printed on a wove type paper. It appears in the Kasimir catalog as image number 10.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original drypoint etching by British artist Edmund Blampied. The title is: "The Butterfly", it was created and printed in 1928 and is editioned as 25/100. The image measures 9 5/8X7 7/8 inches, pencil signed lower right and printed on a cream laid type paper with the F.J. Head watermark. Very fine condition, this is one of Blampied's most impressive images. It appears in the Appleby catalog as image number 133.
A great sporting etching by Frank Benson, this image measures 14 x 10 7/8 inches, 1922, cat: Ordeman-213, pencil signed. A very rich impression on a medium weight laid type paper. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
This is an original pencil signed etching by French artist Jacques Villon. The title of this work is: "Maternite", it was created and printed in 1952, it is editioned as 15/75. The image measures 11X7 1/2 inches.
Framed, in very fine condition.
Etching, aquatint, and drypoint. IV/VII state. April 1st, 1908. Catalog: Arwas 363. Seven states. Plate signed in the upper right, pencil signed and numbered in the lower right. Collector's stamp in the lower right. Numbered 89 in an edition of 100. Image size measures 15 3/4 x 11 1/4 inches on 20 1/4 x 14 1/4 inch wove type paper. A dramatic, ethereal print with a wide tonal range, using light to convey that the dancer is about to go onstage.
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